8 Western Art in the Melting Pot: Europe sixth to eleventh centuries Flashcards

1
Q

“Dark ages” approximate dates?

A

500-1000AD

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2
Q

What did Norwegian Viking captains have to do to their ships before arriving in their home port?

A

Remove the carved figures of dragons and monsters from the ships, so as not to frighten the spirits of the land.

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3
Q

High point of Saxon and Celtic art?

A

Illuminated manuscripts such as the Lindisfarne Gospels (698 AD)

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4
Q

What influences do Saxon and Celtic art embody?

A

Knowledge of classical technique –foreshortening, shadows –mixed with highly patterned and ornate native forms.

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5
Q

Medieval artists were not out to create a convincing likeness of nature or make beautiful things, rather to convey the _____________ of the ___________ story.

A

Medieval artists were not out to create a convincing likeness of nature or make beautiful things, rather to convey the message of the sacred story.

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6
Q

Dates of Charlemagne

A

747-814

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7
Q

One reason why medieval art tends to be religious?

A

Non-religious art was more likely to go out of fashion or be destroyed

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8
Q

What is a mandorla?

A

A mandorla is an almond-shaped aureola, i.e., a frame that surrounds the totality of an iconographic figure. It is usually synonymous with vesica, a lens shape. Mandorlas often surround the figures of Jesus Christ and the Virgin Mary in traditional Christian iconography.

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9
Q

What is a chancel?

A

Space around the altar, including the choir, at the liturgical east end of church. May terminate in an apse.

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10
Q

Identify, date, describe

A

Church of All Saints, Earls Barton, Northamptonshire, c1000.

Imitates timber structures in vertical limestone pilaster strips and strapwork.

At the corners of the tower, the walls are strengthened by long vertical quoin stones bedded on horizontal slabs, and hence is termed long and short work.

Roman influence seen in doors and windows of the tower.

Storeys divided by projecting stone string courses.

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11
Q

Church of All Saints, Earls Barton, Northamptonshire, c1000.

What early structures are imitated and how?

A

Timber structures are imitated in vertical limestone pilaster strips and strapwork.

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12
Q

Church of All Saints, Earls Barton, Northamptonshire, c1000.

How are corners of towers strengthened?

A

Long vertical quoin stones bedded on horizontal slabs –termed “long and short work” in Anglo-Saxon churches.

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13
Q

Church of All Saints, Earls Barton, Northamptonshire, c1000.

How are the storeys divided?

A

Storeys divided by projecting stone string courses.

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14
Q

Church of All Saints, Earls Barton, Northamptonshire, c1000.

What influence is seen in doors and windows of tower?

A

Roman influence seen in doors and windows of the tower.

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15
Q

Identify, date, describe

A

Dragon’s head, c820AD, Norway.

Interlacing patterns reminiscent of those of Maori.

These figures had to be removed from ships when returning home so as not to frighten spirits of the land.

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16
Q

Identify, date, describe

A

Carpet page from Lindisfarne Gospels, c698AD

Carpet pages are feature of Insular manuscripts, and typically placed at the beginning of a Gospel Book.

One of the finest works of Hiberno-Saxon or Insular art (period 500-900AD), combining Mediterranean, Anglo-Saxon and Celtic elements.

Work of a single hand.

Associated with Cult of St. Cuthbert, ascetic member of a monastic community in Lindisfarne, died in 687.

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17
Q

What period is Hiberno-Saxon or Insular art?

A

600-900AD

18
Q

What elements are combined in Hiberno-Saxon or Insular art?

A

Mediterranean, Anglo-Saxon and Celtic elements.

19
Q

Who created the Lindisfarne Gospels?

A

Eadfrith of Lindisfarne, laterr bishop

20
Q

What are carpet pages in Insular manuscripts?

A

Carpet pages are decorative pages typically placed at the beginning of a Gospel Book.

21
Q

Identify, date, describe

A

St Luke, from Gospel manuscript, c750AD

Hiberno-Saxon or Insular style.

Primacy of pattern –even figures look not like humans but patterns made of humans form.

22
Q

What styles are represented here in the Lindisfarne Gospels?

A

Celtic style –spiral forms and knotwork

Germanic zoomorphic style

23
Q

A collective term for the symbols of the four Evangelists is the __________

A

A collective term for the symbols of the four Evangelists is the Tetramorphs

24
Q

What is this symbol and where does it come from?

A

Triskelion

Found 5,000 years ago in Ireland

Mycenae c1400

Triskeles of Sicily –three legs

25
Q

Which Saint were the Lindisfarne Gospels associated with?

A

Associated with Cult of St. Cuthbert, ascetic member of a monastic community in Lindisfarne, died in 687.

26
Q

How many people produced the Lindisfarne Gospels?

A

Work of a single hand

27
Q

What kind of vault is this?

A

A cloister vault

Two barrel vaults that cross at right angles to each other.

Any horizontal cross-section is a square.

28
Q

Which church is Aachen cathedral based on?

A

San Vitale in Ravenna, Italy (547AD).

29
Q

Identify, date, describe

A

Aachen cathedral, 805AD

Built under Charlemagne (747-814)

Carolingian Renaissance style, in which traditions of Roman craftsmanship were revived.

Based on San Vitale in Ravenna, Italy (547AD).

30
Q

Which style is Aachen cathedral in?

A

Carolingian Renaissance style, in which traditions of Roman craftsmanship were revived.

31
Q

Charlemagne thought himself the successor of whom?

A

The Roman Emperors

32
Q

What does the difference between these two 9th century illustrations of St Matthew demonstrate?

A

First demonstrates faithful copy of venerated model.

Second wanted to convey fervour of man transcribing the word of god.

Invention of medieval art –expressing what the artist FEELS about the subject.

33
Q

The Egyptians drew what they ________ to exist, the Greeks drew what they _____, in the Middle Ages they drew what they ____.

A

The Egyptians drew what they knew to exist, the Greeks drew what they saw, in the Middle Ages they drew what they felt.

34
Q

Identify, date, describe

A

Christ washing the apostles’ feet, c1000

From Gospel book of Otto III.

Ottonian art a departure from forms of Carolingian period – greater emphasis on elongated figures, rich colors, and religious symbolism.

Total focus on central scene.

Importance of conveying sacred message, rather than realism.

35
Q

Who were the key figures of the Ottonian Renaissance?

A

The key figures were Otto I, Otto II, and Otto III, who reigned between 936 and 1002.

36
Q

Who were the Ottonians?

A

A German dynasty that emerged in the region of Saxony, centred in Magdeburg. They came to power in the 10th century after the decline of the Carolingian Empire.

37
Q

Who established the Holy Roman Empire?

A

Otto I (Otto the Great), who expanded the Saxon kingdom’s territories and was crowned Holy Roman Emperor in 962.

38
Q

What’s the difference between the Carolingians and the Ottonians?

A

Carolingians were Frankish, and dominions extended over France; Ottonians were Germanic, centred in Saxony

Charlemagne united Church and monarchy, Ottonians took it a step further by integrating the Church into the administration of the empire.

39
Q

Identify, date, describe

A

Adam and Eve after the Fall, c1015

Bernward Doors –on Hildesheim Cathedral in Saxony.

Ottonian renaissance.

Shifting of blame –lord pointing at Eve, etc.

40
Q

Identify, date, describe

A

Bayeux Tapestry, c1080

King Harold swears oath to Duke William of Normandy, then returns to England.

Rare example of non-religious art preserved, because was in church.

Picture chronicle of type of Trajan’s column.

41
Q

What ended the period of insular or Hiberno-Saxon art 600-900AD?

A

Vikings - began invading from around 800AD

42
Q

When and where was the first Viking raid on the British Isles?

A

In Lindisfarne in 793 A.D.