act 3 Flashcards

1
Q

excellent wretch

A

Act 3 scene 3
- oxymoron used to describe Desdemona, wretch has connotations of despicable person and from this point on his believes this to be true due to iago’s misleading manipulations

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2
Q

when I love thee not chaos is come again

A

Act 3 scene 3
- foreshadowing, the chaos that is unfolding in Othello’s mind and the chaos that is about to erupt in the play
- again he bases his sanity off of her love, never a healthy thing to do in a relationship

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3
Q

for a satisfaction of my thought

A

Act 3 scene 3
- using existing information to othellos demise
- iago is letting othello fill his own narratives/gaps, convinces him he’s not being manipulated + coming to own conclusions
- by ‘withholding’ information he is making Othello doubt himself

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4
Q

some monster in thy thought

A

Act 3 scene 3
- metaphore
- without consciously being aware of iago’s treachery, othello describes iago’s true monstrous character accurately

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5
Q

weighst thy words

A

Act 3 scene 3
- iago does think carefully before he speaks, but not in the way othello thinks
- links to twisted, false appearances and Othello’s inability to see beyond

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6
Q

Beware of jealousy, it is the
green-ey’d monster

A

Act 3 scene 3
- metaphore
- he is speaking the truth, but to othello he is planting seeds of doubt in his mind without actually saying anything
- iago warns othello
- as jealousy becomes irrational and not amendable to reason, it transforms
- can make even the sanest person go crazy

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7
Q

I’ll see before I doubt
Ocular proof

A

Act 3 scene 3
- he is still strong minded, not manipulated by iago’s thoughts
- shakespeare implies Othello’s willingness to communicate with Desdemona, not allowing ill feelings to fester, will save their marriage

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8
Q

I speak not yet of proof

A

Act 3 scene 3
- iago says this so he can properly say his thoughts
- othello seems to ignore this

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9
Q

matches of her own complexion

A

Act 3 scene 3
- it was against her nature to not like suitors of her own race
- feeding on othello’s insecurities

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10
Q

this honest creature knows much more than he unfolds

A

Act 3 scene 3
- iago’s good reputation has allowed othello to plant doubts in his own head which Iago has not even spoke of

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11
Q

forked plague is fated

A

Act 3 scene 3
- from the moment we are born we are fated to wear the horns
- cuckholds were depicted as having horns on their head

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12
Q

if she be false then heaven mocks itself

A

Act 3 scene 3
- the moment he hears her coming he regrets his thoughts
- his rational mind fighting against his insanity, internal battle
- shows he still has such love for her and the potential to put things right

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13
Q

I nothing but to please his fantasy

A

Act 3 scene 3
- emilia steals the napkin for iago
- she is desperate to impress him and make him happy, implies she has been neglected

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14
Q

farewell the tranquil mind, Othello’s occupation gone!

A

Act 3 scene 3
- he lets a problem of love “taint his business”
- he’s letting go of his blind euphoria and moving on to what he believes is the real truth
- shows how intertwined his business is with his love life, goes against what he said at the start of the play, that he would let “housewives make a skillet of my helm” if he let “heat” “taint his business”

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15
Q

imputation and strong circumstances

A

Act 3 scene 3
- because there is no proof, othello is now going to believe evidence which is all made up to satisfy his anger

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16
Q

there’s magic in the web of it

A

Act 3 scene 4
- this is not a christian sentiment
- he is being fanatical
- also implying that the handkerchief is the main reason for his loyalty
- despite the fact it goes against her religion Desdemona remains open to Othello’s narrative over her christianity because of her immense love for him

17
Q

the handkerchief!

A

Act 3 scene 4
- repeats this over and over
- like he is in a trance, hyper focused on the handkerchief
- he is so overwrought he has lost control of his words

18
Q

they are all but stomachs and we are all but food

A

Act 3 scene 4
- Emilia gives a modern feminist viewpoint
- suggests women are treated like prey for male appetite
- her feminism is so strong she attempts to persuade Desdemona that she should not put up with Othello’s jealousy

19
Q

my lord is not my lord

A

Act 3 scene 4
- she feels unfamiliar to him
- like something has completely changed him
- shows that Othello does have the ability to be a kind-hearted, good husband, he just lacks the strength to resist Iago’s manipulations

20
Q

haply for I am black, declin’d in the vale of years

A
  • act 3 scene 3
  • othello’s soliloquy
  • Othello begins to dwell on his insecurities, arguably one of the biggest factors leading to his downfall because he cannot rationally think about the fact that Desdemona loves him BECAUSE of his uniqueness ‘she lov’d me for the dangers i had passed’
  • what makes the story so tragic