Atonement Part 1⛲️ Flashcards

1
Q

What is Post Modernism Literature and how is it shown in Atonement?

A
  • Relies on fragmentation, paradox and questionable narrators.
  • It distrusts the idea that there is only 1 truth. Includes intertextuality, irony, characteristics of WW2 and is self-aware.
  • Links to Atonement - B creates her own reality (tricking the reader), fragmented POVs, focus on the effects of WW2, and it’s self-aware.
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2
Q

What is it important to remember about the narration?

A

That Briony is NOT an omniscient narrator - she doesn’t have access to everyone’s thoughts and feelings.

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3
Q

What are some of the crime elements in Atonement?

A
  • Motive, secrecy, money
  • Restoration of order/justice
  • Imp of setting
  • Comment on society
  • Formation of Criminal/Detective/Victim
  • Gossip & discussion
  • Misinterpretation of Events - not EoC but important
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4
Q

Characterisation of Cecilia

A
  • Nurturing, wants to be needed.
  • She took on her mothers role.
  • Cares abt her looks and reputation.
  • Victim of Briony’s lies
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5
Q

Characterisation of Briory in Part 1

A
  • Intense and controlling but dedicated, creating an everlasting impression.
  • Her naivety is present and obvious throughout.
  • Easily misinterprets things inevitably causing her to commit a crime - she inserts herself as a detective yet only sees what she wants
  • A Criminal attempting to atone
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6
Q

Characterisation of Robbie

A
  • Educated and despite the explicit nature of ch8, we don’t perceive him as a threat (possibly because we know the feelings are reciprocated).
  • His class is consistently mentioned/referred to - emphasises the class divide and the stereotypes surrounding the working class.
  • Victim of Briony’s lies
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7
Q

Characterisation of Paul Marshall

A
  • Criminal Tendencies are shown yet brushed over due to the fact they are often paired with his comedic appearance, egotistical nature, and social standing.
  • On second reading his behaviour is more alarming.
  • The criminal
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8
Q

‘she was one of those children…

A

possessed by a desire to have the world just so’

Ch1, Briony

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9
Q

‘Nothing in her life was…

A

sufficiently interesting or shameful to merit hiding’

ch1, Briony

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10
Q

her movements were savage, and she would not meet his eye…

A

he did not exist, he was banished, and this also was the punishment’
Ch2, Cecilia

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11
Q

how easy it was…

A

to get everything wrong, completely wrong

Ch3, Briony

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12
Q

Robbie imperiously raised his hand now…

A

at his insistence… he looked on impatiently

Ch3, Briony POV

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13
Q

It’s the…

A

wrong genre!

Ch4, Briony

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14
Q

she noticed him…

A

hanging around the children lately. Perhaps he was interested in Lola.
Ch4, Cecilia abt Hardman

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15
Q

Marshall took control…

A

of the conversation with a ten-minute monologue

Ch4

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16
Q

one member was even accusing…

A

Marshall of being a warmonger

Ch4

17
Q

she felt him…

A

touch her lightly on her forearm. Or it may have been a leaf.
Ch4, Cecilia abt Marshall

18
Q

he woke, hot across his chest and throat…

A

uncomfortably aroused.
Ch5, Marshall after having dreams abt his sisters
EWEWEWEWEW

19
Q

you remind me…

A

of my favourite sister…

Ch5, Marshall to Lola

20
Q

he crossed and uncrossed his legs. Then he took a deep breath…

A

‘Bite it’ … ‘You’ve got to bite it’

Ch5, Marshall to Lola

21
Q

in her condition…

A

this was the only contribution she could make

Ch6, Emily

22
Q

intended as a point of interest…

A

an eye-catching feature to enhance the pastoral ideal

Ch7, the architecture

23
Q

fraying the nettles was becoming…

A

a self-purification

Ch7, Briony

24
Q

she would simply wait on the bridge…

A

calm and obstinate, until events, real events, not her own fantasies, rose to her challenge, and dispelled her insignificance
Ch7, Briony

25
Q

the air was…

A

still and heavy

Ch8

26
Q

he stood suddenly…

A

seized by horror and absolute certainty

Ch8, Robbie abt the letter

27
Q

but there…

A

was no choice

Ch9, Cecilia

28
Q

he lifted a glass and…

A

presented it to her ‘I insist you try it’

Ch9, Marshall to Cecilia

29
Q

Briony? Briony, did you read this?

A

But Briony, engaged in a shrill response to her brother’s suggestion
Ch9, Cecilia

30
Q

but it was right, it was essential…

A

for her to know everything

Ch10, Briony abt the letter

31
Q

the man’s a…

A

Maniac. A maniac.

ch10, Briony abt Robbie

32
Q

it was Paul Marshall who…

A

broke more than three minutes of asphyxiating silence.

Ch11

33
Q

lola characterisation

A

she is fifteen years old and desperate to be seen as a grown-up. Though she dresses the part and patronizes Briony enough to make the younger girl self-conscious, Lola is not quite the adult she wants to be just yet.

34
Q

” Lola did not need to lie.”

A

” all the work was done for her, innocently and without guile by the younger girl.”

35
Q

‘her sandals revealed

A

an ankle bracelet and toenails painted vermilion’

36
Q

she spoke through a sigh of sadness or resignation’

A

‘it would be the only good thing that’s happened to me in months’

37
Q

‘almost

A

a young woman’

38
Q

‘stawberry drink

A

down her frock’