Aeneid Scholar Quotes Flashcards

(54 cards)

1
Q

Otis on Book 6 and Aeneas’ Journey

A

The primary importance of the journey is that it represents a spiritual illumination that fit him for his mighty task

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2
Q

Jenkyns on Dido and the Gods

A

Dido doesn’t have a moral flaw she’s made to supernaturally fall in love with Aeneas

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3
Q

Jenkyns on Dido’s death

A

It’s not right to blame anyone in particular because that’s the way it’s written

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4
Q

Boyle on Aeneas in the underworld

A

Aeneas’ journey in the underworld did not have much of an impact on him at all

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5
Q

Otis on Aeneid

A

Celebration of the Augustine hero and hope that Augustus brought to Rome

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6
Q

Jenkyns on Book 8

A

It’s the holiday book

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7
Q

Jenkyns on the first and second halves

A

In the first he is despairing, in the second he is moving irresistibly forwards to victory

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8
Q

Harrison on Stoicism

A

Romans saw stoicism as an interest of the state

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9
Q

Williams on Aeneas Suffering

A

He is a homeric hero because he suffers for others - “social man”

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10
Q

Reilly on Women

A

Women who step out of traditional roles are doomed to fail

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11
Q

Quinn on the characters of the Aeneid

A

Virgil creates complex characters worthy of sympathy

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12
Q

Williams on the purpose of the Aeneid

A

Aeneid is to glorify Rome and Augustus

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13
Q

Hardie on Aeneas’ personality

A

Aeneas has a boring personality because that is what is driven upon him by the fates

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14
Q

Camps on Aeneas being a puppet

A

Aeneas is a puppet controlled by external forces

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15
Q

Camps on Aeneas’ free will

A

Hiss free will is what distinguishes him from other characters

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16
Q

Camps on Turnus in Book 10

A

The reader is meant to sympathise with him though he is misguided and bloodthirsty

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17
Q

Edwards on the Aeneid and Augustus

A

The Aeneid endorses Augustus

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18
Q

Hardie on modern audience of the Aeneid

A

Modern readers think it’s anti augustun

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19
Q

Edwards on fate of Rome

A

Rome is fated to be settled there

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20
Q

Edith Hall on why Aeneas kills Turnus

A

Aeneas killing Turnus is to avenge Pallas who is like an adopted son

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21
Q

Edith Hall on Aeneid being Utopia

A

Utopian Poem

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22
Q

Cowan on Furor

A

Furor is the most destructive and pervasive force in the Aeneid

Can also take form as sexual furor when Dido commits suicide

23
Q

Cowan on leaders calming furor

A

Leaders need to be able to calm their own furor, even in Aeneas in Book 12, otherwise they can’t calm others - Neptune comapred to calming a rioting mob

24
Q

Mackie on book 6

A

Book 6 Main theme is its direct personal relevance of Aeneas and his role in the story

25
Hardie on Book 6
Book 6 demonstrates the virgilian pathos of the premature death of young men Shows a very male dominated view of roman society
26
Becker on Camilla
Virgil takes the opportunity to decry the heroic code of behaviour which prides itself on glory and booty
27
Becker on warfare
Whether the perpetrator is male or female, enemy or ally, the work of the battlefield is unilaterally inglorious
28
Jenkyns on Camilla
One of Virgils' strangest and most original creations, both delicate and savage
29
Feely on Killing of Turnus
Turnus' death is a relief, satisfies expectation
30
Rutherford on Aeneas and Turnus as Kings
neither can be regarded as model figures of ideal kings
31
Hardie on Dido
Noble heroine who makes a fateful mistake
32
Sage on Aeneas being passive
Aeneas is an instrument of the Gods, passive and passionless
33
Sage on Aeneas being unheroic
Falls short of the heroic in every respect
34
Jenkyns on Aeneas' flaws
Aeneas' faults are not feeling too little but feeling too much
35
Williams on Juno's role in plot - Positive
Major part of the story, formidable
36
Williams on Turnus' fate
Must happen because it contrasts to destiny
37
Williams on Dido's character
A tragic queen, admirable
38
Williams on Death of Turnus
Turnus was barbaric, the antithesis to the civilisation Aeneas wanted to found
39
Mackie on Aeneas and Fate
Aeneas' general concern is to facilitate fate
40
Gransden on Book 4
Book 4 is structured like a greek tragedy
41
Williams on Aeneas' positive character
Good leader because he doesn't hunt for personal satisfaction
42
Gransden on War
War doesn't last very long, not a key part of the story
43
Sewery on Anchises and Aeneas
The relationship between father and son is the closest bond in the poem
44
Jenkyns on Creusa
Noble in her death of comforting those close to her
45
Harrison on Juno
Juno is a soap opera bitch
46
Gransden on Fate
Heavy supporter of fate in driving the story
47
Kennedy on Jupiter
Jupiter role is to be a narrator in causing things to happen
48
Ross on Gods and Fate
Gods and Fate are everywhere throughout the poem, seeming to be always in control
49
Cowan on Nisus and Euryalus
Their death show the needless and tragic destruction of a thing of beauty, by a mindless impersonal force
50
Jenkyns on Creusa being a good wife
Creusa wants to comfort her husband in her death, upholding her role as a wife
51
Sewery on Dido being a victim
Dido is a victim of Roman destiny
52
Jenkyns on Different sides of Aeneas
We see someone experiencing ordinary human difficulties Primitive red-blooded warrior with strong emotions
53
Williams on Gods being negative
Striking and Relentless Jupiter gives rule without end
54
Williams on Aeneas as a mortal
"He is an ordinary mortal, no superhero"