Act 5 + Faustus Epilogue Quotes' Analysis Flashcards

1
Q

what role does the Old Man play in the final act?

A

stock character representing wisdom, conventions of a morality play that Marlowe subverts by having Faustus reject him + potentially a foil for Faustus who will never reach that age

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2
Q

break heart, drop blood, and mingle it with tears

A

audience would interpret blood as representing Christ’s love, subverted by Faustus using it to reaffirm his deal with Lucifer, blood represents chance of redemption

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3
Q

with greatest torments that hell affords

A

Faustus previously did not believe in Hell, so suggests an acceptance of his fate and Christian teachings

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4
Q

Mephistopheles gives him a dagger

A

hoping Faustus will kill himself and therefore be damned, suicide seen as the worst sin to commit

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5
Q

how does the Old Man’s death link to morality plays?

A

represents the death of Faustus’ chance for redemption, finality of damnation/ downfall, symbolic of Lutheran ideas and beliefs

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6
Q

her lips suck forth my soul

A

proves Faustus’ damnation as it conveys how corrupted his desires have become, pursuit and value for base desires, level of debauchery and foolishness, hollow nature of necromancy as he devalues his soul, ironic as his soul belongs to Lucifer

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7
Q

for heaven be in these lips

A

damning himself, takes joy in being blasphemous

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8
Q

I will combat with weak Menelaus

A

lack of self-awareness, trying to present himself as a brave warrior despite it being set up multiple times that he is not

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9
Q

as in this furnace God shall try my faith

A

unlike Faustus’ fickle nature, the Old Man has strong, firm faith in God

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10
Q

what context can be linked to despair/ suicide?

A

despair means the inability to believe in God’s power to forgive sin, complete loss of hope which was the greatest of all sins for Renaissance theologians

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11
Q

tis but a surfeit

A

structural parallel to the chorus, reference to gluttony, excess, over-indulgence

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12
Q

O, he stays my tongue

A

imagining that the devils are controlling him, not taking responsibility

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13
Q

O, I’ll leap up to my God. Who pulls me down?

A

short, sharp utterances reflects inevitability, urgency, and hurried nature

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14
Q

clock strikes eleven

A

symbolic of the penultimate hour/ time of his life

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15
Q

stand still, you ever-moving spheres of heaven

A

Faustus’ desperation to stop time has made him become illogical

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16
Q

mountains and hills, come, come and fall on me, and hide me from the heavy wrath of God

A

coming up with impossible ideas that defy the laws of nature because he knows his fate is sealed

17
Q

offence can never be pardoned… nothing can resolve me

A

fatalism, Calvinistic

18
Q

this soul should fly from me and I be changed unto some brutish beast

A

lowering himself in the Great Chain of Being, shows how desperate he is

19
Q

curse be the parents that endangered me… curse Lucifer, that hath deprived thee of the joys of heaven

A

Faustus unable to take personal responsibility for his actions

20
Q

let Faustus live in hell a thousand years, a hundred thousand, and at last be saved

A

mirroring of Faustus’ first soliloquy where he faces inner conflict shows a lack of growth, has not learned about the consequences of his actions, highlights hubris

21
Q

thunder and lightning

A

use of sound/ imagery builds tension

22
Q

I’ll burn my books

A

furthers desperation, willingness to sacrifice what is most important to him (the cause of his plight)

23
Q

ah, Mephistopheles

A

calling out for him and not getting a response shows how much their relationship has changed

24
Q

cut is the branch that might have grown full straight

A

metaphorical language emphasises his wasted potential

25
Q

what is the significance of the epilogue being spoken by a chorus?

A

structural mirroring of the prologue, focusing on the lesson of the morality play, directing the audience to reflect

26
Q

burned is Apollo’s laurel bough

A

classical influence, indicative of the destruction of indulgence/ reverence/ frivolity

27
Q

whose deepness doth entice such forward wits to practise more than heavenly power permits

A

main message of the morality play to not overstep/ overreach, rhyming couplet