Topic 2 - Operetta and America Flashcards

Includes Operetta and details of minstrel shows.

1
Q

Why was imported work from Italy simplified when translated in America?

A

A lot of works imported from Italy were modified because translation in polyphonic texture became to difficult in language.

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2
Q

Minstrel Shows (origin)

A

Representation of black people played by white people, this was exploited and black people almost never make it onto the stage. - ‘Blackface’

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3
Q

Charles Matthews: Minstrel Shows

A

He studied mannerisms and behaviour; then imitated and exaggerated this when performing in ‘black-face.’

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4
Q

Who was Ed Christy, what did he develop…

A

Developed distinctive conventions of minstrel shows: which were divided into 3 contrasting acts.

Both instrumentalists and performers are swapping jokes about the ‘master of ceremonies’ in the middle of the circle.

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5
Q

Stephen Foster - Camptown Races

A

He used less dialect, taken from plantation songs.

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6
Q

Costuming in Minstrel shows?

A
  • Long blue coats
  • Striped shirts
  • White trousers
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7
Q

What are the 3 different acts in minstrel shows?

A

Act 1: Song & Dance skits, choral singing and ended in a walk-around or cake-walk (the winner gets a cake shoved in their face = comedy)

Act 2: ‘olio’ or fantasia sequence which was extended specialities of odd instruments or female imitation and satire

Act 3: Operas, plays and politics at the time were ‘burlesqued.’

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8
Q

What is act 1 in a minstrel show?

A

Act 1: Song & Dance skits, choral singing and ended in a walk-around or cake-walk (the winner gets a cake shoved in their face = comedy)

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9
Q

What is act 2 in a minstrel show?

A

Act 2: ‘olio’ or fantasia sequence which was extended specialities of odd instruments or female imitation and satire

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10
Q

What is act 3 in a minstrel show?

A

Act 3: Operas, plays and politics at the time were ‘burlesqued.’

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11
Q

What was the music like in Minstrel shows?

A

Music was adapted from plantation songs from authentic african-american slaves. Including call&response. Song: Dixie Land

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12
Q

What is black-face?

A

a form of theatrical make-up used predominantly by non-black performers to represent a caricature of a black person.

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13
Q

What new American genres were developed in the later 19th Century? (5)

A
  1. Melodrama
  2. Extravaganza or spectacle
  3. Musical comedy - derived from opera bouffe
  4. Vaudeville, Variety show and Music hall - interchangeable terms
  5. Revue
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14
Q

What are the different types of Spectacles or extravaganzas

A
  1. Equestrian (horseback)
  2. Military-nautical (stage machines)
  3. Burlesque (girls, dance)
  4. Fairy (Animals, Magical)
  5. Romantic (Natural Disasters)
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15
Q

Why was Vaudeville, Music Hall and Variety shows so popular?

A

These types of shows had a ‘clean’ reputation as shows around the time were very negative and burlesque as developed in England.

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16
Q

How was orchestra used in variety shows?

A

Orchestral musicians were in high demand, as the underscore often enhanced the pathos, drama and humour.

Cues became a thing for seperate performers.

17
Q

What are some of the specialised performances seen in vaudeville?
name at least 3

A
  • song and dance
  • circus, acrobats and wire-walkers
  • banjo
  • blackface
  • cyclists
  • magicians
  • rope spinners
  • whip-snappers
  • jugglers
  • ventriloquists
18
Q

ENGLAND theatrical genre - for children consisting of child-like and fairytale stories

A

Pantomime - music, topical jokes and slapstick comedy often based on a fairytale or nursery story often came about around Christmas time.

19
Q

Who was René Charles Guilbert de Pixérécourt?

A

Father of Melodrama

20
Q

George P. Oliver?

A

Named the 5 types of Spectacles

21
Q

What is ‘The Black Crook’ 1866

A

Considered the first book musical.
It included melodrama and extravaganza.

The show was decadent, characterised by and reflecting a state of moral and cultural decline.

22
Q

Operetta in USA?

G&S

A

Operetta in the USA was dominated by the English pair: Gilbert and Sullivan.

23
Q

Operetta in the USA

Franz Lehar

A

‘The Merry Widow’ 1905

- Waltz, Can-Can and use of rubato

24
Q

Operetta in the USA

Oscar Strauss

A

‘Chocolate Soldier’ 1908

25
Q

Operetta in the USA

Ivan Caryll

A

‘The Pink Lady’ 1911

26
Q

What black performer, dressed up as a white performer and played blackface?

A

Bert Williams