Additional Works - Nature Flashcards

Ao1, Ao2, Ao3 (13 cards)

1
Q

Who painted ‘Rams Head, Little Hollyhock and White Hills’
&
What are the key contextual factors behind the work?

A

Artist: Painted by Georgia O’keeffe

Location/: Painted in the American Southwest
(Beyond European Tradition)

Period: 1935 (Post-1850)

Style: Surrealism, blend of realism & abstraction

Themes: feminine connection to and reclamation of natural American landscape, skeletal/death with flora/life, endurance

Context:
- response to male dominated landscape tradition in art
- artist inspired a feminist movement, abstracted flowers alluded to feminine forms
- this work was influenced by her journeys across the hills, turbulent, challenging
- life in new mexico

Artist Influences:
Husband - Alfred Stieglitz
Paul Strand, taught O’Keeffe - photographic processes such as exposure/contrast could produce abstract passages

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2
Q

Who painted ‘Shipping at the mouth of the Thames’?
&
What are the key contextual factors behind the work?

A

Artist: JMW. Turner

Location/date: Britian (European Tradition) 1807-09 (Pre-1850)

Period: Romanticism

Style: (human condition, supernatural, sublime) Romantic palette, dramatic realism

Themes: maritime atmosphere, sublime, man vs nature, explores natures indifference to human progress, fragility of man, romantic vision of the inifinate unknown (notion that nature shcoul be conquered) juxtapositions gaurdship with fishing boats (men of war, labour, class, status conflict)

Context:
- obsession with the power of nature (seas power/power of the elements)
- pushing the limits and boundaries of life was popularised and inspired in artworks
- Rise of British indulstrialism, so acts as a repsonse and reflection between progress and the natural world (turmoil and tension)
- capturing the brink of technolgoical advancesments, before the handover of sailing boats to greater technologies
- Blistering impact of Napoleonic wars / French revolution
- “A Disaster at Sea”. His work, like “Slave Ship,” also tackled the issue of the slave trade.

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3
Q

Who created Hanging Trees (Yorkshire Sculpture Park)
&
What are the key contextual factors behind the work?

A

Artist: Andy Goldsworthy (b. 1956)

Tradition: Within European

Period: Contemporary (1990s)

Style: Land Art, Environmental Art

Themes: Nature’s cycles, decay, human intervention, memory

Context:

Political: Subtle commentary on land use and history

Social: Interest in ecology, site-specificity

Technological: Natural materials only; hand-built

Visual Summary: Dry-stone wall enclosing roots of a tree; blends with landscape; hidden tensions between nature and structure

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4
Q

Who sculpted ‘Woman with her throat cut’
&
What are the key contextual factors behind the work?

A

Artist: Alberto Giacometti

Location/date: Swiss (European Tradition) (1932)

Period: 20th century, Cubism, Surrealism, Exxpressionism (Post-1850)

Style: Cubist/surreal

Themes: Torture, maltreatment of human conveys malreatment of nature, suffering, organic agony, brutality, predator vs prey, violence/rape/murder, nature (and nature of mankind) is untamed and brutal

Context:
- aftermath of ww1, inbetween ww2, violence of the war, destruction of both man and nature
- tumultuous political climate

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5
Q

What is the Aztec work ‘Double-headed Serpent’ about?
&
What are the key contextual factors behind the work?

A

Period: Aztec Mexico (pre-colombian art) (1400-1521)

Style: Aztec, turquoise mosaic

Themes: nature as divine, duality, opposing forces, cyclical, renewal/birth and death, spirituality of south american aztec culture, mythical contexts

Context:
- mexica cosmology link
- nature and gods inseperable
- mythical reverence

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6
Q

Who created ‘Wintery Trees’

&

What are the key contextual factors behind the work?

A

Artist: Wen Zhenming (1470–1559)

Tradition: Beyond European (Chinese)

Period: Ming Dynasty

Style: Literati painting (ink on paper)

Themes: Nature, solitude, scholarship, harmony

Context:
Political: Ming imperial stability, scholarly class
Social: Confucian ideals, literati culture
Technological: Mastery of brush/ink; no Western perspective

Visual Summary: Sparse, monochrome ink; gnarled trees in winter; calligraphy; minimal composition

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7
Q

Who created ‘The Great Wave Off Kanagawa’
&
What are the key contextual factors behind the work?

A

Artist: Katsushika Hokusai (1760–1849)

Tradition: Beyond European (Japanese)

Period: Edo period (c. 1831)

Style: Ukiyo-e woodblock print

Themes: Nature’s power, transience, human fragility

Context:
Political: Tokugawa shogunate, isolationist Japan
Social: Rising merchant class, domestic art market
Technological: Woodblock printing; Prussian blue pigment

Visual Summary: Towering wave, Mount Fuji dwarfed, stylized foam, strong diagonal composition

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8
Q

Who painted ‘Waterfall Line’
&
What are the key contextual factors behind the work?

A

Artist: Richard Long (b. 1945)

Tradition: Within European

Period: Contemporary (1980s–present)

Style: Land Art, Minimalism

Themes: Nature, walking as art, human trace

Context:
Political: Environmental awareness
Social: Shift from gallery to landscape
Technological: Minimal tools, natural materials

Visual Summary: White stones arranged in a straight vertical line through nature; ephemeral; site-specific

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9
Q

Who created ‘Wheatfield - A Confrontation’
&
What are the key contextual factors behind the work?

A

Artist: Agnes Denes (b. 1931)

Tradition: Within European

Period: Contemporary (1980s)

Style: Environmental Art, Conceptual Art

Themes: Nature vs industry, sustainability, urban critique

Context:
Political: Reagan-era capitalism
Social: Rising ecological activism
Technological: Use of traditional farming in urban land
- alludes to soviet realism, propganda, activism and agriculture (cold-war) she would have seen as child

Visual Summary: Golden wheat field grown on landfill in NYC; juxtaposition of nature vs skyscrapers

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10
Q

Who created the Angkor Watt Cambodian Temples
&
What are the key contextual factors behind the work?

A

Artist: Khmer architects under King Suryavarman II

Tradition: Beyond European (Southeast Asian)

Period: 12th century

Style: Khmer temple architecture

Themes: Hindu cosmology, divine kingship, celestial order

Context:
Political: Imperial expression of power
Social: Syncretic Hindu-Buddhist culture
Technological: Advanced stone construction, corbelled vaulting

Visual Summary: Moat, concentric galleries, lotus towers; intricate bas-reliefs

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11
Q

Who created ‘World Trade Centre Transportation Hub’
&
What are the key contextual factors behind the work?

A

Architect: Santiago Calatrava

Tradition: Within European

Period: Contemporary (opened 2016)

Style: Neo-Futurism, Expressionist architecture

Themes: Renewal, resilience, motion

Context:

Political: Post-9/11 redevelopment

Social: Public space, commuter hub

Technological: Steel and glass engineering feats

Visual Summary: White rib-like structure, evokes wings or skeleton; open, light-filled interior

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12
Q

Who painted ‘Rain, Steam & Speed’?
&
What are the key contextual factors behind the work?

A

Artist: Joseph Mallord William Turner (1775–1851)

Tradition: Within European

Period: Romanticism

Style: Romantic, early Impressionistic tendencies

Themes: Industrial progress (steam train is advanced for the time), nature vs technology, speed, atmosphere, man is dark, nature is light, there is a Vs/juxtapositon, opposing forces, men emerges from the darkness

Context:

Political: Industrial Revolution, expansion of rail networks
Social: Changing landscapes, modernity anxiety
Technological: Steam engine; new mobility and modern power

Visual Summary: Blurred abstracted brushwork, train emerges through rain and mist; golden haze; indistinct forms evoke motion and energy, sublime/divinity associated with nature contrasts with the industrial progression of Britain at the time.- visibility is ambiguous so is our future

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13
Q

‘Waterlines’, Richard Long, 2003 all about…

A

Artist: Richard Long (b. 1945)

Tradition: Within European

Period: Contemporary

Style: Land Art, Minimalism, Conceptual Art

Themes: Time, nature, movement, human trace, impermanence

Context:

Political: Subtle environmental consciousness

Social: Shift from studio to landscape; focus on experience

Technological: Made with natural materials—mud from River Avon

Visual Summary: Horizontal lines of river mud on gallery wall; dripping, rhythmic; evokes erosion, water flow, and passage of time

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