Important Works Flashcards

1
Q

Giotto

Lamentation

A

Arena Chapel, Padua
1305
Pieta; empathy: human interaction (expression, movement); cangianti

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2
Q

Andrea da Firenze

The Triumph of the Church

A

Spanish Chapel, Santa Maria Novella, Florence,
c. 1370.
Dominican ideology; includes local landscape

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3
Q

Donatello

Feast of Herod

A

Siena Baptistery,
1430
complex space; continous narrative; perspective (2 vanishing points, grid)

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4
Q

Masaccio

Enthroned Madonna and Child

A

1430

Cloak is cast in real shadow (chiaroscuro); she overcomes the space

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5
Q

Masaccio

The Tribute Money

A

Brancacci Chapel, Santa Maria del Carmine, Florence, 1420s.
Perspective is used to tell a story: con. Narrative; natural light source; landscape (Giotto, Donatello- aerial perspective)

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6
Q

Masaccio

The Trinity

A

Santa Maria Novella, Florence,
1430.
Truths of religion are as clear as the axiums of math; first monumental perspectival painting; momento mori

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7
Q

Paolo Uccello

Battle of San Romano

A

1440.

Over does it with the math- no longer relatable

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8
Q

Fra Angelico

Annunciation,

A

1430

modular/cubic; hortus conclusus (ties virgin and christ with adam and eve); perspective

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9
Q

Ambrogio Lorenzetti
Allegory of Good Government
Effects of Good Government

A

Palazzo Communale, Siena,
1340
inspiration for what the gov’t should strive for (justice, etc.); first cityscape; represents the movement away from feudalism towards communes

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10
Q

Fra Angelico,

Annunciation

A

San Marco, Florence,
1440
Reminder of religious duties; modular recession; conflation of space

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11
Q

Fra Filippo Lippi,

Bartolini Tondo

A

1450.

Continuous narrative; first example of a tondo; motherhood

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12
Q

Fra Filippo Lippi,

Martelli Annunciation

A

c. 1440.

First squared altarpiece; commentator figure; Netherlandish influence in the vase

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13
Q

Domenico Veneziano,

Saint Lucy Altarpiece

A

c. 1450

Sacrae conversazione; commentator figure; suffused with light (new)- light as a measurement

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14
Q

Andrea del Castagno,

Last Supper

A

Refectory, Sant’ Apollonia, Florence,
1450
Heavy line and modeling; emotional imperitive; halos are lit for the first time

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15
Q

Piero della Francesca

Baptism of Christ

A

1450s.

Varieta; rhyme scheme between figures and nature (Christ’s legs and the tree); no shadow

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