ACT 2 QUOTE ANALYSIS Flashcards

quotes and respective analyses of act 2

1
Q

Escalus: “Let us be keen, and rather cut a little,
Than fall, and bruise to death.”

A

the first time Claudio’s sentence was argued against.

Escalus essentially warns Angelo of his excessive severity and asks him if he hadn’t a similar moment of weakness, if he had been at the right place at the right time, would he have resisted this bodily desire. this heavily foreshadows Angelo’s future actions explicating him giving into temptation.

it can be speculated he had not felt such emotions before towards any woman in the past but his interactions with Isabella and the subsequent desires he felt after should have made him empathetic to Claudio’s ‘slip’. and perhaps it momentarily did. but the fear of his actions being publicized, for the sake of his reputation Angelo decides upon Claudio’s execution anyway.

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2
Q

Angelo-“‘Tis one thing to be tempted, Escalus,
Another thing to fall.”

A

incredibly ironic and in my opinion one of the most prominent dialogues of foreshadowing.

his general argument that follows is; if a crime goes unreported justice cannot attend to the matter, but if it comes to light, what justice sees, justice grabs.

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3
Q

Angelo- “Let mine own judgment pattern out my death,
And nothing come in partial.”

A

more foreshadowing, surprisingly he strives to live by this when he is exposed in Act 5 and craves absolute justice.

this may also serve as evidence that he is in fact a mostly moral man with a fatal flaw- seen in many other major characters in other Shakespeare plays such as Othello and Macbeth.

he presents a similar ideology as the one in Sermon on the mount: “with what measure ye mete, it shall be measured to you again”

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4
Q

Escalus- “Some rise by sin, and some by virtue fall”

A

important commentary on Vienna’s judicial system by Escalus. many get ahead by lying, scheming, sinning and others fall by doing good. this not only describes the inequity of the justice system it describes the inequity of how the world works.

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5
Q

Elbow- benefactors for malefactors; profanation of Christians instead of profanation of thieves; detest wife instead of protest wife; cardinally for carnally; varlets for escalus and angelo; respected for suspected; Hannibal (Carthaginian general) instead of cannibal)

A

malapropism- use of incorrect similar words in the stead of the actual words

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6
Q

Escalus: “Mercy is not itself, that oft looks so;
Pardon is still the nurse of second woe:”

A

addressing that consequences are needed and mercy is not always good.

the scales of justice represent balance, there must be balance between mercy and justice, for that is true justice.

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7
Q

Isabella- “There is a vice that most I do abhor,
And most desire should meet the blow of justice;
For which I would not plead, but that I must;
For which I must not plead, but that I am
At war ‘twixt will and will not.”

A

here we see Isabella’s feelings towards her self contradictory actions on clear display, she herself proclaims she’s at war with herself: virtue vs love, mind against heart.

a parallel to Angelo’s soliloquy(explicating similar feelings over the matter of heart and his prized virtue) which appears later in the act

in this aspect both give into their hearts, while Isabella gives in for her love for Claudio- and fights for his life, Angelo gives in to his love or rather lust.

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8
Q

Isabella- “No ceremony that to great ones ‘longs,
Not the king’s crown, nor the deputed sword,
The marshal’s truncheon, nor the judge’s robe,
Become them with one half so good a grace
As mercy does.”

A

Very akin to Portia’s speech in Merchant of Venice about the mercy as a most godly quality.

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9
Q

Isabella- “I would tell what ‘twere to be a judge,
And what a prisoner”

A

Isabella explores the power dynamics between her and Angelo. she reveals he has the power to essentially play god, decide right from wrong and implement harsh punishments as well as harness the ability to show mercy. he acts as if he has no say in the matter, he’s just a puppet of the law, his actions only reflect his responsibilities but Isabella refutes this claim and establishes he has the power to balance the severity of justice with mercy.

here is the difference between Angelo and Isabella, however blind she may be to faith she still believes that there is room to repent sin, if god is merciful then must be our rulers, her view of the law or her faith is not as black and white as Angelo’s.

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10
Q

Isabella- “O, it is excellent
To have a giant’s strength; but it is tyrannous
To use it like a giant.”

A

Further exploring power dynamics, Angelo has absolute power which he proceeds to use absolutely, devoid of mercy, consideration and emotion. this shows how he truly feels, not only does he see the law as black and white; to him people themselves are again just black and white- good or bad, to be condemned or not to be, with no in-between. in his eyes absolute power must be used absolutely.

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11
Q

Isabella- “Drest in a little brief authority,
Most ignorant of what he’s most assured,
His glassy essence, like an angry ape,
Plays such fantastic tricks before high heaven”

A

she implies Angelo’s temporary absolute power has corrupted absolutely, he does not know how to use Jove’s thunder that he’s come to possess (metaphor for his power) so all he does is use it unabashedly, in hopes that the heaven’s will reward him for his acts. instead angels weep at his ruthlessness.

the quality he shows by being stern and authoritative does not sit well with the heavens or the mortals, he benefits no one except fuel his power trip.

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12
Q

Isabella- “That in the captain’s but a choleric word,
Which in the soldier is flat blasphemy.”

A

Isabella now explores other power dynamics to highlight her argument. her use of ethos explicates men in power are allowed to slip, to be crude, to be crass- if not excused they are allowed redemption. this describes the inequity not only between those with power and those who lack such, but also the inequity of justice that is to come.

Claudio remained condemned, Isabella’s chastity taken and Angelo unaffected was his ideal scenario. he proves Isabella’s arguments by attempting to fully take advantage of his position and facing no consequences.

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13
Q

Isabella- “if it confess
A natural guiltiness such as is his,
Let it not sound a thought upon your tongue
Against my brother’s life.”

A

it is ironic that while she is giving this speech to evoke empathy for Claudio, Angelo is actively starting to lust for her. the very desire for which Claudio fell, Angelo also is captivated by a similar desire.

however this does not make him empathetic rather just selfish, how this wanton attraction affects him- his soul which was previously clean now blemished.

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14
Q

Angelo- “From thee, even from thy virtue!…
….When men were fond, I smiled and wonder’d how.”
(lines 199-224)

A

Angelo’s soliloquy to me was disturbing to say the least, he concludes that Isabella has in fact not sinned by tempting him because she did not even try, it is he who has sinned by being tempted.

this is a tattle-tale sign that his first line of thought is to immediately put the blame of himself. to his credit he accepts being guilty. Uses a simile to compare himself to a rotting corpse next to a sweet flower, his odor overtakes the flower (Isabella’s) sweet smell.

although he explicates his guilt he also in this way illuminates his desire to grossly corrupt her. although he is ashamed of it, it does not make it anymore sick.

his admission to her virtue being the catalyst for his lusting shows his admission to purity culture. purity isn’t what he seeks in a partner because it shows virtue, faith, godliness, it is what arouses him.

purity culture was extremely established in the 17th Century as Shakespeare draws in this play. but Angelo’s engagement with purity culture has more to do with lust rather than an interest in finding good qualities to live happily with his wife as was the intention of most men back then.

he finally indirectly compares himself to Claudio, Angelo feels if he does the same as his prisoner then he has no right to condemn him. however the direction of his thoughts promptly change and he goes back to his own feelings unable to comprehend or deal with them. he begins to mistake his lust for love. perhaps love is a milder sin, more explainable than pure lust- one of the seven deadly sins.

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15
Q

Provost: “Hath blister’d her report
….a young man
More fit to do another such offence
Than die for this.”

A

Julietta very harshly criticized even though she has sinned the same as Claudio. Claudio is in her stead should be allowed to so again with no repercussions to his reputation. Women were held to a higher and stricter standard than men.

Patriarchal society and Purity culture.

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16
Q

Duke- “Then was your sin of heavier kind than his.”

A

further cementing the fact that she was more to blame than Claudio, The Dukes argument is that if she had said no and rejected his advances they would not be in this position.

not only is this sexist but it is a cruel idea to implant in the head of a pregnant woman about to lose her husband. the play constantly emphasizes empathy for Claudio yet it doesn’t even give a fraction of this justice for Julietta instead she is subversively villainized. although this is not given much significance it may be noted to shed light upon the highly patriarchal world building of the society.

17
Q

Angelo-“Let’s write good angel on the devil’s horn:
‘Tis not the devil’s crest.”

A

Angelo regrets his place of office, his height of responsibility and his access to power. he is self aware of his own corruption, he condemns himself. power has revealed to himself who he really is. Angelo wishes to have an unseeming, boring, useless job- through blissful ignorance he would never have had to confront himself with the man he really is.

rather than a revelation of his character, Angelo may have merely transformed as a person. if absolute power corrupts absolutely, he is just a victim of corruption, and human desire. again paints a picture of a mostly moral man with a fatal flaw.

the regret he feels is not shallow, this is clearly illuminated in his soliloquys. his flaw is that he cannot resist, his corruption now uses him as a puppet, his desires are not his own its master is corruption.

however this is an extremely deterministic perspective and there is proof he has been considerably cruel before he became the acting Duke of Vienna- the mariana case

18
Q

Angelo- “in obsequious fondness
Crowd to his presence, where their untaught love
Must needs appear offence.”

A

perhaps alludes directly to the visit of King James to the Royal Exchange in 1604 where he intended to watch unobserved but was recognized and the crowds pressed round him

19
Q

Isabella: “Better it were a brother died at once,
Than that a sister, by redeeming him,
Should die for ever.”

A

Both Isabella and Angelo have one uncompromising condition to themselves, Isabella refuses to have sex and Angelo refuses to pardon Claudio.

both of these individuals deceive each other under the agreement that they would barter one act for another, a soul for a life.

they are both adamant about their decision to not give in early on when the requests are early made(“maiden no remedy”), but later the trade takes place with both of them misleading the other.

20
Q

Angelo: “We are all frail.”

A

Angelo is the first one to somewhat indirectly insinuate they are similar in a sense. they are weak, they are two sides of the same coin.

one excuses fornication for the sake of brotherly love, the other excuses fornication for the sake of extreme desire.

21
Q

Isabella: “Ha! little honour to be much believed,
And most pernicious purpose! Seeming, seeming!”

A

Isabella’s explosive reaction following Angelo’s request speaks a considerable extent of the value she puts in her chastity. she is being asked to exchange this for the life of her brother, to her it is unfathomable. Angelo proceeds to attempt to coerce her, threatening a painful and prolonged death, Isabella is essentially cornered.

Critics such as Quiller have commented that her chastity is rancid, but i disagree. her chastity is not only a sign of virtue it is a part of her being. Isabella does not deserve to be criticized for resisting what we would essentially in modern day call coercive rape.

trading her body to save her brother’s life is a cruel sentence in and on itself. Marian Cox states that her chastity should’ve been moderated with charity, but essentially what all these critics are stating is that her brothers life weighs more the weight of carrying a life of condemnation and eternal damnation. they fail to consider even if she were to be forgiven, the traumatic experience could never truly leave her, she would never be able to see her brother the same way either.

these criticisms are rooted in modern day misogyny. her consent would be forced and the experience would be immortalized in her memory, a distressing situation which she virtually had no control of.

22
Q

Angelo- “Who will believe thee, Isabel?”

A

Now Angelo with his full self awareness intact, overtly exploits their power dynamic, no longer hiding behind the law to exert absolute power he now exerts absolute power, absolutely directly. he waves his authority, his reputation, his position in her face, exercising the very inequitable power Isabella argued of.

23
Q

Angelo- “Fit thy consent to my sharp appetite”

A

he doesn’t ask her for her consent anymore he demands it, he blackmails her into giving up her chastity to Angelo.

in hindsight a body for a body could be perceived as a fair trade but the realm of inequity is explored when the power dynamics are tapped into. one holds the power to coerce the other and the other has negligible choice. scales of justice are tipped through reputation.

24
Q

Isabella- “live chaste, and, brother, die”

A

Commitment to her chastity- one could say this is her moderation of selflessness with selfishness.

her chastity is worth more than her brother and her own life, it is her proof of virtue, her faith and belief.