Exam 1 Flashcards

1
Q

Relief Printing

A
  • Flexographic or letterpress
  • raised rubber, plastic, wood or metal
  • Plastic Bags and six uses (separate card)
  • Johann Guttenberg, 1450
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2
Q

Intalgio Printing

A
  • Roto Gravure
  • Sunken Cylinder
  • More than one million impressions, high quality magazines, packaging, fake wood
  • Karl Kleach, 1875
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3
Q

Screen Printing

A
  • Silk Screen/Seriography
  • Stencil
  • T-shirts, irregularly shaped objects
  • Created in the orient, 1300’s
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4
Q

Lithographic

A
  • Offset/”Stone writing”
  • Uses a flat plate that one part like H2O and ink
  • Business cards, memo pads, textbooks
  • Alois Senefelder, 1798
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5
Q

Elctrostatic

A
  • Digital/non-impact
  • Drum that is positively charged, negatively charged ink
  • Xerox, quick copy
  • Chester Carlson, 1937
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6
Q

Sequence of all Print Jobs

A

1) Image Design
2) Image Generation
3) Image Conversation
4) Image Assembly
5) Image Carrier Preparation
6) Image Transfer
7) Finishing

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7
Q

Six Type Classifications

A
  • Roman (Serifs)
  • Sans Serif
  • Square Serif
  • Text (Old english, capital letters are hard to read)
  • Script (Cursive)
  • Occasional/Novelty
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8
Q

Letterpress Applications

A

1) Perforating
2) Creasing and Scoring
3) Embossing
4) Die Cutting
5) Hotfoil Stamping
6) Numbering

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9
Q

Process Colors

A

Red
Magenta
Yellow
Black

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10
Q

PMS Color

A

Pantone Matching System: a universal method for specifying and mixing colors.

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11
Q

Spot Color

A

The inks purchased or mixed for a certain job. ..mixed to match a color submitted specifically by the designer

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12
Q

Fake Color

A

A one-color reproduction printed on a color sheet.

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13
Q

Line Copy

A

Composed entirely of lines

ex. sketches

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14
Q

Continuous Tone Copy

A

Consists of images in a variety of tones

ex. photograph

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15
Q

Type Font

A

A collection of type of the same style and size

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16
Q

Type High

A

The distance from the feet of to the paper. .918 inch

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17
Q

Em Quad

A

The basic unit of spacing material in each font. Also known as a mutton quad. It is the point size squared.

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18
Q

En Quad

A

Two en quads, or nut quads, put together equal the dimension of one em quad.

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19
Q

Leading

A

Space between lines

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20
Q

GUI

A

Graphical User Interface: Released in 1983 through Apple’s Lisa and revolutionized the computer user’s experience

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21
Q

PDF

A

Portable Document Format

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22
Q

PPI

A

Pixels Per Inch

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23
Q

LPI

A

Lines Per Inch

24
Q

DPI

A

Dots Per Inch

25
Q

ROM

A

Read-Only Memory

26
Q

RAM

A

Random Access Memory

27
Q

Subtractive Ink

A

CMY

  • Reflective (needs white paper)
  • Filters unwanted colors
28
Q

Additive

A

RGB

  • Transmissive (needs active light)
  • On monitors
29
Q

Vector

A
  • An object oriented illustration
  • Made up of mathematically described paths
  • Resolution independent
30
Q

Raster

A
  • Created in paint like software
  • Picture based (pixels)
  • Resolution dependent (Will get fuzzy)
31
Q

Type Allignment

A

Right
Left
Center
Justified

32
Q

Type Family

A

Made up of a letterform that have similarities

  • ex. Times New Roman
    - Bold, Italic, etc.
33
Q

RIP

A

Rastor Image Processing

34
Q

Printer’s Measurements

A

72 Point = 1 Inch
6 Picas = 1 Inch
12 points = 1 Pica

35
Q

Tint Screen

A

A tint that breaks solid areas into uniform series of dots. % of dotes for line copy.

36
Q

Halftone Screen

A

Uses dpi, lpi, ppi. For continuous color

37
Q

Surprint

A

Reproduced as solids

-AKA: Overprints

38
Q

Reverse

A

Reproduced as open areas

39
Q

Bleed

A

A design that extends the image to the end of a page

40
Q

Rough

A

Provides all the necessary printing information

41
Q

Final or Mechanical

A

A camera ready layout made from detailed information on the rough

42
Q

Dummy

A

A blank press sheet that is identical in size to the paper that will be used for the job is folded in the order that it will be folded after the press run

43
Q

Formal Balance

A

Places identical visual weight on the top, bottom and sides of the visual center

44
Q

Informal Balance

A

Images that create a sense of visual balance around a visual center because of their sizes, weights and positions.

45
Q

Subjective Balance

A

Designers have complete freedom with image positions, but they still strive for visual balance

46
Q

Set Solid

A

Typeset without leading

47
Q

2/3rds rule

A

The height of a typeset character is approximately two-thirds its specified point size.

48
Q

Dominance

A

Refers to the main purpose of a printed piece, to communicate a message

49
Q

Unity

A

Connects all of the design functions together

50
Q

Proportion

A

Concerned with size relationships

51
Q

Actual Center

A

Mathematical center

52
Q

Optical Center

A

Just above the mathematical center

53
Q

“x” height

A

The distance from the base line to the top of the lowercase letter x.
-AKA Body height

54
Q

Stroke

A

The thickness or weight of the lines that form a character

55
Q

Stress

A

The slant of the character

56
Q

Serif

A

The small strokes that project out from the top or bottom of main letter strokes