A05 Rossetti vs Ibsen Flashcards

(33 cards)

1
Q

Nora confronts

A

every convention and male prejudice that cages her - Kate Millett, 1971

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2
Q

Ibsen and marriage

A

he revealed it to be far from a divine institution - August Strindberg, 1880s

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3
Q

Ibsen review

A

Social Demokraten, 1879, said that Torvald fails to understand Nora’s value as a human being

-1000s of such doll-like house

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4
Q

resistance

A

Simon Avery - Rossetti’s speakers demonstrate a resistance to social expectations, which define the acceptable roles of women

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5
Q

sin

A

Lynda Palazzo - Rossetti hints that male gender oppression is a sin

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6
Q

word choice

A

Simon Avery says that the word choice is often “austere”

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7
Q

angels

A

Victorian women were seen as passionless angels in the home but Karen Armstrong argues that GM defies this

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8
Q

Simone de Beauvoir

A

stated that women are “objects” in patriarchal society

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9
Q

fallen women

A

Richard Gill - Rossetti is “thoughtfully aware” of the plight of fallen women

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10
Q

attitude to fallen women

A

unlike her contemporaries, like William Acton who published a report called “Prostitution”, Rossetti does not dismiss ‘fallen women’ with hasty judgement

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11
Q

Winter: My Secret

A

Simon Avery - she manipulates power so she is in control

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12
Q

“no”

A

No Thank you, John - asserts a woman’s right to say “no”

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13
Q

voice

A

Simon Mold - Rossetti gives a vibrant voice to the female experience, despite Victorian women being denied social, economic and political freedom

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14
Q

Hattie Morahan, 2013

A

the play is just as “relatable” now

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15
Q

it is women’s

A

confinement in the domestic sphere that correlates with the subordination of women’s rights - L Code, 2000

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16
Q

address

A

the restrictions placed on women and pulls down the ideological boundaries of femininity - Lesa Scholl

17
Q

women

A

are the creatures of the organised tyranny of men - Eleanor Marx, 1884

18
Q

‘woman’s qu’

A

in an era where the status of women was increasingly debated - ‘the woman’s question’ - Rossetti presents a “dark assessment” in the woman’s lot - Richard Gill

19
Q

feminist

A

Lisa Scholl - her writing seems to suggest and promote the belief that women are equal to men

however, Rossetti had said that she saw an “unalterable distinction” between men and women

20
Q

emancipation

A

Robert Brustein

Ibsen was “completely indifferent to (female emancipation) except as a metaphor for individual freedom”

21
Q

brotherhood

A

Alice Kirby sees the feminine world of GM as a response to her sibling’s exclusive ‘brotherhood’

22
Q

rigid

A

Rossetti could be suggesting in GM that society is so rigid that only a domestic sisterhood could exist - not an artistic one - Alice Kirby

23
Q

criticism of society

A

Laura described as a “restless brook” suggesting she is bored with the constraints of domestic life - Alice Kirby

24
Q

fruit

A

Laura’s interest in the Goblin’s “fruit globes” has been seen by critics as an allegory for her exploring her sexuality

25
allegory of GM
poem can be read as an allegory for a woman trying to transcend the boundaries placed upon her by society - Alice Kirby
26
GM and MC
linked as their punishments are indicative of Victorian society's attitude towards fallen women - Alice Kirby Laura is "writhing as one possessed"
27
Rossetti's women
challenge male authority, like MC and Sir Thomas Rossetti lived an unconventional life within the confines of Victorian mores and her female characters act as a reflection of her experiences - Alice Kirby
28
Nora is purely a
source of "enjoyment and pleasure" for Torvald - Baser, 2013
29
interpretations of the tarantella
1) suggested that it expresses her sexual self 2) manifestation of her suicidal impulses 3) feminist critic, Toril Moi, has suggested that it displays the torment of her soul
30
Mary Wollstonecraft
18th-century revolutionary writer, argues in her essay 'A Vindication of the Rights of Women' that women are taught "outward obedience" from infancy
31
Wollstonecraft argues
that men try to secure the good conduct of women by reducing them to a state of innocence and childhood, seen with Nora and Torvald
32
Ibsen has been seen as
"an apostle of the cause of women" - Louie Bennett
33
a vindication of the rights of women
Mary Wollstonecraft - strengthen the female mind by enlarging it and there will be an end to blind obedience Nora seems to reflect this attitude at the end - "I must educate myself"