6 Reformation and Counter Reformation Art Flashcards

1
Q
A

The Creation (Genesis) from Luther’s Bible,

c.1530

Luther uses images as a tool for remembrance

and understanding instead of as idols. Against

idolatry and fetishisation.

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2
Q
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Unknown artist, King Edward VI and the

Pope, oil on panel, c.1575, 62.2 x 90.8 cm,

National Portrait Gallery, London

The economy the pope created related to faith

is ridiculous. According tı him, being a good

Christian is about “doing”, not faith. You can

pay your way into heaven. However Luther

says that Jesus has already been crucified as a

sacrifice.

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3
Q
A

Lucas CRANACH the Elder, Contrasting

Protestant and Catholic Christianity c. 1545

Coloured woodcut Staatliche Museen, Berlin

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4
Q
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Lucas CRANACH the Elder, Wittenberg Altarpiece,

installed 1547, St Marien Kirche, Wittenberg

Altarpiece in Luther’s church. Installed after his death.

Last Supper around round table.

Baptism (left) : God makes decisions for you from birth

Confession (right) : key given from ordinary councillor to

confessor. No hierarchy.

Only 3 sacraments. Same as the Bible

Contemporary attire

Judas being given bread

Communion service not as an elitist act. No hierarchy

Luther preaching. Crucifixion in centre

Protestant art is not ambiguous. Very clear.

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5
Q
A

Albrecht DÜRER, The Large Passion: 9. Last

Supper 1510 Woodcut, 39 x 28 cm Graphische

Sammlung Albertina, Vienna

Sacrificed lamb on plate.

Trying to do sacrifice as a rebundant act.

Dürer sympathises with Luther.

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6
Q
A

Left: Old Testament (doing gets you nowhere)

Right: New Testament (being, by faith)

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7
Q
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Lucas CRANACH the Elder (finished by the

Younger?), Weimar Altarpiece, 1555, wood,

Stadtkirche Sankt Peter und Paul, Weimar

About conformity

Cranach knows that painting won’t grant him a

place in heaven

Christ’s blood being spilt on Cranach

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8
Q
A

Michelangelo, Last Judgment, 1537-41 Fresco, 1370 x

1220 cm

First named as Resurrection

Patrons: Popes Clement VIII and Paul III

On altar wall

Bible as reference only

No sense of space and depth. Figure studies. Mannerism

Christ has no beard. Similar to Apollo

Depiction of 7 deadly sins

Ambiguity

Council of Trent decides that it has to be censored for it’s

nudity. Friend of Michalengelo does it.

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9
Q
A

Anon, Pope Paul III approving the Society of

Jesus in 1540, with Cardinal Alessandro

Farnese and Ignatius Loyola, oil on panel,

Sacristy, Gesù, Rome

Pope looks after Jesuits but this also grants him

control over them through his acknowledgement

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10
Q
A

Guido RENI, St Filippo Neri in Ecstasy, 1614

Oil on canvas 180 x 110 cm, Santa Maria in

Vallicella/Chiesa Nuova, Rome

Filippo Neri’s approach is not like Jesuits. He is

an Oratorian. Simple priests who live together

with no vows. Catholic. Bond of charity.

Oratorians don’t have a single patron. Takes

them longer to get artworks for their sacred

places.

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11
Q
A

Chiesa Nuova, Rome,

1561

Founded by Filippo Neri

Highlight of

Caravaggio’s career.

Has works by Barocci as

well.

Dedicated to Mary

Shows fulfilment of

prophecy through a

chronological story.

Each side chapel is like a

little church.

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12
Q
A

Federico BAROCCI, Visitation, 1584- 86 280 x 180 cm, oil on

canvas, Chiesa Nuova, Rome

AND

Federico BAROCCI, Presentation of the Virgin, 1593-4, 383 x

247 cm, oil on canvas, Chiesa Nuova, Rome

Barocci is a superstar artist. Poisoned by Roman artist out of

jealousy

Works from model with detailed studies. Mannerism

Invented technique of drawing with pastels and sketching with

colours. Innovative.

Has multiple compositional sketches according to patron’s

response.

Compositionally corresponding paintings. Staircase

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13
Q
A

Peter Paul RUBENS, The Entombment,

1611-12, Oil on wood, 88 x 66 cm, Ottawa

Rubens lives near Nuova and associated with the

Oratorians.

Recreating and improving artworks including

Caravaggio’s Entombment. Takes contemporary

criticism into consideration.

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14
Q
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CARAVAGGIO, The Entombment 1602-03 Oil on canvas, Pinacoteca, Vatican

Chiesa Nuova is the height of his career. Is Christ being put down or brought up (as the moment of substantiation)? Uncertainty. A version of Pieta. Marble stone: A relic.

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