African Art Final Flashcards
(34 cards)
Kongo Kings
- engraving by Olfert Dapper which showed the beginning contact between them and the portugese; 1642
- Italian engraver for the edited verstion of Cavazzi’s original account created the visual interpretation of Garcia II welcoming the missionary
- the Cavazzi are among the earliest based on eyewitness accounts of African life witnessed by a Euro
- portrait of Garcia II the boy could be his son due to Garcia touching his right shoulder and wearing the same beaded choker and colored sash
5.
Kongo Kingdom
Kongo diplomats
- bust of Emanuele ne vunda in the palazzo de quirnale rome
- ne vunda, kingdom of kongo & the embassy of hasekura painted by agostino
- sala dei corazzieri palazzo de quirnale
- oil on paper illustrations show the typiical dress of ambassadors to the ports
5.
Nikisi figures
- containers associated w/ spiritual forces that have a protective function
- represents intermediary forces associated w/ nature or universe and ancestors
- ritual specialist have the authority to empower these using materials from nature
- appearance of priests corresponds to the appearance of these
- priests activate them by driving nails or blades into its body
- Nikisi Nkondi- the hunter; considered particularly aggressive
7- Nkondi would have dogs with them as hunting partners - the dogs plays a role of mediating between the living and dead/ seen and unseen
- two headed dogs include containers of dirt from cemeteries,a mirror, and hoe blades
- Mangaaka- judicial authority
- Mangaaka- came about in the later 19th cent in the chiloango river region
- brings power to make contracts, regulate trade agreements, and settle disputes
- Minkisi (plural) were de sacralized when they were sold to not cause harm
- if it is effective, its power accumulate over time
15
Royal mask of Kuba
- Mwaash aMbooy is a wooden mask that represent Woot; royal power and prestige
- Mukenga is a royal variant of the Mwaash; are performed at funeral ceremonies of high ranking men
- Ngady aMwaash- portrays Mweel, Woot’s sister; often performed with Mwaash
- Ngady- Mweel is called the pawn woman of Mwaash due to her complicated relationship to male authority
- Bwoom- speaks for the common man; has a bulging forehead
Ndop statues
- are royal portraits carved out of wood
- would wear a beaded cloth crown called a shody
- are rubbed with oil to bring out its reddish color=fertility
- feature an emblem chosen by the king to symbolize his reign
- normally represent a king sitting crossed legged on a rectangular base
Kuba textile tradition
- influence architectural design, design on sacred and secular objects, and scarification patterns
- highly regarded prestige items that are used for tribute to the king, currency in trade, part of a dowry, etc
- Men creates the clothes using raffia palm trees, and women embroider the cloth
4.designs are not mapped prior to being embroidered - appliques are used to repair holes in the textile
Wene
founder of the Kongo from 13th century
The Jagas
King Nzinga
Manikongo
=King; male descendent of the Wene
Kikongo
Christian doctrine was translated into this language; Portuguese missionaries wrote the dictionaries and grammars
Garcia Afonso II
one of kongo’s important ruler since he was pious and expelled the portuguese from Angola
received an embassy from the dutch in 1642
Giovanni Cavazzi da Montecuccolo
Italian capuchin missionary who arrived in Luanda in 1654 visiting Garcia II in the process
Chafariz d’el Rey in the Alfama District 1570
art piece; european artists representing the presence of africans in 16th century europe and the americas; depicts outdoor festivities around the square and slaves
Antonio Emanuelle ne Vunda
1st african ambassador sent to europe, sent by Alfonso II, to visit Pope Paul V
St. Anthony of Padua
portuguese catholic priest/friar of the fransciscan order
Dona Beatriz Kimpa Vita
traditional healer who may have seen the spirit of St. Anthony
preached that the holy family is kongolese and to not let the portuguese in due to enslavement
Oliphant
side-blown horns made of ivory
Scenes from the Life of John the Baptist, 1526
a fresco made by Urbino,
Chilongo River region
The Kuba Kingdom
developed a strong state during the 17th century
Bushoong people
migrated from the north during the 16th century
Lingala