Ch #5 Flashcards

1
Q

Photographic Transparency

A

make every person view truth and accuracy were best believed by, more information, the better

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2
Q

Photographic Transparency Goal

A

give audience the impression that the photograph was what they would see had they been there to witness the event

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3
Q

Influence of Painting Christianity

A

Relied on painter’s vocabulary and picturesque lithographs to determine to depict scene in photographs

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4
Q

Influence of Christianity

A

Christianity stressed that art should be morally uplifting and instructive which played in how photographs were made

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5
Q

Roger Fenton

A

Best known for pictures of the Crimean War, which were the first extensive photographic documents of a war

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6
Q

The Valley of the Shadow of Death, 1855, Salt Print

A

Showing the realities of war without showing people in it

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7
Q

Felice Beato

A

The first photographer to show the horrific and unglamorous side of war to the British public; His work revealed the unmanipulated photograph made a documented style

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8
Q

The American Civil War

A

Offered photographers new opportunities to hone their craft, improve their aesthetic, and find ways to link images with text

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9
Q

Matthew Brady

A

Made about 7,000 negative in NYC in his studio and was awarded $25,000 by the government but ended up half blind and broke; No one else got credit for helping him with the photos; photos of war

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10
Q

Alexander Garner

A

Self-taught of the wet plate process and worked with Matthew Brady
His first image was of the battle of Antietam that showed the visceral proof that war was not glorious and completely rebuked the myth of the beautiful battleground death

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11
Q

Alexander Gardner, Gardner’s Photographic Sketchbook of War: Vol I, 1866

A

Featured in Matthew Brady’s gallery but got no credit or money from it

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12
Q

Alexander Gardner, Home of a Rebel Sharpshooter, Gettysburg from his sketchbook, 1863, Albumen Silver Print

A

STAGED He placed people where he wanted them

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13
Q

John Reekie

A

He was employed by Matthew Brady in Washington D.C. and had images in the Sketchbook of the War

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14
Q

A Burial Party, Cold Harbor, Virginia, 1865, Albumen Silver Print

A

John Reekie

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15
Q

Timothy H. O’Sullivan

A

Built his reputation on images that conveyed the destructive power of modern warfare; O’Sullivan’s images of war focused more on subjective sensations than analytical facts

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16
Q

Timothy H. O’Sullivan, A Harvest of Death, Gettysburg, Pennsylvania, 1863, Albumen Silver Print

A

STAGED

17
Q

A.J. Russell

A

Captain in the infantry and was hired to photograph the engineer projects for the United States Military Railroad Construction Corps

18
Q

William H. Bell

A

The images made by Bell are clinical and distant - they serve as documents of pain, suffering, and disfigurement - signaling a shift in the use of photography from recreational/commercial to clinical/procedural

19
Q

The Circulation of Photographs of the Civil War

A

The earliest war photographs are not so much authentication of history as they are themselves history