Semester 2 Flashcards

0
Q

Grading

A

Trim each layer of seam allowance (3) to reduce bulk; the widest seam allowance next to outside

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1
Q

Trimming

A

Cuts made on curved seams to remove extra thickness

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2
Q

Under stitching

A

A row of stitching placed close to the seam-line through the facing and seam allowances. Helps hold facing in place and prevents it from rolling out and showing on the outside of the garment

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3
Q

Stay stitching

A

Directional stitch to prevent stretching

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4
Q

Facing

A

extra piece of fabric sewn to garment, often on underside

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5
Q

Horizontal darts pressed

A

With fold downward

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6
Q

Darts

A

Contour something to body; found on dresses and tops at the waistline,bust, and some sleeves

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8
Q

Vertical darts pressed

A

with fold towards center front or back/inward

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9
Q

Clipping

A

Cutting slits to allow curve to lie flat when pressed

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10
Q

Ham

A

Pressing curves tool

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11
Q

Elements of design

A

Color, line, texture, shape, and pattern

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12
Q

Principles of design

A

What are their purposes?

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13
Q

Balance types

A

Symmetrical or asymmetrical

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13
Q

Balance that feeling creates

A

Stability

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15
Q

How can balance be achieved

A

Using different accessories, colors, details

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16
Q

How can emphasis be achieved

A

Using color, texture, line, design details, trims, accessories

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16
Q

What does emphasis do

A

Draws attention to something, makes outfits more unique, used to highlight features and draw away from flaws

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18
Q

Rhythm - 3 types

A

Repetition, Radiation, Gradation

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19
Q

Repetition

A

A pattern repeats- rows of stripes, chevron

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19
Q

Radiation

A

Lines or patterns flow from a central location: skirt gathers

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20
Q

Gradation

A

A pattern changes gradually: change in size or color

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21
Q

Good rhythm

A

When the lines of a garment work well together, such as a curved pocket following the curve of a jacket hem

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22
Q

Poor rhythm

A

Upsets the look of the garment, like when stripes and plaids don’t match up

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24
Q

Proportion

A

can also be called Scale

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25
Q

Most common

A

3 to 5

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26
Q

Why?

A

It equates to the human body structure. 3/8 of a person’s body is above waist, 5/8 is below

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27
Q

Harmony vs

A

Individuality

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28
Q

Harmony

A

Designs complement each other, each part looks like it belongs, convey a single theme

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29
Q

Individuality

A

one’s own unique style

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30
Q

Notching

A

cutting triangles on outward curve to reduce bulk and help curve lie flat

31
Q

lightening color by adding white?

A

Tint

32
Q

adding darker colors?

A

Shade

33
Q

The principles of design=

A

Balance, Emphasis, Rhythm, Proportion, Harmony, Individuality

34
Q

Enclosed Seams

A

in heavier fabrics should be graded

35
Q

Pattern Symbols

A

look at worksheet

36
Q

Measurements on a ruler

A

8ths, 4ths, 1/2s, whole

37
Q

What is a knit?

A

A fabric which has yarn looped repeatedly to create what looks like tiny rows of braids

38
Q

Knit vs. Woven

A

Knit edges usually don’t require finishing. Wovens ravel from any cut edge and need finishing.

39
Q

Difference between selvage and cut edges?

A

cut edges usually don’t fray, selvage edges have glue so they do not roll

40
Q

Characteristics of a knit

A
  • easy to care for
  • greater degree of stretch-ability
  • moves with body=comfortable
  • do not wrinkle easily
41
Q

Two main types of knits?

A

Weft- made with only one yarn (jersey)

Warp- made from several yarns (tricot, raschel)

42
Q

How to stitch with knits?

A
  • jersey or ball point needle

- change stitch length to 3

43
Q

Elements of Design:

A

Color, Line, Texture, Shape, Pattern

44
Q

Element of Design: Color

A

Can emphasize a special feature, create height and size illusions, and draw attention to or away from certain parts

45
Q

Hues

A

12 in the spectrum of color: primary, secondary, and tertiary colors

46
Q

Primary Colors

A

Red, yellow, and blue. Cannot be created from mixing any colors together

47
Q

Secondary Colors

A

Green, violet, orange. Made by combining primary colors

48
Q

Value

A

Adding white or black to a color changes this

49
Q

Elements of Design: Line

A

Refers to an elongated mark that connects two or more points

50
Q

Structural Lines

A

Are required to maintain the structure of the garment. Seams, darts, pleats

51
Q

Decorative Lines are

A

Created by the designer purely for decoration and interest. Ruffles, buttons, lace

52
Q

Line Types:

A

Straight
Curved
Jagged

53
Q

Line Directions:

A

Vertical and horizontal, diagonal

54
Q

Vertical

A

Add height and slim ness

55
Q

Horizontal

A

Less height, more width, where you want to look fuller

56
Q

Diagonal

A

With vertical they are slenderizing and with horizontal they add width. They draw attention to area used

57
Q

Element of Design: Shape

A

Outline that forms when 1 or more lines come together to enclose an area

58
Q

Shape aka

A

Silhouette

59
Q

Most clothes fit 4 basic shapes:

A

Natural
Tubular
Bell
Full

60
Q

Natural

A

Follows body’s outline, fit closely to body, loungewear, khakis, fitted knits

61
Q

Tubular

A

Rectangle with vertical emphasis. Adds height and thinness, tshirt dress, straight leg pants

62
Q

Bell

A

Both diagonal and horizontal lines, can add or subtract width, Aline, flared pants

63
Q

Full

A

More horizontal and curved lines, makes body look larger, gathered skirts, full sleeves, wide leg pants

64
Q

Element of Design: Texture

A

The one element that you can see and feel

65
Q

Where is texture found?

A

In thickness and appearance of fabrics

66
Q

2 types of texture

A

Tactile and visual

67
Q

Tactile

A

Can be felt by touch. Rough, prickly

68
Q

Visual

A

Texture that can be seen. Shiny, dull, matte

69
Q

Drape

A

Way fabric moves when worm or hangs in folds. It can increase or decrease body size

70
Q

What textures would increase the appearance of body size?

A

Shiny, glossy, thick, bulky, fuzzy, wrinkled

71
Q

Decrease?

A

Dull, thin, smooth

72
Q

Element of Design: Pattern

A

When the elements of design are brought together in a fabric

73
Q

Examples:

A

Stripes, plaids, florals, etc

74
Q

The qualities of the pattern affect how a fabric looks on you…

A

A small pattern tends to decrease apparent size, while a longer pattern increases size.
A bold pattern adds size, yet a subtle pattern does not.
A widely spread design can make you appear wider.