ADH the MOST key quotes Flashcards

1
Q

‘How like a woman!’

A

Nora was denied access to education, Torvald’s view of women

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2
Q

‘I’ll get him in the right mood.’

A

Limited toolkit, only weapon she has. Reductive and demeaning.

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3
Q

‘When Torvald no longer loves me as he does now’

A

Nora anticipates a time when she will need something else to keep him - no real love between them.

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4
Q

‘It was almost like being a man.’

A

No subtlety from Ibsen.

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5
Q

‘Dogs don’t bite lovely little baby dolls.’

A

The naïve view that bad things don’t happen to good people, misinforming her children.

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6
Q

‘Corrupt my little children! Poison my home!’

A

Nora is vulnerable here, and is afraid of hurting her family - true morality.

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7
Q

‘I am man enough to bear the burden for us both.’

A

He lives the stereotype of masculinity and yet this is not actually true - he is not actually masculine.
He feels as though he is taking the moral high ground despite not needing to - he feels superior.

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8
Q

‘Her hair works loose and falls over her shoulders.’

A

Nora passionately dances the tarantella to distract Torvald from Krogstad’s IOU letter - enhancing her stereotypical feminine sexuality and helplessness to draw Torvald in.
Shows her willingness to perform in the social sexual roles put upon her.
Her hair being down = 19th century connotations of female madness (madwoman in the attic).

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9
Q

‘A long multi-coloured shawl’

A

Playful, part of the costume, actual performance illustrates the fact that her life is a performance.
The multicoloured shawl is a powerful visual symbol.

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10
Q

‘I’m a shipwrecked man, clinging to a spar.’

A

The semantic field of abandonment helps us to understand them. Hyperbolic. He has not previously been overly emotional - this helps us to believe them and makes it more affecting. Emphasis on how society abandons people too quickly.
Krogstad, without money or a wife, is desperate.

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11
Q

‘Give me something - someone - to work for.’

A

She’s not willing to change herself for him. She’s not looking for an easy way out. Purpose - work validates her. This is very big for a 19th century woman - not many women took joy from work. Work as a purpose could be considered a little bit Marxist.

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12
Q

‘As you stand there young and trembling and beautiful’

A

Torvald breaks bourgeois respectability by exposing his forbidden sexual desire.
He’s not content with the real world - he doesn’t want a real relationship - their relationship is too shallow for the ‘miracle of miracles’ to take place.

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13
Q

‘I believe that I am first and foremost a human being.’

A

Ibsen said that ADH was not about feminism but about humanity LOOK UP SPECIFIC QUOTE IN WIDER READING BOOKLET

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14
Q

‘You think and talk like a stupid child.’

A

Whenever she makes a good point he reverts back to infantilising her.

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15
Q

‘Miracle of miracles’

A

It’s pretty much impossible for their relationship to be fixed.

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16
Q
A