6:1: David Seidler, The King’s Speech Flashcards

(17 cards)

1
Q

What is the audience?

A
  • The actors and the director
  • People interested in history.
  • People with anxiety or speech impediments themselves.
  • Wider audience in general due to the use of Hollywood stars.
  • Fans of the director
  • Film and acting community as a whole as Colin Firth won an Oscar for it.
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2
Q

What is the purpose?

A
  • To inform of the history behind King George and Lionel.
  • To entertain and inspire others to overcome hardship.
  • To tell the story to a new generation who may not be as aware of this part of history.
  • To raise awareness about stutters and similar conditions.
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3
Q

What is the genre?

A
  • Screenplay
  • Drama
  • Comedy
  • Biography
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4
Q

Context: The actual history

A
  • After his father died and his brother abdicated, Bertie was unexpectedly crowned King George VI.
  • Though he already had to do so, this meant he had to speak publicly more frequently.
  • Due to his stutter, this posed a large problem as it was a less accepting time (during WW2)
  • a king or any royal family member could not afford to appear weak in any way.
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5
Q

Context: David Seidler

A
  • Born 1937 - so he lived through the events even if he was fairly young.
  • Was a stutterer himself as a child.
  • British-American playwright, film and TV writer.
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6
Q

Voice: What is Lionel’s voice?

A
  • Incredibly informal, likely to reinforce that he isn’t of the same status as Bertie.
  • There is also a tone of surety of self, which Bertie lacks, creating a large juxtaposition and bringing further emphasis to Bertie’s condition and anxieties due to this contrast.
  • It also shows that Lionel is the authority in this conversation, in spite of the class divide.
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7
Q

Voice: What is Bertie’s voice?

A
  • His tone contrasts what he says, as most of his lines are incredibly formal and appear confident.
  • However, there is a tone of insecurity and scepticism towards Lionel.
  • This contrast may reflect his inner turmoil, as he knows that he must have the persona of a powerful King, but he is secretly seeking help in a time where men were expected to “man up”.
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8
Q

“Know any jokes?”

A
  • Lionel opens the conversation(“Know any jokes?”), immediately telling the audience he has the upper hand.
  • This shatters preconceived ideas that the King, being the King, would have the authority.
  • sentence fragment, so incredibly colloquial. Immediately establishes Lionel’s character as the antithesis of royalty.
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9
Q

“Timing isn’t my strong suit”

A
  • Bertie also destroys expectations when he responds with a humorous line
  • This could be interpreted as either a joke or a self deprecating comment, which humanises him.
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10
Q

THE USE OF STICHMYTHIA (dialogue where two characters speak one after the other) AND ADJACENCY PAIRS

A
  • creates a fast paced scene, giving it the nature of an interrogation.
  • This creates a tense atmosphere, and it conveys to the audience the importance of the event.
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11
Q

CLINICAL SEMANTIC FIELD

A
  • “Doctor”, “Dr Logue”, “treating”, “treated”, “physicians”, “lungs”, “throat”
  • This emphasises that Bertie’s stammer is a medical condition which can be helped.
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12
Q

LIONEL’S REPETITION/ECHOING OF “I prefer”

A
  • when they’re speaking about names
  • once again establishes he has the upper hand
  • it is mocking and perhaps a dig at the royal family and all their titles.
  • “I prefer” - a polite way of giving an order. Lionel sees straight through this facade, even further emphasising how he has the power and Bertie’s status is not what concerns him.
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13
Q

COLLOQUIAL LANGUAGE BY LIONEL (e.g. “Cuppa tea?)

A
  • This further conveys to an audience the massive social divide between the two characters
  • it shows how much they will have to overcome to see each other as equals.
  • This specific example also uses “tea”, a British stereotype. This may emphasise the national divide, and how the two characters are from completely different ends of the Earth
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14
Q

SEMANTIC FIELD OF ROYALTY/AUTHORITY

A
  • “Your Royal Highness”, “Sir”, “knighted”, “official” and “castle”
  • This may be the author trying to remind the audience that even if Lionel doesn’t regard it, Bertie is still a prince
  • the juxtaposition of this semantic field and Lionel’s actions is a great way of conveying this.
  • The constant reinforcement of this throughout the text is also a reminder of how unusual the proceedings are, as you would never usually find a prince in a non-royal practitioner’s office.
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15
Q

“Don’t do that.”

A
  • This is already a very harsh line, seeing as it is imperative and towards the prince, the supposed authority in this scene.
  • Not only that, but every word is monosyllabic, creating an even more imperative and commanding sentence and it is dental, creating a very powerful voice.
  • shows once again who really has the upper hand in the situation.
  • also shows how Lionel is ahead of his time, giving him even more power in the audiences eyes.
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16
Q

“Sucking smoke”

A
  • sibilant and consonant - gives a harsh sound, emphasising the danger of smoking.
17
Q

“(flushes)”

A
  • When Bertie “flushes” is significant as the word has several connotations.
  • “Flushes” may suggest illness, which even further tells the audience that this is a clinical setting, even if it doesn’t appear so.
  • “Flushes” also has connotations of embarrassment as well as anger, two very different emotions, which may suggest the inner conflict Bertie is going through.