4 senses Flashcards

(129 cards)

1
Q

why are the senses important

A

adaptive significance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

adaptation

A

ie/ neurons becoming less responsive over time

for example, a clock ticking in the background slowly goes away

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

pinna

A

external ear or external auditory meatus

captures, focuses and filters sound

they are directional - ears point in a specific direction which aids in localization - figuring out where the sound is coming from

highly mobile in some species

performs early sound processing - pattern of ridges inside act as a spectral filter - increasing and decreasing certain sound frequencies

directs sound waves into ears

guides them into ear canal - leading to middle ear

act as radiators - heavily vascular in some species

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

meatus

A

hole from outside to inside

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

middle ear

A

tympanum and ossicles

concentrates sound energy

breeding ground for bacteria, pressure is painful, subject to infection

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

tympanum

A

eardrum

membrane that seals the end of the ear canal + ossicles

vibrates when struck by sound waves from ear canal - converts sound energy into a form of kinetic energy

when ruptured hearing is impaired

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

ossicles

A

tiny bones - chain of them

smallest bones in your body

three of them

concentrate and amplify vibrations focusing pressure on small oval window

amplification is important for converting vibration in air into movements of fluid in the middle ear

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

what are the 3 ossicles

A

malleus (hammer), incus (anvil) and the stapes (stirrup)

form an articulated chain (leading from back of ear to cochlea (inner ear)) - mechanically coupling the vibrating tympanum to inner ear (oval window)

for the tymphanum to vibrate, air pressure must be equal on both sides - middle ear contains eustachian tube

if middle ear is tighter than ear is tighter than ear drum, sound waves can not move as freely

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

eustachian tube

A

in middle ear

localizes pressure

leads away to the oral- nasal cavity - this is how ear infections get in

connects to let air in and out

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

middle ear muscles

A

tensor tympani
stapedius

attach to the end of ossicles

contraction of the muscles alters the ability of the ossicles to move in response to a vibrating tympanum

has a modulating movement of the ossicles , reducing the amount of response to sounds

makes the bones stiffer and less sinsitive

activate just before we produce a self made sound ie/ speech, cough - hence why we do not think our own sounds are crazy loud

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

tensor tympani

A

is a tiny muscle connected to the malleus, which is the ossicle attached to the tympanum (makes this tight)

sound waves strike here and cause it to vibrate at the same frequency as the sound.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

stapedius

A

connects the stapes to the floor of the middle ear

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

modulation of sound

A

occurs within 200 msec of a loud noise

happens with our own voice

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

oval window

A

where the stapes connects to the cochlea

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

sound

A

vibrational energy that in a series of compressions

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

decibel

A

measure of sound frequency perceived as loudness

perception of amplitude

perceived as a local increase or increase in air pressure

plotted as a sine wave

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

sound emitters

A

produce successive compressions are rarefactions in air - think of a loudspeaker cone

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

frequency

A

time from peak to peak

pitch Hz or cycles/sec

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

amplitude

A

peak height

loudness

db is relative

volume, how loud is the sound (strength)

intensity force sound exerts per unit area

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

harmonics

A

are multiples of the fundamental frequency of an emitter

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

fundamental frequency

A

predominant frequency of an auditory tone

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

timbre

A

is the unique “signature” sound of an emitter, comprised of the fundamental frequencies plus harmonics (or overtones)

character of the sound of an instruments

ie/ we know the sound of different instruments like piano/guitar (knowing they sound different)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

doppler shift

A

occurs if the emitter is in motion

velocity (ie/ how an ambulance sounds far vs. away is added to the rarefraction-compression cycle to change

used by many species, especially bats

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

resonance

A

intensity of a vibration

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
25
pure tone
a tone with a singer frequency of vibration (frequency and amplitude)
26
transduction
converting from one form of energy to another
27
the inner ear
the organ that actually encodes the sound of elements called a transducer only the size of a pea
28
cochlea
fluid filled converting sound waves from the world into something we can understand (neural activity) fluids that fill is are not compressible vibrations transmitted from the tympanum are communicated to the endolymph via the action of the stapes against the oval window
29
what are the gel fluids that fill the cochlear tubes
endolymph and perilymph
30
oval window
connection point of ossicles (stapes) to the cochlea
31
the fluid in the cochlea is not compressible, what does this cause?
there is movement (waves) produced in the endolymph - this propagates through the length of the cochlea
32
round window
bulges to accommodate the pressure that comes from the compressed fluid lets energy out of the cochlea
33
organ of corti
transduces sound waves into neural energy receptor system the most important part of the cochlea for hearing converts vibration from sound into neural activity consists of auditory sensory cells (hair cells), elaborate framework of support cells, auditory nerve terminals that transmit neural signals to and from the brain basiliar membrane and tectorial membrane waves are created in the fluid of the scala vestibula causing the basilar membrane to ripple
34
vestibulocochlear nerve
fibers contact the bases of hair cells some fibers convey sound info to the brain
35
where is the organ of corti located
in the scala media (middle canal of the 3 parallel
36
basilar membrane
middle canal one of the membrane that divides the tubes of the cochlea base: increased frequency, stiff apex: decrease frequency
37
hair cells
rows of specialized receptors
38
inner hair cells
sterocilia protrude from top of hair cell closer to central axis base near basiliar membrane when stimulated, release glutamate onto auditory nervefibers
39
stereocilia
tiny bristle nesstles into hollows of tectorial membrane - form mechanical bridge between two membranes - forced to bend when sounds cause basiliar membrane to ripple approximate the tectorial membrane
40
tectorial membrane
another divider
41
depolarization of hair cells
even a tiny bend in stereocilia causes a large depolarization of the hair cells causes the operation of a special type of large and selective ion channels - allows rush of potassium and calcium in at the base causes synaptic vesicles to fuse with synaptic membrane and release neurotransmitters to stimulate adjacent nerve fibers hair cells sway back, stereocilia shuts the opening and shutting of channels is a way of encoding frequency depolarization reaching the base of the hair cell causes a calcium channel to open - resulting calcium current provokes transmitter release the transmitter acts on the auditory nerves leading from the hair cells to the brain
42
outer hair cells
12000 in 3 rows arranged in parallel same arrangement of stereocilia release ACh and are influenced by GABA (inhibatory NT)
43
hair cells ability to switch on and off
allows them to track the rapid oscillation of the basiliar membrane hair cells are sensitive
44
how does the organ of corti work?
1. ossicles transmit vibrations to the fluid of the cochlea, setting up traveling waves 2. waves cause the basilar membrane to ripple - like the shaking of a carpet 3. hair cells have their bases in the basilar membrane, and their stereocilia inserted into the tectorial membrane above 4. for any frequency, amplitude of the traveling wave is exaggerated at one particular location of the basilar membrane, due to a prcess akin to resonance energy is put into the base of the basiliar membrane which is at the stapes which vibrates the round window to go into the membrane high frequency and smaller response at base low frequency and heightened response in apex
45
IHC - afferent
leads to brain carries info that we perceive as sound activated by glutamate from the IHS convey APs to the brain that provide perception of sound info 95 percent of fibers leading to brain
46
IHC - efferent
from brain to IHC serve a modulatory function (influences how hair cells are) by inhibiting the IHC - afferent fibres. ACh allow brain to control responsiveness of IHC's
47
OHC - afferent
from OHC to brain small diameter fibres using ACh convey info about activity/mechanical state of basilar membrane (moment to moment state) not thought to be involved in conscious perception of sound
48
OHC - efferent
from brain to OHC using GABA, alter the responsiveness of OHC tuning to make sharper, amplified can change their length - can modify the stiffness of the regions of the basilar membrane - resulting in sharper tuning and amplification
49
what does movement of basilar membrane do to stereocilia
causes a deformation and benidng
50
tip link
connects hair cells
51
tuning
basilar membrane is tuned by virtue of its changing width but not enough to explain discrimination of 2 Hz
52
Neural tuning
at higher levels, inputs from numerous auditory fibers (combine and go to brain which increases tuning) converge on neural systems that determine (filter) the frequency of received sound individual neurons in brain respond selectively to particular frequencies and are inhibited by neighbouring frequencies
53
lateral inhibition
to sharpen own response will surpress the responses to neighbours sharpens focus on most central frequency
54
electromechanical tuning
OHC's can instantaneously change their length - this changes the responsiveness of the basilar membrane OHC action amplifies basilar membrane response, sharpening tuning thus, the basilar membrane is active, rather than passive
55
otoacoustic emissions
the active nature of the cochlea causes it to emit clicks under certain conditions (just as a microphone can act as a speaker under some conditions) 20 db
56
evokes otoacoustic emissions
provoked by presented sounds useful for testing hearing in infants, effects of drugs on hearing, experiments on basic cochlear mechanisms
57
spontaneous otoacoustic emissions
people that have a good sense of hearing fair chance that you cochlea are producing spontaneous clicks, but you can not hear them associated with especially sensitive hearing females make more more common in right here thereform left hemisphere (asymmetry)
58
left hemisphere
specialized for language and connected to right cochlea
59
major centers in higher brain structures for hearing (in order)
cochlear nuclei superior olivary complex inferior colliculus medial geniculate auditory cortex
60
tonotopic arrangement
map of frequencies of a specific location orderly map from low to high frequency precision allows for sharper tuning - differentiating between sounds auditory neurons are excited by some frequencies and inhibited by others
61
cochlear nuclei
brainstem first receiving center in brain - some initial processing low level integration, tuning and projection to other brain areas where auditory nerve fibers terminate receive input from auditory hair cells output projects to superior olivary complex
62
superior olivary complex
located in brainstem receives and integrates inputs from both cochlea basis of binaural (stereo) hearing - first part of brain that does this localizes sound by comparing the two ears passes info to inferior colliculus
63
inferior colliculus
midbrain tuning spatial localization (where sound came from) for some species primary auditory centers of midbrain output goes to medial geniculate
64
medial geniculate
part of the thalamus outputs extend to many auditory cortical areas projects to the auditory cortex
65
auditory cortex
superior temporal cortex (primary auditory area) integrates non-auditory info with sound conscious perception of sound
66
pitch discrimination
we can typically hear sounds for 20 Hz to 20,000Hz subjective, frequency (physical property of sound) is absolute place theory volley theory
67
place theory
that perceived pitch corresponds to the location on the basilar membrane that is most strongly activated how it vibrates at certain spots, location of activated hair cells example of labeled lines each neuron fires in response to its faveourite frequency
68
treble
increased frequency base
69
bass
decreased frequency apex
70
volley theory
that pitch is a function of the rate of firing in auditory fibres 500hz= 500AP bending corresponds to the amount of APs
71
infrasound
less that 20Hz (elephants and whales)
72
ultrasounds
more than 20,000 Hz (bats and porpoises)
73
sound localization
evolutionary significance binaural (2 ear) cues are the best and most obvious
74
intensity difference
how loud the sound is for a sound off the midline, one ear is closer than the other to the source this results in differences in the amplitude of sound received by the two ears (comparison between them) noise level will vary between ears - helps us localize sound
75
head shadow
the head blocks sound from getting to the more distant ear, exaggerating the intensity difference difference more pronounced at higher frequency
76
time of arrival
when a sound is produced the initial sound waves arrive later at the more distant ear - arrive at one ear before the other one ear a little closer to the source the difference in arrival time at the two ears is directly related to the angle of the sound source (but could be in front of or behind the head, in the absence of other cues)
77
phase differences
related to time of arrival (peaks and troughs) for an ongoing sound, the peaks and troughs of the sound wave (compressions and rarefactions) have to go farther to hit the more distant ear, and thus arrive a little later (out of phase) the auditory system can compare the degree of phase discrepancy for an ongoing sound - the greater the discrepancy, the greater the angle of the sound source
78
onset disparity
difference between two ears in hearing beginning of the sound
79
ongoing phase disparity
continuing mismatch in two ears between time of arrival of all peaks and troughs that make up the sound wave
80
ear meat effects
direction of the pinna discriminates from front to back some animals can swivel the pinnae to locate the sound source spectral changes can reveal up-down info
81
cortical areas
extracting biologically relevant info recognizing important sounds: footsteps, animal calls, vocals of familiar vs. unfamiliar people
81
spectral filtering
external ear provides another localization cue - hills and valley
82
left-right asymmetry
planum temporale: bigger on the left possibly due to left hemisphere speech specializations many music function of right some language on right side, and some music on left
83
amusia
disorder characterized by the inability to discern tunes accurately to sing abnormal function in the right frontal lobe and impovershed connectivity between frontal and temporal cortex can't access pitch info
84
what are the three types of deafness
conduction sensorineural central
85
deafness
can prevent sound waves from reaching cochlea, trouble converting sound waves to APs and dysfunction of brain regions that process sound hearing loss so profound that speech cannot be perceived even with the use of hearing aids
86
conduction deafness
normally a problem with the ossicles middle ear problem - sound blocks vibrations from reaching inner ear can have ossicles removed partially or fully fused with aging ossicles become fused together and vibrations of the eardrum can no longer by conveyed to the oval window of the cochlea
87
sensorineural deafness
often cochlear main sort of hearing loss - hair cells blown over like a bunch of tiny trees ringing that never goess away headphones, gunshots , car stereos are especially bad tinnitus hair cells fail to convert the basilar membrane ripples into volleys of Aps that inform most often results of permanent damage of hair cells - can happen because of being exposed toloud sounds or from birth - maybe infection
88
tinnitus
long term exposure to loud sounds, causing ringing in the ears
89
central deafness
arising from brain damage damage to auditory brain structures can affect hearing in various ways impaired by perception of behaviour relevant sounds ie/ strokes, tumours, traumatic injury
90
word deafness
selective trouble with speech sounds despite normal speech and normal hearing for nonverbal sounds
91
cortical deafness
rare, bilateral lesions of auditory cortex struggle to recognize all complex sounds (verbal and non verbal) more complete impairness
92
hearing loss
moderate to severe sensitive sensitivity to sound
93
vestibular system
system lies in hollow spaces in the temporal lobe awareness of motion allowing for planning of future movement and anticipate changes due to the movement of the had have strong connections to the brain source of motion sickness - may be an adaptation for dealing with poisoning sense of balance - product of inner ear that adjoin cochlea
94
where do vestibular system fibres terminate
in vestibular nuclei while some project to cerrebellum to aid motor programming - outputs project to motor areas of the brain
95
3 semicircular canals
in vestibular system each in different planes work together to track the movement of the body fluid filled movement of head in one direction causes fluid to circulate ampulla otoliths receptrs are hair cells - bending produces APs
96
planes of rotation for the three semicircular canals
pitch - nodding up and down yaw - shaking head side to side roll - tilting head left/right
97
ampulla
buldge, base hair cells translate fluid movement in neaural signal (action potentials) cilia embedded here - bending cilia in ampulla signals to the brain that the head has moved. movement of the head creates a flow of fluid that bends the stereocilia
98
otoliths
overlie the hair cells, and amplify the effect of them earstone - mass lags slightly when the head moves react to gravity and inertia made of calcium carbonate - theory rhat it may be dissolved by alcohol making us feel spinner
99
saccule and utricle
fluid filled cavity code the position of head when not moving bulbs located in ends of semicircular canals each have an othilic membrane
100
motion sickness
experience of nausea because of unnatural passive movement - movement of the body we can not control too much vestibular stimulation ie/ passengers in the car are more likely to get it than the driver (not in control)
101
sensory conflict theory
we feel bad when we receive contradicting sensory messages - especially between visual and vestibular hypothesis is that stimulation activates a system originally evolved to rid the body of swallowed poison little evidence, remains a mystery
102
somatogravic illusion
in conditions of low visability, acceleration may be determined as an upward tilt of the plane
103
tongue
possesses sensory cells for pain, touch and temperature
104
taste buds
between papillae in the walls 50-150 taste receptor cells that detect taste
105
papillae
tiny lumps on the tongue that increase SA of the tongue
106
taste cells
have microvilli that extend from them into a tiny pore, where they come into contact with sensitive to tastants 1/5 of basic tastes life span= 10-14 days - constantly being replaced anything dissolved in the saliva can get here
107
fungiform papillae
mushrooms usually one taste bud each
108
foliate papillae
sides of the tongue multiple taste buds
109
circumvallate papillae
big suckers at the back of the tongue multiple taste buds
110
kokumi
only some people have primary fat taste
111
what are the five basic tastes
sweet, salty, sour, bitter and umami
112
which tastes need simple ion channels
salt and sour
113
salt
simple ion pore tht admits sodium ions from NaCL cells have sodium channels, they will enter and create a signal causes a depolarization and release of neurotransmitter pore is also sensitive to Cl TRPV1 - secondary salt sense, can also sense heat
114
sour
derive from acids which release H+ ions ions block potassium channels on the tastebud cells acid in foods taste sour - more acidic the food the more sour it tastes
115
sweet
a type of metabotropic receptor GPCR - recptor activating 2nd messenger system T1R2 + T1R3 - combine to make a receptor that detects sweet
116
bitter
metabotropic type receptor important biological system - posions T2R's exhibit broadly tuned sensitivity to any bitter substance - evolved as a poison detector family often signals in the presense of toxins
117
unami
glutamate receptor T1R1 + T1R3 dimer (GPCR) closely related to sweet meaty, savour flavour responds to amino acids and glutamate MSG
118
where does taste project from
extends from tongue to several brainstem nuclei and then to thalamus, then to gustatory region of the somatosensory cortex
119
taste is a labeled line system
selectively inactivating taste cells expressing for one taste that does not effect the others
120
olfaction
odour perceptions requires stronger stimulation for humans forms the lining of the nasal cavity
121
what are the three major cell types in the olfactory system
support cells basal cells olfactory receptor cells (main)
122
odorants
dissolve into the mucousal layer and interact with receptors of the dendritic cilia GPCRS is the second messenger system that responds to odours
123
olfactory neurons go into
olfactory bulb and then to glomerulus with tunes and sharpens and then organizes them into a tonotropic map
124
mitral cells
convey olfactory info to the brain extends from glomerulus
125
targets for olfactions
does not go through thalamus targets are hypothalamus, amygdala and prepyriform cortex
126
regeneration in olfaction
olfactory cells are constantly being replaced adaption to chemical attack and viruses basal cells convert to neurons
127
ensheathing cells
similar to glial cells stem cells at the location of injury get 10 percent of function back into the spinal cord
128
pseudogenes
resemble genes similar to other species