Fundamentals of Synthesizer Programming Ch. 4 - Controllers Flashcards

1
Q

The _____ _____ is used to produce envelopes as control signals on a synthesizer.

A

envelope generator

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Which part of the synthesis model does an EG send a control signal to to shape loudness?

A

amplifier

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Which stage in an envelope determines the amount of time it takes for loudness to go from silence to maximum level?

A

attack

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

What does decay determine?

A

how quickly the sound begins to die away after the attack stage is completed

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

The _____ stage sets the level held from the end of the decay stage to key off.

A

sustain

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

If sustain is set to 100%, the setting for the _____ stage is irrelevant.

A

decay

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Which stage in an envelope determines the amount of time it takes for the sound to die away after a key is released?

A

release

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Which stage is a level setting?

A

sustain

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

The filter EG does not affect loudness, but instead controls the filter’s _____ _____.

A

cutoff frequencies

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

What can the amount control on the filter EG be thought of as?

A

“range” control for filter EG, which adjusts how much effect the envelope has on the cutoff frequency

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

When using a filter EG, you typically want to set the cutoff frequency to a _____ frequency so you can hear it sweep the audio spectrum as it follows the envelope.

A

lower

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

True or False? Changes to your filter EG may have no effect if the amplifier EG is not set to complementary values.

A

true

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Route an EG to a(n) _____ in order for pitch to follow an envelope as you hold a key.

A

oscillator

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

In which mode will the envelope generators be triggered when a key is pressed, but will not be retriggered when other keys are pressed until the first key is released?

A

single-trigger

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

In which mode will the envelope generators retrigger an attack stage with every keystroke, whether previous keys have been released or not?

A

multi-trigger

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

When a(n) _____ is used as a controller, pitch, timbre, or loudness will change in a cyclical, repetitive manner and follow the shape of a waveform.

A

LFO

17
Q

An LFO routed to a(n) _____ will result in a change in timbre.

A

filter

18
Q

What is the frequency range of an LFO?

A

less than 1Hz to 20Hz

19
Q

Which LFO control determines the amount of change (high and low) to the destination?

A

amount/depth

20
Q

What can be used to achieve more subtle control of LFO depth over time?

A

physical performance controllers such as modulation wheels

21
Q

What inputs and outputs do analog S/H modules have?

A
  • input for sampling (measuring) incoming voltage signal

- output for sending control signal derived from sampled input

22
Q

What kinds of modules can send signals to the input of an S/H module?

A

source or controller

23
Q

With an analog synth, the keyboard sends a _____ signal to an EG in order to initiate its attack and release stages.

A

gate

24
Q

In order to control pitch, the keyboard sends a control voltage signal to the _____ measured at 1 volt per octave.

A

oscillator

25
Q

In order to control the timbre, the keyboard sends a control voltage signal to the _____.

A

filter

26
Q

_____ smooths the transition from one note to another as you play, causing the pitches to glide up and down rather than moving in discrete steps.

A

portamento/glide

27
Q

A _____ _____ keyboard measures the speed at which you strike the keys and translates this measurement into “soft” or “loud.”

A

velocity sensitive

28
Q

A keyboard with _____ measures the pressure exerted at the bottom of the key travel and translates this measurement into a control signal.

A

aftertouch