TLE W2 Principles and Elements of Video Editing and Video Production

Question 1

three categories of film types

Answer 1

realism, classical, and formalism.

Question 2

• help the creator to establish different relationships between the subjects and even between the audience and the subjects.

Answer 2

Angles

Question 2

Four main angles

Answer 2

Eye Level
High Angle
Low Angle
Oblique Angle

Question 2

there are 10 main options out there that are then further broken down into their variation.

Answer 2

Shots

Question 2

Four main kinds lighting

Answer 2

High key lighting
Low key lighting
Chiaroscuro lighting
Silhouette/Black Lighting

Question 2

Take into consideration the genres of movies that you love.

Answer 2

Lighting

Question 2

Two main kinds of color

Answer 2

Saturated n Desaturated

Question 3

what is Saturated

Answer 3

Communicates optimism, colorful, fantasies, love, or some pleasant scenery.

Question 4

what is Desaturated

Answer 4

Communicates darkness, past, strife, sorrow, or some other dystopia

Question 5

Sound whose source is visible on the screen or whose sound is implied to be present by the action in the film; also characterized by offscreen or on-screen.

Answer 5

Diegetic

Question 6

Most obvious example of a diegetic sound.

Answer 6

Character dialogue

Question 7

Gives a film more realism.

Answer 7

Object sounds

Question 8

Sound whose source is not visually noticeable on the screen

Answer 8

Non-diegetic

Question 9

Any sound that does not come from inside the story itself.

Answer 9

Non-diegetic

Question 10

Used to set the film’s tone

Answer 10

The film’s score

Question 11

Used by the director to assist in the explanation or reinforcement of the plot.

Answer 11

Narration or voice-over

Question 11

Used to plan and evoke audience emotions and add to the drama.

Answer 11

The film’s score

Question 12

A breakdown of time and space while preserving fluidity.

Answer 12

Continuity

Question 13

Style bounces from long shot to medium shot to close up for invoking a dramatic effect.

Answer 13

Classical

Question 14

Cut of different time and space for dramatic effect

Answer 14

Radical Subjective Continuity

Question 15

Edits that are theme-driven.

Answer 15

Thematic

Question 16

The juxtaposition of two shots that when combined serve a purpose

Answer 16

Associative

Question 16

Used to describe the setting of a scene in a play or a film.

Answer 16

Mise-en-scene

Question 17

Refers to everything placed on the stage or in front of the camera.

Answer 17

Mise-en-scene