kiss of the vampire Flashcards

1
Q

product context

A
  • produced by hammer film productions in 1963
  • distributed by Universal
  • was intended to be sequal to 1958’s Dracula
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2
Q

1960s social/ historical context

A
  • beatlemania
  • ‘swinging sixties’
  • JFK assasination
  • soviet union launching first women into space
  • 2nd wave of feminism
  • new divorce/ abortion laws, contraceptive pill - women less restricted to being wives/ mothers - were increasingly sexualised
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3
Q

female character on left

A
  • floppy body language and closed eyes
  • makes her seem weak, vulnerable
  • high heels - traditional presentation
  • ‘damsel in distress’
  • tight dress, bare neck, exposed upper chest - sexualised - 1960s a time when women were starting to get more objectified in the media
  • could appeal to a male target audience
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4
Q

female character on right

A
  • aggressive and powerful due to body positioning over the man kneeling, And her bared teeth and raised arm
  • potential killer
  • this would have been unconventional prior to 1960s, but in the 1960s, reflects shift in society
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5
Q

feminism context in 1960s

A
  • 2nd wave of feminism
  • new divorce/ abortion laws, contraceptive pill - women less restricted to being wives/ mothers - were increasingly sexualised
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6
Q

reasons for trad representation of women

A
  • KOTV produced by mainstream company (Hammer) , more likely to represent women in a mainstream way
  • feminism seen as new and ‘alternative’
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7
Q

man on left

A
  • powerful - carrying the woman
  • teeth make him seem dangerous and aggressive, as well as black and red colours
  • reflects historical ideas that men dominant and powerful
  • wide eyes, defensive body language connote that he may be a victim
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8
Q

man on right

A
  • body language and positioning- submissive and vulnerable
  • representations of men seeming weaker and victimised reflect shift in gender roles and expectations in 1960s
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9
Q

liesbet van zoonen

A
  • female vampire contributing to social change by representing women in non trad roles
  • however passive victim reinforces trad genderroles
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10
Q

David Gauntlett identity

A
  • female vampire as role model for women struggling against male oppression or desperate to be seen as the equals of men
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11
Q

claude levi strauss structuralism

A
  • binary opposition applied to opposing represntations of the vampire s and their victims, and the two women being represented in opposing ways
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12
Q

roland barthes semiotics

A
  • ## engimas create suspense- connoted relationship between male and female vampires (emphasised by ‘kiss’ in title)
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13
Q

conventions

A
  • serif font connotes vampire genre with ‘wooden’ styling (vampire coffin or stake) and blood dripping from Vs ‘fang’
  • painted- conventional of films of period, used in Chritopher Lee’s dracula
  • ## in colour- anchored by text ‘in eastmen colour’ - differentiating from classical Universal horror films (Steve neale genre)
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14
Q

visual signifiers of genre

A
  • gloomy grey, black, brown colour palette reinforces dark, scary conventions
  • red colour draws attention to attacking bats, vampire and blood- vampire genre signifiers
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