Characters Flashcards

1
Q

Who plays Saïd?

A

Saïd Taghmaoui

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2
Q

What does ‘Beur’ mean?

A

Verlan for ‘arabe’/ arab

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3
Q

Who plays Vinz?

A

Vincent Cassel

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4
Q

Who plays Hubert?

A

Hubert Koundé

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5
Q

What is the name of the ‘local sympathetic policeman’ who tries to helps the trio?

A

Samir

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6
Q

What is the name of the local policeman that shoots Vinz?

A

‘Notre Dame’

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7
Q

How are the trio often described?

A

Black Blanc Beur

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8
Q

What is the name of the young Beur injured by a policeman at the beginning of the film?

A

Abdel Ichaha

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9
Q

Who does Vinz imitate in the mirror scene?

A

Travis Bickle (Robert de Niro) from Scorsese’s ‘Taxi Driver’

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10
Q

Translate and cite:
‘The trio of young men are part heroes, part villains, all at once social victims, attractive and sympathetic survivors and ‘little jerks’’

A

Le trio des hommes jeunes sont à la fois les héros et les méchants, à la fois les victimes sociales, attirants et survivants compatissants et les petit imbéciles.

Vincendeau, Ginette, La Haine French Film Guide, New York, 2005

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11
Q

What affect does the use of the actors real names create? (according to Vincendeau)?

A

This, as well as the naturalistic performance of the three actors, ‘contributes to the film’s aura of authenticity’

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12
Q

How does Vincendeau summarise the three characters?

A

Vinz: l’aggressif

Saïd: le blagueur

Hubert: le sage

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13
Q

What arguably makes Vinz the most attractive character for viewers?

A
  • -most experienced actor
  • -white actor
  • -most ‘full-fledged character’, dream sequences, hallucinations, insight into family life
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14
Q

What suggests Vinz aggressive personality?

A
  • -initial shot, knuckle duster (coup de poing américain)
  • -sharp face, shaven face
  • -spitting, grimacing, grinding teeth
  • -‘his speech is a mixture of aggression and inarticulacy, suggesting suppressed hatred about to erupt: his occasional stutter makes words even more explosive when they emerge.’ (Vincendeau)
  • -attire an ‘updated version of the 1950’s blousons noirs delinquents’ look’ black sports clothes

–however his grace of movement, perhaps linked to his dancing background, does conflict with this aggression and the image of Vinz as a common macho thug.

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15
Q

What does Carrie Tarr think about the omission of Saïd’s family in the film?

A

That it ‘erases Maghrebi culture’

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16
Q

Gift of the gab

A

Tchatche

17
Q

How does Saïd mock the Parisiennes in the art gallery?

A

He mocks their use of intonation, a common banlieursard response, defensively parodying learned French as ‘both bourgeois and effeminate’ (Begag, ‘L’enfermement linguisitique)

18
Q

Translate:
‘In this respect, one function of his (Said) character is to show the language as the- ultimately ineffectual- weapon of the dispossessed’

A

Dans ce regard, l’un des fonctions de son personnage c’est pour montrer le langage comme le –en fin de compte inefficace—outil des défavorisés

19
Q

Translate:

‘Everything about Hubert celebrates his blackness’

A

Tout d’Hubert glorifie sa noirceur

20
Q

What signifies Hubert’s ‘noirceur’?

A
  • -hair plaited in an Afro-American style

- -posters of iconic black athletes: Muhammed Ali

21
Q

What film does the slow-mo boxing sequence reference?

A

Raging Bull

The credits sequence

22
Q

What does the torn (déchiré) poster of Hubert represent?

A

It could mirror the destruction of his gym and be an attack on his ambitions. The attack on the gym seems to represent the impossibility of escaping the cités or of improving them.

23
Q

What does Carrie Tarr argue La Haine does in terms of ideas concerning race?

A

Carrie Tarr argues that La Haine, despite its intentions, in fact reinforces a racist agenda, as it puts its white character first and marginalizes its beur character.

24
Q

What evidence is there of Carrie Tarr’s suggestion that Vinz, the white protagonist, is portrayed as the most important character?

A

–Although Vinz is not in significantly more shots (plans) than Said, he is the subject of many more close-ups (gros plans).

–As the wielder of the gun, he is arguably more central to the plotline and the public campaign for the film.

–More insight into Vinz’s home life

25
Q

How does the ending arguably reinforce racial stereotypes?

A

–Although it justifies banlieue violence, it also arguably reinforces certain stereotypes:
Vinz (white) is the victim
Said (beur) is the impotent witness
Hubert (black) is linked to drug trafficking and the perpetrator (auteur/ responsable) of violence

26
Q

How is the film ‘confused’ in terms of race? What could explain this?

A
The film is full of racial paradoxes:
--La Haine exposes racism, especially on the part of white characters, yet privileges its white leading character, as is created by a white middle class director.

–The film worships aspects of blackness (looks, music) as portrays Hubert as the most dignified of the trio, yet also aligns him with drug trafficking and murder (potentially).

–The film higlights anti-beur racism, yet one of the policeman that torture Said and Hubert is a beur, and Said as a character is the most marginalised.

While some argue that the film is ‘politically naive’ others argue that this ‘confusion’ derives from the complexity of the real life situation. Whilst France is becoming more and more ethnically diverse, it is also paradoxically becoming more and more racist.

27
Q

Knuckle duster

A

coup de poing américain

28
Q

Spit

A

Cracher: to spit

Crachat: spit

29
Q

To grind one’s teeth

A

Grincer des dents

30
Q

Attire

A

Tenue

vêtements, habits

31
Q

Inarticulacy

A

Problème d’élocution

32
Q

his speech is a mixture of aggression and inarticulacy, suggesting suppressed hatred about to erupt

A

Ses paroles sont un mélange d’agression et des problèmes d’élocution, ce qui suggère la haine réprimé sur le point d’éclater

33
Q

stutter

A

bégaiement

34
Q

thug

A

voyou
brute
malfrat

35
Q

involvement with drug trafficking

A

implication avec trafic de stupéfiants

36
Q

in slow motion

A

au ralenti

37
Q

muddled, confused

A

embrouillé