Final Exam Vocab Flashcards

1
Q

Free Jazz

A

Avante-Garde collective improvisation, Ornette Coleman.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Fluxus

A

International movement inspired by John Cage, Yoko Ono, Found Art, Concept art.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Concept Art

A

Art that poses more questions

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Minimalism

A

What you see is what you get. The passing of a cloud, process music, phasing

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Phasing

A

Instruments Shift out of unison. Four organs, Steve Reich

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Process Pieces

A

Musical notation with explanation, Terry Riley in C

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Robert Wilson

A

Director, collaborated with Phillip glass for Einstein on the beach

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Sound Mass

A

Hyper polyphony. Away from the superstructure serialism. A more intuitive style.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Micropolyphony

A
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Quotation

A

Berio Sinfonia, Lukas foss Baroque variations

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Swingle Singers

A

Berios Sinfonia, Wanted non operatic singers amplified.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Collage

A

(

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Samuel Beckett

A

(

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Musical responses to political conflict and human rights issue

A

Threnody for the victims of Hiroshima.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Extended Techniques

A

(

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Tintinnabulism

A

Constant ringing, Static bass. Part “Tabula Rasa”

17
Q

Breakdown of stylistic boundaries

A

Zorn “Cobra”

18
Q

Uses of past music

A

Baroque variations and Sinfonia

19
Q

Modeling

A

(

20
Q

Eclecticism

A

(

21
Q

Game pieces

A

(