Samba Em Preludio (Esperanza Spalding) Flashcards

1
Q

Key

A

B minor

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2
Q

Structure

A

Strophic - head arrangement based on main theme:
Intro - verse 1 - break - verse 2 - guitar solo - verse 3 - coda
16 bar sections
Guitar flourish at end - virtuosic

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3
Q

Harmony and Tonality

A

B minor
Conjunct - stepwise
Jazz harmony - not simple triads - extended, altered, substitution

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4
Q

Instrumentation

A

Female vocal
Acoustic bass guitar - virtuosic solo at start, double stops, mordants, glissando
Nylon-string acoustic guitar - chords + short melodies - has virtuosic solo

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5
Q

Time signature

A

4/4

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6
Q

Rhythm and tempo

A

Starts in free tempo - pulse pulled around freely
Tempo rubato - performer can pull back or speed up
Syncopated
Based on Bossa Nova rhythm

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7
Q

Bossa Nova rhythm

A

Dotted crotchet- quaver rhythm
(Like a salsa groove but doubled the lengths)
Heard in bass from bar 19

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8
Q

Melody

A

Syllabic - more focus on bass guitar while singing
Beginning - sings ascending broken chords
Stepwise - verse 2
Often sins highest notes (7ths) - bar 35, sings F of Gsharp dim7

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9
Q

Texture

A

Start is monophonic - is it really since double stopping (chords)
Overall MDH
Counterpoint between parts (voice and bass chords)
Bossa nova - polyphonic counterpoint - guitar + bass accompany melody
Sparse in places - creates intimate feel - just vocal and bass (fewer notes)

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10
Q

Verse 1

A

2 8-bar stanzas
Rising arpeggio (broken chord) - in triplets
First note of phrase descends by semitone - descending sequence
Move sin 3rds - occasional 7ths

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11
Q

Verse 2

A

2 16-bar stanzas
Stepwise
Ascending + descending sequences
Contrapuntal - voice + acoustic/bass

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12
Q

Duet

A

Vocals sing verse 2

Bass guitar plays verse 1 - doubled note values

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13
Q

Solo

A

Virtuosic - show off
Conjunct - small intervals
MDH - acoustic plays melody accompanied by bass
Trills, quintuplets, hammer ons, acciacaturas, extended chords

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