King Lear critics A05 + AO3 Flashcards

1
Q

Presentation of women

A

Emma Smith
“As tragic characters realise their place in the cosmos, they secure this by denigrating or blaming women”
“Lear’s three daughters are thus limited by stereotypes – both positive and negative – rather than being allowed any more complex destiny as women”

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2
Q

Edgar and Poor Tom

A

Richard Mccoy
“In this new guise, he appears as the chivalric embodiment of heroic virtue”

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3
Q

Lear’s relationship with Cordelia

A

Stanley Cavell
“He is not experiencing reconciliation with a daughter, but partnership in a mystic marriage’’

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4
Q

Chaos - Storozynsky

A

Storozynsky
“King Lear has been called ‘a play about the end of the world’ but it is also a story of creation and destruction and especially of separation and division”

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5
Q

Lear and Gloucester parallels

A

Storozynsky
“As short sighted as Lear, Gloucester is easy prey to the power of suggestion” - Trope of good being gullible
“Lear and Gloucester turn to Nature to learn what they could not learn in a sophisticated court environment”

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6
Q

Gloucester’s blinding

A

A.C Bradley
“The blinding brings home the harshest of realities: it forces us to acknowledge our capacity for cruelty and it also forces a radical reassessment of our ideas about justice” LINK TO CONTEXT: Challenges contemporary violence used to punish and persecute

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7
Q

Justice

A

Peat - “While he (Gloucester) is off stage the word “justice” rings in the air as Lear holds a mock trial of an imaginary Gonerill and Regan. The scene that follows will provide an ironic reversal when Gloucester is the accused at a real trial in which Cornwall and Regan play the “False justices””

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8
Q

Peat staging

A

Peat - “At the Globe, with the audience around three sides of the stage and with many overlooking it, Shakespeare needed the two servants for masking purposes”

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9
Q

Loyalty and goodness

A

Peat - “In the upsurge of guilt that follows, they (audience) want desperately to save Gloucester to salve their consciences and as if in response to their wishes, a servant steps forward”

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10
Q

Power

A

Kenneth Muir - “King Lear is a look at the worst; but it shows several characters refusing to compromise with evil and emerging from the struggle ennobled and purified and it also demonstrates the self-destructive effects of the ruthless pursuit of power.”

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11
Q

Religion

A

E.K Chambers
“The plot, which deliberately rejects the Christian interpretation of the universe, is set in a pagan environment. Pains are taken to avoid the introduction of Christian language or Christian sentiments.”

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12
Q

Is King Lear too complex?

A

George Orwell
King Lear “Has too many characters and sub-plots. One wicked daughter would have been quite enough”

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13
Q

Albany

A

J.W Mackail
Albany is generally thought of as of little importance. Really he is the pivot on which the play turns. He is central, inasmuch as he is the one character in the whole play who is from first to last completely sane, balanced and normal.

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14
Q

Act 1 scene 4 Tony Blake

A

“Now that he (King Lear) is being treated with undisguised contempt, he is shaken to the very core of his being. This incident marks the beginning of Lear’s battle to retain his sanity”

ANALYSIS: Madness is highlighted from the first scene

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15
Q

Edmund Tony Blake

A

“Anyone whom he percieves as a potential threat in his quest for ultimate power is to be eliminated”

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16
Q

Goethe a German poet

A

“Every old man is a King Lear”
Jaques: 7 stages of man

17
Q

Schlegel describes the trajectory of King Lear as a

A

“fall from the highest elevation into the deepest abyss of misery”

18
Q

Coleridge

A

“Shakespeare had read nature too hateful, not to know that courage, intellect and strength of character are the most impressive forms of power”

19
Q

Fintan O’Toole religion

A

“This is not a bad thing (using a Pagan setting) to do if you are about to write a play which has explosive things to say about power, government and social justice in a viciously repressive state”

20
Q

Fintan O’Toole the ending

A

“This isn’t a failure of the play: it is the whole point of the play’s structure”

21
Q

Fintan O’Toole nothingness

A

“He comes to understand that there is only one important number: nothing. And that he learns is the most terrifying number of all”
“This is Lear’s way of thinking nothing has value in its self, only in comparison with something else”

22
Q

Fintan O’Toole Albany

A

“Albany is such a deliberately weak image of the restoration of order at the end: he is a different man, a half-formed character whom Shakespeare has gone to great lengths to make ambivalent”

23
Q

Fintan O’Toole animal imagery

A

“The borders between the human and animal world disappear”

24
Q

Julian Girdham - Albany

A

“And then we don’t see him for all of Acts II and III: we could easily forget about him. There is no sign that he will become an important figure”

25
Q

Schelegel compassion

A

Schlegel “The science of compassion is exhausted”

26
Q

Patrick Murray the Fool

A

“He (The Fool) is Lear’s conscience, his inner voice, which consistently cries out against the King’s error and folly”

27
Q

Kent - Samuel Coleridge

A

“Kent is perhaps the nearest to perfect goodness in all Shakespeare’s characters and yet the most individualised”

28
Q

Conventions of Aristotle’s tragedy

A

Hamartia: is the fatal misunderstanding
Hubris: excessive pride
Anagnorisis: Being able to see clearly when emotionally or physically a person has reached peak agony
Oikeia Hedone: ‘The Proper Pleasure’ of tragedy

29
Q

Queen Elizabeth - heart of a King quote

A

Queen Elizabeth “I know I have but the body of a weak and feeble woman, but i have the heart and stomach of a king”

30
Q

In your essays refer to King Lear as the ________ king

A

Eponymous

31
Q

Niccolo Machiavelli quotes from ‘The Prince’

A

“One must know how to colour one’s actions and be a great liar and deceiver”
“The first method for estimating intelligence of a ruler is to look at the men around him”

32
Q

How many times does England appear in Shakespeare’s work (Queen Elizabeth vs King James)?

A

The word England in Elizabeth’s reign appeared 224 times whereas in James’ reign it appeared only 21 times in Shakespeare’s work

33
Q

King James belief about dividing the kingdom

A

“ye shall leave the seed of division and discord among your posterity”