advert: score media lang+rep Flashcards

(32 cards)

1
Q

social context: how does this ad build a fantasy lifestyle for the male?

A

Post-war Britain was increasingly class-conscious. The ad suggests that the Score man is high-status, desirable, and in control—qualities many working- or middle-class men may have wanted to embody. It reflects how products were sold not just for use, but to build a fantasy lifestyle.

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2
Q

social context: what was there less of in the 1960s which allowed ads to get away with portraying women how they did?

A

there was less regulation of how women were portrayed in the media and ads were rarely challenged to they contributed to the normalisation of stereotypes

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3
Q

social context: how was masculinity in crisis and how does the ad reflect this?

A

As feminism and social change gained momentum, men felt their traditional roles were being challenged. The ad can be seen as a reaction to those changes,: “Use this product and you’ll still be the alpha male.” The man on a pedestal, idolised by women, restores a fantasy of unchallenged masculinity.

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4
Q

social context: what was there a strong focus on in the 60s?

A

personal identity and appearance which this ad reflects

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5
Q

cultural context: what was the mentality for men in the 60s?

A

“look good, feel good” mentality. ads like score played into this mindset, presenting well-groomed men as confident and sophisticated

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6
Q

cultural context: what does the lack of diversity in the ad reflect?

A

the attitudes towards beauty at the time, with many media products failing to include ethnic minority models. there was a strong focus of the white ethnicity in the media

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7
Q

political context: the ad was produced during a time of what?

A

social change e.g the decriminalisation of homosexuality and the equal pay act. the ad’s hyper-heterosexual tone
may be seen as a pushback against these shifting norms

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8
Q

political context: What key gender-related political shift was emerging in the 1960s?

A

second-wave feminism movement. however, this ad does not reflect the rise of feminist ideas. patriarchal values still dominated advertising. The advert projects a vision of traditional masculinity: men as dominant, powerful, and desirable, while women are shown as submissive and purely decorative.

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9
Q

historical context: what does the man being armed reflect?

A

the post war period where men who fought in the recent war were glorified as heroes and women were excluded from the front lines

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10
Q

media language: what does the women wearing revealing outfits reinforce?

A

the idea of the male gaze and it objectified them for a male audience and showed that they are vulnerable which was becoming common in the media in the 60s

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11
Q

media language: what does the 4/5 women looking at the man and reaching out show?

A

shows the sexual desire they have towards him and how he is the ‘prize’

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12
Q

media language: what does them carrying him on a pedestal show?

A

shows he is god-like while he sits comfortably not paying attention to the women and smiles

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13
Q

media language: what does the gun imply?

A

that he is in charge and is the provider

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14
Q

media language: what does the jungle setting imply?

A

that the man hunts the women. it also fulfils male fantasy and promotes escapism

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15
Q

media language: what does the text imply?

A

“get what you’ve always wanted” is direct address which makes it more personal for the viewer and implies the product will make women attracted to him. the word “new” creates excitement and has a modern appeal

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16
Q

media representation: what does the man being positioned at the top represent?

A

he is dominant and heroic which was a traditional representation of men in the 60s

17
Q

media representation: the representation of the man carried up high is designed to what?

A

flatter and appeal to a male audience

18
Q

media representations: what are 2 props that are typical representations of masculinity?

19
Q

media representation: what should women ‘have”?

A

male appeal achieved through good looks and the ability to cook a decent meal

20
Q

media representation: how is the man represented?

A

as the breadwinner and superior to their female spouse

21
Q

media representation: in the ad, how are the females represented? (5 things)

A
  • objects of beauty
  • sex objects
  • subservient
  • vulnerable
  • falling at the feet of men
22
Q

media representation: in the ad, how is the man represented? (3 things)

A
  • dominant
  • patriarchal
  • hunter protector of his ‘tribe’
23
Q

what was advertising like in the 60s?

A

advertising agencies relied less on market research and more on creative instinct

24
Q

was copy (written) used in 1960s advertising?

A

copy was still used to offer an explanation of the product but the visuals took on a greater importance

25
who is the target audience for score?
the male breadwinner
26
in the 1960s, what was advertising like in the uk post-war?
advertising in the post war period was characterised by campaigns that reinforced the idea that a women's place was in the home
27
how did gender roles in advertising change in the 1970s?
advertisers did try to lead the way with a more progressive representation of gender, achieved through 'role-reversed' adverts, in which the man was seen to undertake a series of household chores
28
why didn't the 'role reversed' adverts last long in 1970?
according to audience feedback, they portrayed men as 'wimps' and women as 'lazy'. females preferred to see themselves as the housewife. it could be argued this stereotype continued for so long was because women allowed it to happen
29
theorists: propp's narrative theory
the advert identified the man as Propp's "hero" and the women as Propp's "princess". the image infers he is the hunter protector of his 'tribe' (women) which has an appeal to the young male target audience who aspire to share the same status
30
theorists: hall's reception theory
Dominant reading: the 1967 male audience may read the narrative as ironic/humorous. Negotiated reading: females (not the target audience) may not enjoy the representations of women but at the same time accept its representation of a patriarchal society as normal/inevitable. Oppositional reading: modern audiences will be aware that its sexist narrative is outdated/offensive
31
theorists: butler's gender performativity
gender norms: women wearing makeup, man holding a gun gender performativity: women reaching out to the man reinforced binary opposite gender ideals
32
theorists: mulvey's male gaze
she argues that film put the spectator in a masculine position, with the figure of the woman on screen as the object of desire. in score, the audience are positioned to look at the women through the male gaze. this appeals to the male breadwinner target audience. the revealing outfits objectifies women and the fact the women are reaching out portrays the man as the object of desire which would appeal to the male audience