SECTION 3 Flashcards

1
Q

What role did compasses play in navigation, and where were they invented?

A

Compasses played a crucial role in navigation, allowing sailors to identify their location at sea. They were invented in China

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2
Q

n: How did compasses impact navigation techniques, particularly in relation to the stars?

A

Compasses replaced navigation by the stars, providing a more reliable method for sailors regardless of time or weather conditions.

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3
Q

What were the characteristics of full-rigged ships with three masts and 5-6 square sails?

A

Full-rigged ships had three masts and 5-6 square sails. They were larger, heavier, faster, and more efficient than their predecessors

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4
Q

n what way did full-rigged ships contribute to trade, and what impact did they have on the movement of goods?

A

Full-rigged ships helped establish the trade of cheaper goods in bulk, facilitating the movement of goods on a larger scale.

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5
Q

What historical era did the use of compasses and full-rigged ships usher in, and what significant consequence followed in Europe?

A

The use of compasses and full-rigged ships ushered in the Age of Discovery in Europe, leading to significant exploration and expansion.

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6
Q

How did the Age of Discovery impact artists, and what opportunities did it provide them?

A

The Age of Discovery provided artists with materials from around the world, opening up new possibilities and influences for their art.

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7
Q

ion: Who were the earliest printers, and what material did they use for relief impressions?

A

The Sumerians were the earliest printers, using relief impressions on clay made from stone seals.

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8
Q

Where did the use of seals spread, and what innovation was introduced in China for printing?

A

Seals spread to India and then China, where ink was used for printing. Chinese regularly printed books using wooden blocks carved in relief.

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9
Q

Question: What movable type was developed in China, and why was it initially abandoned

A

Chinese developed movable type but abandoned it due to the wood not being durable enough. Wang Chen reintroduced it in 1297 for the first mass-produced book, Nung Shu, focusing on farming and agriculture.

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10
Q

uestion: Who played a significant role in the mass-production of printed books in Germany around 1440, and what technology did they use?

A

swer: Johannes Gutenberg played a significant role using a screw-type wine press to print books, opening the doorway to mass-producing printed books.

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11
Q

uestion: How did Gutenberg’s press further evolve, and what method was used to make multiple copies of the same image?

A

Answer: Gutenberg’s press evolved to make multiple copies from a carved slab of wood, advancing the technology for reproducing images.

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12
Q

Question: What was the impact of increasing literacy on the demand for books, and what were readers looking for?

A

Answer: As more people became literate, there was a demand for books with both pictures and words, reflecting a desire for comprehensive content.

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13
Q

: Who created the artwork “Melencolia I” in 1514?

A

A: Albrecht Dürer.

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14
Q

Where was Albrecht Dürer born?

A

: Nuremberg, Germany.

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15
Q

How did Albrecht Dürer achieve recognition and financial success in his career?

A

Heavily marketed his prints, became famous, and earned lots of money.

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16
Q

What is “Melencolia I” considered in the context of Albrecht Dürer’s life?

A

A depiction of his intellectual situation and is considered a self-portrait.

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17
Q

5: What does the winged female figure (Melancholy) in the artwork hold, and what is its significance?

A

: Melancholy holds a long compass used for drawing circles and measuring distances on maps.

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18
Q

ow is Melancholy’s pose and facial expression depicted in “Melencolia I”?

A

A: Melancholy’s face is shadowed, and she sits in a pose associated with sadness, connected to intellectual activity and creative genius

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19
Q

What does the child behind Melancholy represent in the artwork?

A

he child scribbling on a slate represents practical knowledge, symbolizing action without deep thought.

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20
Q

What does the burst of light in “Melencolia I” symbolize?

A

: The burst of light represents hope, signifying that artists can overcome depression.

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21
Q

What is the alternative name for one-point perspective in art?

A

It is also known as scientific or one-point perspective.

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22
Q

How does one-point perspective help create the illusion of 3D objects?

A

Artists use a horizontal line (horizon line) and a vanishing point to mathematically calculate the correct size of objects. Drawing diagonal lines (orthogonals) from the edges to the vanishing point achieves the effect of 3D objects on a flat surface.

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23
Q

: Was one-point perspective used in ancient times as well?

A

Yes, it was used in the Greco-Roman era, but the knowledge of how to use it was lost until the Renaissance.

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24
Q

Who inventing one-point perspective during the Renaissance?

A

Filippo Brunelleschi is credited with inventing one-point perspective during the Renaissance.

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25
Q

What marks the significance of one perspective?

A

This technique marked the start of more scientific thinking in art and is still used by artists today.

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26
Q

Who painted the artwork depicting the Annunciation of the Virgin Mary around 1450–53?

A

Fra Filippo Lippi.

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27
Q

For which location was Annunciation of the Virgin Mary commissioned?

A

he Palazzo Medici in Florence.

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28
Q

What does the Annunciation of the Virgin Mary represent?

A

It depicts the Annunciation of the Virgin Mary, including God’s divine blessing with his hand and a white dove.

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29
Q

ow did Lippi use artistic techniques in the painting?

A

Lippi employed linear perspective, featuring a tiled floor and receding balustrades.

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30
Q

Who proposed a double-shelled design for the Duomo’s huge dome in Florence?

A

Filippo Brunelleschi.

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31
Q

7: What was unique about Brunelleschi’s design for the cathedral?

A

It featured a double-shelled design, more common in the Islamic world, supported by eight ribs.

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32
Q

Where were the first users of oil paint located?

A

In the Netherlands.

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33
Q

During the Renaissance, what type of paint had mostly overtaken egg tempera paint?

A

Oil paint.

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34
Q

What was the primary component of egg tempera paint?

A

Pigments mixed into egg yolk.

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35
Q

What were some challenges associated with egg tempera paint?

A

It was hard to blend colors and create 3D shapes.

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36
Q

hat liquid was often used with oil paint, replacing egg yolk?

A

Linseed oi

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37
Q

What advantages did oil paint offer over egg tempera?

A

t allowed artists to layer colors and create almost translucent colors.

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38
Q
A
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39
Q

: Who is Artemisia Gentileschi?

A

he was a painter trained by her artist father, known for creating realistic paintings.

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40
Q

What themes is Artemisia Gentileschi known for in her paintings?

A

: She is known for depicting the strength, passion, and vulnerability of various women.

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41
Q

: Can you provide an example of one of Artemisia Gentileschi’s paintings and its subject?

A

One of her paintings depicts the aftermath of Judith saving her city by killing the general Holofernes.

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42
Q

What personal experience might have influenced Artemisia Gentileschi’s focus on the power of women?

A

She was rpaed by another teacher when she was young, which may have contributed to her thematic focus.

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43
Q

: When and where was The Behaim Beaker created?

A

The Behaim Beaker was created in Venice around 1495.

44
Q

: What does The Behaim Beaker depict?

A

It depicts the Behaim family coat of arms alongside Saints Catherine and Michael

45
Q

Who was it believed to have been commissioned for?(Behim Beaker)

A

t was believed to have been commissioned for the marriage of Michael IV Behaim and Katharina Locherin.

46
Q

What were the social statuses of Michael IV Behaim and Katharina Locherin?

A

Michael was a knight, and Katharina was the daughter of a rich nobleman.

47
Q

How is the eagle depicted on The Behaim Beaker?

A

The eagle is depicted like a goose.

48
Q

What is peculiar about the shield on The Behaim Beaker?

A

The shield is missing its cutout.

49
Q

Who is believed to have commissioned the artwork made by the Edo Ethnic Group in the 15-1600s?

A

It is believed to have been commissioned by Oba Esigie and his son Oba Orhogbua

50
Q

What does the Benin Plaque with Oba depict?

A

The artwork depicts courtiers and warriors honoring the Oba, along with various other animals.

51
Q

hat was the intended purpose of the Benin Plaque with Oda?

A

The artwork was meant to decorate the king’s palace in Benin City.

52
Q

How were the artworks originally in terms of color and appearance?(Benin Plaque with Oda)

A

hey were originally lighter in color and gleamed in the light, creating the impression that the pillars were solid bronze.

53
Q

hat message do many of these artworks convey about the Oba?

A

Many of these artworks depict the Oba’s dominance over various animals.

54
Q

How is the Oba represented in the artwork?

A

The large head of the Oba, along with his romanticized facial traits, is meant to represent his power.

55
Q

Who created the Straw Hat in 1782?

A

The painting was created by Marie-Louise-Elisabeth Vigée-Lebrun.

56
Q

What challenges did Vigée-Lebrun face early in her career

A

Although she was denied entrance to the French Royal Academy in Paris, she taught herself how to paint. However, her portraits were considered illegal as she was not part of a guild or an academy, leading to the confiscation of her supplies.

57
Q

What type of paintings did Vigée-Lebrun start with in her career?

A

he started with portraits.

58
Q

In the painting created by Vigée-Lebrun in 1782, how is she portrayed

A

In this painting, she is looking out at the viewer confidently while wearing fine clothing.

59
Q

What color is emphasized in the painting, adding a sense of serenity?

A

The painting emphasizes Prussian blue, which adds a sense of serenity.

60
Q

Who did Vigée-Lebrun marry, and what was the outcome of their marriage?

A

: She married Jean-Baptiste-Pierre Lebrun and had a daughter. However, she later divorced him because he stole her earnings.

61
Q

Who created view from the Window at Le Gras
in 1874?

A

Claude Monet

62
Q

How many times did Monet paint this particular bridge?

A

Monet painted this bridge seven different times.

63
Q

What is the subject of the painting?

A

The painting shows a bridge with light shining off the water of the Seine in Paris.

64
Q

What notable characteristics describe the texture in the painting?

A

The painting shows a great variety of texture, with a smooth sky and clouds, a firm outline and linear brush strokes for the bridge, thicker and rougher strokes for the trees, and multi-colored single strokes for the water.

65
Q

How does Monet use light to create color in the painting?

A

The light and reflections in play create a complementary palette of orange and blue.

66
Q

What was Monet’s focus in this painting?

A

Monet focused more on painting colors than actually depicting specific objects.

67
Q

Who created the photograph in 1827? View from the Window at Le Gras

A

The photograph was created by Nicéphore Niépce.

68
Q

hat was the initial challenge Niépce faced in his experiment?

A

Niépce initially created a negative but had difficulty in producing a positive version.

69
Q

How did Niépce eventually achieve success in fixing images?

A

Niépce achieved success by copying engravings using sunlight, oil, a pewter plate, bitumen of Judea, exposure to sunlight, and lavender oil.

70
Q

What method did Niépce use to capture the photograph?

A

He used a portable camera obscura to capture a blurry image of the view outside his window

71
Q

Why is this work significant in the history of photography?

A

This work is considered the first direct positive image and the oldest surviving permanent photograph.

72
Q

Who brought daguerreotypes to the United States?

A

Samuel Morse introduced daguerreotypes to the United States.

73
Q

What made daguerreotypes popular in the United States?

A

Daguerreotypes became very popular as family mementos.

74
Q

How do daguerreotypes differ from other photos over time?

A

. Unlike other photos, daguerreotypes don’t fade over time.

75
Q

Who is the subject of the daguerreotype mentioned in the text?

A

Frederick Douglass is the subject of the daguerreotype.

76
Q

: Why did Frederick Douglass desire a daguerreotype?

A

Frederick Douglass wanted a daguerreotype to preserve his true likeness.

77
Q

hat was Douglass’s reason for choosing a daguerreotype over a white painter?

A

: Douglass chose a daguerreotype over a white painter because he wanted an accurate portrayal.

78
Q

How did Douglass challenge negative stereotypes in his repeated photos?

A

: Douglass challenged negative stereotypes by maintaining a serious and intellectual demeanor in his repeated photos.

79
Q

Who created the Penn Station Interior around 1935–38

A

: Berenice Abbott created the photograph.

80
Q

What was the focus of Abbott’s documentation in this time period?

A

Abbott documented the urbanization of New York around this time period.

81
Q

How did Abbott initially start her work, and where did she later get funding from?

A

Abbott started working independently and later received funding from the Federal Art Project.

82
Q

What does the Penn Station capture?

A

The photograph captures the interior of the train hall in Pennsylvania Station.

83
Q

How did Abbott emphasize the glass and iron ceiling in the photograph?

A

: Abbott tilted the camera upwards to exaggerate the soaring glass and iron ceiling

84
Q

What effect did the long exposure time have on the photograph(Penn train)?

A

: The long exposure time highlighted tonal contrasts between light and dark.

85
Q

Why are there fewer individuals than usual in the photograph?

A

Due to the extended exposure, only a few people remained still, resulting in fewer individuals in the bustling train hall.

86
Q

What role did Moses Williams play in the creation of the artwork?

A

Moses Williams, a mixed-race and enslaved man, operated a physiognotrace in Peale’s Museum in Philadelphia and became skilled at quickly cutting out machine-drawn profiles.

87
Q

How did Williams use the fees he earned from cutting profiles?

A

: Williams kept the fees to buy his freedom.

88
Q

Why were silhouettes popular among everyday Americans?

A

Silhouettes were popular because they were cheap to produce.

89
Q

What is unique about this form of portraiture mentioned in the text?(Moses Williams)

A

: This form of portraiture was the first widely used and democratic.

90
Q

What type of artwork is Moses Williams?

A

silloute

91
Q

Who created the Horse in Motion around 1878?

A

he photograph was created by Eadweard Muybridge.

92
Q

What question did Horse in Motion aim to answer?

A

The photograph aimed to answer the question: Can all four of a horse’s feet be off the ground when it’s running?

93
Q

: Who commissioned the photograph, and what did he believe?

A

Leland Stanford commissioned the photograph, believing in the possibility of all four horse’s feet being off the ground while running.

94
Q

What technology did Muybridge use to capture the photograph?

A

Muybridge used his own advanced electronic shutter with speeds up to 1/1000th of a second.

95
Q

5: What did Muybridge capture in the stop-motion photos?

A

Muybridge captured different points in the horse’s running motion.

96
Q

: Who created the Magnet TV in 1965?

A

Nam June Paik created the artwork.

97
Q

What is notable about Paik’s use of television in this artwork?

A

k pioneered the use of television as an art form.

98
Q

: How did Paik treat the TV screen in this artwork?

A

Paik treated the TV screen like a canvas.

99
Q

What modifications did Paik make to the Magnet TV?

A

Paik rewired the Magnet TV to disrupt broadcast messages and added a horseshoe on top.

100
Q

: What effect did the metal object have on the TV signals?

A

The metal object interfered with TV signals, creating distorted geometric shapes on the screen

101
Q

Initially, what could viewers do with the magnet in the artwork?

A

ially, viewers could move the magnet to create patterns.

102
Q

: Who created sculptures from car scraps in 1962?

A

John Chamberlain created sculptures from car scraps in 1962.

103
Q

What elements are showcased in these sculptures?

A

The sculptures showcase elements like exhaust pipes, gaskets, and doors from cars.

104
Q

: What do some believe these sculptures might symbolize?(velvet white=cars)

A

Some believe these sculptures might symbolize U.S. car crashes.

105
Q

hat is the suggested critique behind these sculptures?(velvet white)

A

hey are seen as a critique of American consumerism and the cultural fascination with cars.

106
Q

hat is unique about these sculptures for John Chamberlain?(velvet white)

A

These sculptures are unique for Chamberlain because they lack his usual bright colors.

107
Q
A