In Mrs Tilschers Class Flashcards

1
Q

‘You could travel up the Blue Nile, with your finger, tracing the route’

A

‘You’ this is universal, allows everyone to relate to experience of having a great teacher/class experience. Invites the reader into the poem

‘Travel up’ - the teacher literally traces the map with her finger to demonstrate the route taken by the river, the children are taken on a metaphorical journey in their imaginations as Mrs Tilscher helps them to picture the exotic sounding locations.

The lesson is engaging and immersive as if they are really there

A metaphor which evokes the escapism/magic of the primary classroom

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

‘Mrs Tilscher chanted the scenery.’

A

‘Mrs Tilscher chanted’ - the word choice of ‘chanted’ has connotations of a spell, suggesting that Mrs Tilscher is almost magical in the knowledge that she is imparting

However, ‘chanted’ could also imply a desire to control the children and repress their natural exuberance on Mrs Tilscher’s part. It is also an example of rote learning, a traditional and old fashioned way of teaching.

‘Chanted’ shows she has memorised it, ‘chanted’ also has connotations of mindless, muscle memory she does it so often it’s second nature

‘Chanted’ gives it an almost magical/mystical quality. Again, this reinforces the idea of something wonderful/fantastical; Mrs Tilscher creates a vivid setting through use of language (as does Duffy)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

‘Tana. Ethiopia. Khartoum. Aswan’

A

Listing of places makes it a vivid, active experience for the reader: we relive this alongside the speaker

The fact she remembers shows the lasting impact of Mrs Tilscher

Exotic place names sounds mysterious

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

‘That for an hour’

A

Almost dismissive, throw away remark

Makes it feel like it isn’t a chore; a carefree tone is established

There is certainty to this; there is a clear routine and from that comes security

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

‘Skittle of milk’

A

Signifies break

Carton of milk

Skittle is a metaphor for a bowling pin; everything is like a game

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

‘Chalky pyramids rubbed into dust’

A

Duffy uses imagery the reader can relate to - she creates a convincing setting of a classroom in primary school which is universal

‘Chalky’ evokes an image of sand/desert, like the setting of the pyramids, as does ‘dust’

‘Dust’ has connotations of something old, long ago.

This metaphor is about the removal of images from the blackboard but creates a vivid image of the learning that has taken place and creates a real sense of escapism/setting

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

‘Laugh of a bell’

A

Personification is vivid and mirrors the joy of pupils; the whole environment evokes enjoyment and pleasure

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

‘This was better than home’

A

Abrupt matter of fact statement

It is very definite in tone

Short sentence

Emphasises this is where she wants to be

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

‘Enthralling books.’

A

‘Enthralling’ - a minor sentence suggests a passion for literature and an enchantment

Could be said Duffy is tracing her passion for literature back to this classroom

Also juxtaposed with previous sentence suggests that there was an absence of books/intellectual challenge at home

Suggests opportunity in literature. This is a snapshot of- a fragment of a memory (sentence structure and word choice)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

‘The classroom glowed like a sweetshop’

A

Metaphor: the setting is bright and vibrant - there is a sense of wonder and amazement

Interesting use of the ‘sweet shop’ as an image - kids would prefer sweet shops to school but the sense of opportunity is tangible and appealing: they loved learning

The descriptions in the next line continue this idea of wonder and intrigue

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

‘Brady and Hindley faded, like the faint, uneasy smudge of a mistake’

A

Word choice/simile: the presence of Brady and Hindley is still tangible but obscure

The speaker taps into real fears here, ones which they are free from in school

The idea of it being ‘faint’ also suggests as a young child she would’ve been aware of the names but perhaps not quite the crimes, there would’ve been a sense of something happening but an uncertainty

‘Mistake’ - a childish use of language to describe horrific crimes

Contrasts all the previous positives

Allusion: in a poem about childhood it is interesting she mentions the ‘moors murderers’; the very real fear of the children being abducted would disappear - this fear felt by parents but children would feel safe in this classroom

The real world and the horrors of it didn’t matter to them

There is an innocence in Mrs Tilschers classroom - one which Brady and Hindley robbed of their victims

The poem charts a journey towards growing up - this is one of the darker moments in a poem about the carefree nature of childhood

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

‘Mrs Tilscher loved you.’

A

Juxtaposed with image of ‘Brady and Hindley’; emphasises Mrs Tlscher’s love for her pupils and reinforces idea of protection/safety afforded to the children in the classroom

Matter of fact short sentence suggests all pupils would share this view

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

‘Scent of a pencil slowly’

A

The senses are used to create a vivid image of the classroom and again, Duffy relies on stereotypical and universal primary images

The care taken over the pencil again adds to the idea of love and care in the classroom

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

‘Xylophones nonsense heard’

A

The pupils are protected from the ‘xylophones nonsense’

The mundane becomes the magical

Other classes are not under control, sense of chaos in comparison to the calmness of Mrs Tilschers class

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

‘Over the easter term’

A

Turning point of the poem: indicates a change/passage of time

Idea of growth and change is developed here

Easter/Spring being associated with re-birth and change

The passage of time is clearly indicated

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

‘Inky tadpoles changed from commas into exclamation marks’

A

Another common (for the time) image of a primary school

Again, the change from childhood to adolescence is highlighted here

The metaphor about ‘commas’ into ‘exclamation marks’ also refers to the children advancing and growing - whilst keeping the idea of school imagery, ink and literacy

Also, exclamation marks may reflect the sound of frogs

The change in the pupils is being compared to change in the natural world

17
Q

‘Followed by a line of kids, jumping and croaking away from the lunch queue’

A

Word choice: Another reference to growing up and the changes the children go through

On the one hand they are being childish by mimicking frogs but also, the onset of puberty triggers changes - they are growing and their voices change

Direction of ‘away’ - again reinforcing the idea of growth and change symbolism

18
Q

‘A rough boy told you how you were born’

A

Word choice suggests that this knowledge is unsavoury/only known to people the speaker wouldn’t associate with

The matter of fact statement highlights the magnitude of the realisation

This is a continuation of extended metaphor of tadpoles and Easter - birth and growth

19
Q

‘You kicked him, but stared at your parents, appalled, when you got back home’

A

A violent reaction: suggests the speaker is horrified/disgusted at the revelation

It can be assumed it has been told in a non-euphemistic way

‘You’ suggests this is an experience most people will have gone through

The use of ‘but’ in the next line shows she realises its true and is disgusted by the growing knowledge of sex and sexuality

The passage of time is clearly marked

Word choice of ‘appalled’ highlights her disgust at her parents

The protection offered by Mrs Tilschers class has eroded as the children become older and more aware of the world

20
Q

‘The feverish July, the air tasted of electricity’

A

Word choice: suggests something happening/building to a climax

Hot and oppressive

There is a sense of anticipation in these lines

In England, July would be the end of the school year - there is a sense of anticipation here

There is a buzz/danger in these lines

This is a synaesthesia: using one sense to evoke another

The storm metaphor is extended here and the idea of humidity again suggests something is going to happen

The world is starting to change for these children

‘Electricity’ - metaphor excited for summer holidays, buzzing atmosphere; positive connotation of energy negative connotations of danger

21
Q

‘A tangible alarm made you always untidy, hot, fractious under the heavy, sexy sky.’

A

There is a growing sensitivity to change. The growing hormonal imbalance of puberty is highlighted via the extended metaphor of the storm.

Word choice: tangible alarm – a real change/danger both exciting but frightening – there are warning signs.

The language becomes more sensual and sexualised – this is a tumultuous time.

The personification of the storm highlights the very real change/threat. The speaker’s state of mind is clearly evoked here – there is confusion, trepidation but also anticipation.

These lines are all about change.

22
Q

‘Mrs Tilscher smiled then turned away’

A

Idea that Mrs. Tilscher’s nurturing role is now over.

There are some things they need to discover for themselves.

It is the end of an era – her part is finished. Time has once again moved on.

23
Q

‘You ran through the gates, impatient to be grown the sky split open into a thunderstorm.’

A

‘You’: second person voice used throughout to involve reader in the poem – these are universal experiences.; childhood to adolescence

The metaphor of the ‘gates’ – a new chapter/growing up/a new stage of life. ‘impatient’ – word choice: now wants to be grown up; has outgrown Mrs. Tilscher’s class.

Extended metaphor of final line – the speaker is no longer a child and the thunderstorm is a new set of emotions/ideas/feelings which are powerful, wild and uncontrollable at the minute.

This is an effective metaphor in describing these changes as something universal and a natural phenomena.

24
Q

Form/Structure of Poem

A

The poem is comprised of 4 stanzas: two of eight lines and two of seven lines.

The first two are more focused on the classroom experience – the next two take place chiefly out-with the confines of Mrs. Tilscher’s class.

This is deliberate on part of the poet as it ties in with the central idea of change.

The changes in stanza length are subtle – much like the changes taking place in the speaker; mood/attitude changes as the poem progresses (i.e. the change for disgust to curiosity about sexuality)

25
Q

Theme of Poem

A

Childhood and growing up
Innocence vs Experience

Duffy describes the joys of primary school before the children are exposed to a more frightening adult world