Midterm Flashcards

1
Q

Most theories of the origin of theatre start with __A___ and __B___. The ___A___, or story, explains the ___B___ or worship.

A

A: MYTH

B: RITUAL

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2
Q

In Greecem the worship of the god _________ is one theory of the origins of theatre.

A

DIONYSUS

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3
Q

The “great man” theory of the birth of drama is credity to ___A___, the first ___B___.

A

A: THESPIS

B: ACTOR

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4
Q

The classical age of Athens is dated:

A

500BCE - 404BCE

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5
Q

The Greater Dionysian was:

A

An Athenian festival with a playwriting competition for tragedies

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6
Q

Satyr plays were written by:

A

Tragic playwrights

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7
Q

Satyr Plays:

A
  • a chorus of 1/2 goat 1/2 man creatures
  • burlesqued myths and legends and serious issues
  • had musical accompaniment
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8
Q

Deus Ex Machina:

A
  • Means God from a machine
  • is a negative description from a contrived ending
  • is often seen in Euripides plays
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9
Q

Atellan Farce / Phylakes Mimes

A
  • are pre-roman and roman plays with stock characters
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10
Q

Mimes characteristically

A
  • subject matter of food, sex and bathroom humor
  • burlesques myths and legends
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11
Q

The Hellenistic Period is

A
  • ended when Romans conquered Greece
  • 336BCE - 146 BCE as a specific date
  • When theatre spreads outside Athens
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12
Q

Kothurni and Onkus

A
  • were platform boots and elevated headdress
  • were standard tragedy costuming in the Hellenistic period
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13
Q

The Shape of the orchestra changes from Classical to Hellensitic to Roman

A

Full circle to 3/4 to 1/2 circle

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14
Q

The skene was

A
  • Literally translated “a hut”
  • the stage door building probably comprised by 458BCE as the skene, the paraskenia and three doors
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15
Q

The parados was

A
  • a physical entryway / exit for the chorus in the theatre
  • a section of Classical Greek playwriting structure
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16
Q

Roman theatre was

A
  • always in competition with other events at festival honoring the gods
  • performed all over the empire
17
Q

Roman Theatre

A
  • had an impact on later periods
  • influenced Shakespeare
18
Q

Aristotle

A
  • studied drama critically
  • was an influence on Horace
  • lectured during the Hellenistic period
19
Q

Roman Theatre

A
  • used slaves, prostitutes and condemned criminals as actors
  • providied live sex and executions for its audience
  • ended in 476CE
20
Q

Second story openings in the Hellenistic theatre were known as

A

Thyromata

21
Q

Hellenistic logion is comparable to and was

A
  • the Roman Pulpitrum
  • the main playing space for actors
22
Q

Describe a Greek scenic device and tell in what show we’ve used one

A
23
Q

What Greek scenic device was used in A Chorus Line?

A

Periaktoi

24
Q

The Plays of Seneca are noted because

A
  • He molded all his plays on known Greek Originals
  • His structure, themes and devices influenced later writers
25
Q

in old comedy, a unique athenian theatrical device

A
  • The presentation of a silly concept to solve a societal problem
  • non-human characters
  • satire, burlesque, criticism of contemporary individuals
26
Q

10 writers to know

A
  1. Seneca
  2. Aristophanes
  3. Euripides
  4. Menander
  5. Plautus
  6. Sophocles
  7. Terrence
  8. Aeschylus
  9. Aristotle
  10. Horace
27
Q

Seneca

A
  • Roman
  • Tragedy
  • Didn’t read anything
  • revenge, oratorical, supernatural elements, violence and horror
28
Q

Aristophanes

A
  • Greek
  • Comedy
  • Lysistrata
  • witty dialogue, pointed satire, inventive comic scenes
29
Q

Euripides

A
  • Greek
  • Tragedy/Comedy
  • The Bacchae
  • Realistic characters, dimished chorus, mixed comedy and tragedy
30
Q

Menander

A
  • Roman
  • Comedy
  • Didn’t Read
  • stock characters
31
Q

Plautus

A
  • Roman
  • Comedy
  • A Funny thing Happend on the way to the wedding
  • influenced shakespeare and moliere, father/son relationships, stock characers
32
Q

Sophocles

A
  • Greek
  • Tragedy/Comedy
  • Oedipus Rex
  • added 3rd actor, wrote of men as he wishes they could be (perfect men), less chorus, more dialogue
33
Q

Terrence

A
  • Roman
  • Comedy
  • Didn’t Read
  • less physical, less exaggerated, stressed characterization, possibly first african playwright
34
Q

Aeschylus

A
  • Greek
  • Tragedy/Comedy
  • Agamemnon
  • big issues, not subtle, wrote of men as gods
35
Q

Aristotle

A
  • Greek
  • Critical
  • The Poetics
  • 6 elements of drama/tragedy
36
Q

Horace

A
  • Roman
  • Critical/Comedy
  • Ars Poetica (book based off Aristotle’s Poetics)
  • lyric poetry, stressed rules