3. Fascism Flashcards
(181 cards)
How does Mark Antliff describe Nazi and italian fascism?
“the Nazi regime-like its Italian counterpart and fascist movements in France-looked to both a mythic past and a technological future in a manner that seems highly contradictory.”
What was the rise of fascsism in response to?
“Indeed, the rise of fascism in Europe responded to a widespread search for spiritual values and “organic” institutions capable of counteracting what was considered the corrosive effects of rationalism (and capitalism) on the body politic.” (Antliff)
How did Marxists see fascism?
“Marxists Robert Sayre and Michael Lowry have configured fascism as one manifestation of what they call “Romantic anti-capitalism,” an umbrella term for an “opposition to capitalism in the name of pre-capitalist values””
“For Sayre and Lowry this worldview precipitated a “nostalgia” for a “pre-capitalist past, or at least for one in which capitalism was less developed.””
What had capitalism done to humanity?
“Capitalism had reportedly stifled our imaginative capacity by immersing human subjectivity and emotions in a system based on “extreme mechanization” and “quantitative calculation and standardization,” thus instigating a “yearning for unity” both with “the universe of nature” and “the human community.” (Antliff)
What was a key component of fascism according to Antliff?
“This appeal to past values in the name of a noncapitalist future society is a key characteristic of fascism”
Even though fascsim rejected the present, what did they do?
“Indeed, fascists, though opposed to Enlightenment ideals and capitalist precepts, were eager to absorb those aspects of modernity (and modernist aesthetics) that could be reconfigured within their antirational concept of national identity.” (Antliff)
“the Weimer Republic and the Third Reich “who rejected liberal democracy and the legacy of the Enlightenment, yet simultaneously embraced the modern technology of the second industrial revolution.” (Antliff)
What are some common features of fascism?
“Common denominators uniting modernist aesthetics and fascism include concepts of cultural, political, and biological regeneration”
What is Roger Griffin’s definition of fascism?
“Griffin’s definition of fascism as “a genus of political ideology whose mythic core in its various permutations is a palingenetic form of populist ultranationalism.”
What role did myths play in fascism?
“In each case, mythmakers drew a strong contrast between a decadent present, rife with political and ethical corruption, and their vision of a regenerated future society, premised, in no small part, on the spiritual transformation of each individual within the body politic.”
What is palingenesis?
“According to Griffin, the mythic core of fascism was that of national palingenesis. “Etymologically,” states Griffin, “the term ‘palingenesis,’ deriving from palin (again, anew) and genesis (creation, birth), refers to the sense of a new start or of a regeneration after a phase of crisis or decline which can be associated just as much with mystical (for example the Second Coming) as secular realities (for example the New Germany).”
How would paligenesis come about?
“to reinvigorate the body politic, fascists looked beyond a decadent present to past eras, but they did not advocate a nostalgic return to, say, the era of Imperial Rome. Instead, they sought to incorporate qualities associated with past eras into the creation of a radically new society, fully integrated with twentieth-century industrialism and technology. In Sorelian fashion, selective moments from a nation’s historical past were utilized for their mythic appeal as a catalyst for the radical transformation of present society.” (Antliff)
What role did the past play in fascsism?
“Griffin notes that the role of the past in Nazi ideology was rather to supply values that would facilitate the nation’s rebirth, pointing out that “the Nazis no more wanted to return Germany to the period of the Volkswanderungen (tribal migrations) or the Holy Roman Empire than the [Italian] fascists wanted to return literally to the age of the Romans or the Renaissance. Instead, fascists selectively plundered their historical past for moments reflective of the values they wished to inculcate for their radical transformation of national consciousness and public institutions.” (Antliff)
How did Nazi’s use the countryside?
“Nazi imagery used the countryside as “the focus for the palingenetic myth of renewal and sustenance, not for a retreat from the twentieth century.” Similarly, the Nazi celebration of Athenian society and Greek sculpture as an aesthetic ideal was wed to the modern pseudoscience of eugenics; the sculpture of Classical Greece functioned as a mythic prototype for the fascist “new man” who was destined to inhabit an industrialized Third Reich, devoid of “degenerate” races.” (Antliff)
How did Italin fascsim use the past?
“This simultaneous relation with both past and future also pertained to Italian fascism. Historian Emilio Gentile has concluded that in Italian fascist discourse and in Mussolini’s personal identification with Emperor Augustus, the “cult of Romanness was reconciled, without notable contradiction, with other elements of fascism, such as its activism, its cult of youth and sport, the heroic ideal of adventure, and above all the will to experience the new continuity in action projected towards the future, without reactionary nostalgia for an ideal past perfection to be restored.” (Antliff)
Where did the power of myths come from?
“the power of its myth lay precisely in an imaginary national essence of origins to be recovered and created anew.” (Antliff)
What role did art play in fascsim?
“Art, in short, was an agent for social transformation, a form of mythic activism marshalled by fascists to retool consciousness and society. Through its recourse to myth, fascism could address both past and future in its ideology. Implicit in the myth is the judgment of a decadent present in need of regenerative cultural renewal.” (Antliff)
What is a secular religion?
“Emilio Gentile, following George Mosse, has described this new politics as a form of “secular religion,” wherein fascist regimes “adapted religious rituals to political ends, elaborating their own system of beliefs, myths, rites, and symbols” with the aim “not only to govern human beings but to regenerate them in order to create a new humanity.” (Antliff)
What role did party rallies play in secular religion?
“Party rallies in turn took on all the trappings of religious ceremonies. “The Introitus, the hymn sung or spoken at the beginning of the church service, became the words of the Fuhrer; the ‘Credo’ a confession of faith pledging loyalty to Nazi ideology; while the sacrifice of the Mass was transformed into a memorial for the martyrs of the movement” (Antliff)
What impact did WW1 have for fascists?
“Fascists thought World War I had such mythic significance, for in their view citizens who had fought in the trenches had undergone a moral transformation as a result of their heroic defense of the nation. Mussolini and his followers then drew a dramatic contrast between these valiant soldiers and the corrupt politicians who had retained power throughout the conflict.” (Antliff)
How did fascist followers percieve themselves?
“The fascist rank and file conceived of themselves not as servile followers of a totalitarian leader but as converts to a cause who had undergone a spiritual and palingenetic transformation.” (Antliff)
What were the local fascist headquarters?
“Even the local public headquarters of the Fascist Party, the Casa del Fascio, were referred to as “churches of our faith” or “altars of the Fatherland’s religion,” and during the 1930s the party specified that each casa should have a “lictorial tower” equipped with bells that would ring during every party ceremony.” (Antliff)
What is the significance of primitive to fascists?
“For Hitler and his followers, the term primitive held positive and negative valences depending on its racial import. Nazis argued that the essence of the German folk resided in an Aryan genealogy with roots in Classical art and culture and that of the Gothic and Renaissance eras. Historians have noted Hitler’s and Nazi ideologue Alfred Rosenberg’s literal association of Greek sculpture with their own eugenic program to create a fascist “new man,” untainted by the degenerative effects of racial “mixing.””
What had industrialism done to people?
“In effect, modern industrialism simultaneously declared “war on the organic manufacturer of whole products” and robbed workers of their own “qualitative” craft skills by reducing their labor to simple repetitive tasks and preventing them from producing a wholly finished object.” (Antliff)
How did the Italian fascists control time?
” The most dramatic instance of such social engineering was the “superimposition over the Gregorian calendar” of a fascist time frame, in which 1922 became ‘‘Year I” of the fascist era, signaling a regenerative break from the plutocratic decadence of the immediate past. The new calendar was then punctuated with certain days of national celebration, each with “a two fold mythic significance” (Antliff)