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ART APPRECIATION > Recitation (Lesson 3) > Flashcards

Recitation (Lesson 3) Flashcards

1
Q

A type of subject that are images which represents people or objects that looks as close as possible to their real world counterpart

A

REPRESENTATIONAL ART

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2
Q

A type of subject that are subjects that is difficult for the observer to identify

A

NON-REPRESENTATIONAL OR NON-OBJECTIVE

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3
Q

A kind of subject that features inanimate objects such as fruits, flowers, plants etc

A

Still Life

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4
Q

A still life artwork which includes various symbolic objects designed to remind the viewer of their death and of the worthlessness of worldly goods and pleasures.

A

Vanitas

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5
Q

French phrase meaning “deceives the eye” used to describe paintings that create the illusion of a real object or scene.

A

Trompe L’oel

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6
Q

PROVIDE THE 3 TYPES OF LANDSCAPES

A

Landscapes:
- Cityscape
-Cloudscape
-Riverscapes

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7
Q

features the human figure similar to the way a portrait does, it may convey narrative or story elements.

A

Figurative

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8
Q

a painting, drawing, sculpture, or photograph that is an artistic representation of a person or persons.

A

Portrait

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9
Q

Refers to art that conveys a narrative about a historical, mythological, or religious event.

A

Historical Art

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9
Q

can be painting, sculpture, photography, installation or film that its main theme is social or political issues.

A

Social or Political Art

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9
Q

GIVE AT LEAST 5 KINDS OF SUBJECT

A

Kinds of subjects:
- Still Life
- Landscape
- Figurative
- Portrait
- Historic Art

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9
Q

A method of art presentation in which it depicts what the eyes can see, what the ear can hear, what the sense faculty may receive.

A

REALISM

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10
Q

It is an art presentation in which the artist does not show the subject at all as an objectively reality but only his idea

A

ABSTRACTION

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11
Q

A form of abstraction that is manifested when the subject is in mis shapen condition

A

Distortion

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12
Q

A form of abstraction that refers to images which is being lengthened

A

Elongation

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13
Q

A form of abstraction that shows subject or objects which are cut, lacerated, mutilated, torn, hacked or
disfigured

A

Mangling

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14
Q

A form of abstraction that represents a subject as a combination of basic geometric shapes

A

Cubism

15
Q

It is a modern art movement that flowered in America after the Second World War and held sway until the dawn of Pop Art in the 1960’s.

A

ABSTRACT EXPRESSIONISM

15
Q

A art presentation that a visible sign of something invisible such as an idea or quality

A

SYMBOLISM

16
Q

It is derived from the French “les fauves” which means “the wild beasts.”

A

FAUVISM

17
Q

It focuses on real things found in the imagination or fantasy or it has realistic subjects that are found in the unconscious mind

A

SURREALISM

17
Q

It started as a post-World War cultural movement against the barbarism of the war. It is a reaction to what they believed were outworn traditions in art, and the evils they saw in society.

A

DADAISM

18
Q

2 TYPES OF SURREALISM

A

-Veristic Surrealism
- Automatism or Abstract Surrealism

19
Q

PROVIDE THE 6 SURREALISTIC TECHNIQUES

A

-Scale
- Levitation
- Juxtaposition
- Dislocation
- Transparency
- Transformation

20
Q

It is also sometimes referred to as optical realism due to its interest in the actual viewing experience, including such things as the effect of color, light and movement on the appearance of the objects depicted in the artworks.

A

IMPRESSIONISM

21
Q

It is the appearance or hue of an object with regard to the wavelength of light reflected by it.

A

COLOR

22
Q

the visual element upon which all others are based. It can be defined as a singularity in space or, in geometric terms, the area where two coordinates meet.

A

POINT

23
Q

can be lyrically defined as a point in motion.

A

LINE

24
Q

TYPES OF LINES

A
  • Actual lines
  • Straight or classic lines
  • Expressive lines
25
Q

defined as an enclosed area in two dimensions.

A

SHAPE

26
Q

refers to a shape or three-dimensional volume that has or gives the illusion of having weight, density or bulk.

A

MASS

27
Q

the empty area surrounding real or implied objects.

A

SPACE

28
Q

the relative lightness or darkness of a shape in relation to another.

A

VALUE

29
Q

is the tactile sense we get from the surface of a shape or volume. Smooth, rough, velvety and prickly are examples of texture.

A

TEXTURE

30
Q

the distribution of the visual weight of objects, colors, texture, and space.

A

BALANCE

31
Q

the part of the design that catches the viewer’s attention.

A

EMPHASIS

32
Q

the path the viewer’s eye takes through the work of art, often to focal areas.

A

MOVEMENT

33
Q

the repeating of an object or symbol all over the work of art.

A

PATTERN

34
Q

the feeling of unity created when all parts (sizes, amounts, or number) relate well with each other.

A

PROPORTION

35
Q

is created when one or more elements of design are used repeatedly to create a feeling of organized movement.

A

RHYTHM

ART APPRECIATION (6 decks)

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