aft Flashcards

(48 cards)

1
Q

w&m: set your clock and positional reference

A

session setup

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2
Q

w&m: to enable the sync HD

A

peripherals

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3
Q

w&m: put pro tools transport online

A

transport

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4
Q

w&m: to enable avid icon d-control

A

peripherals

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5
Q

w&m: to view field recorder metadata

A

workspace

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6
Q

w&m: to set the frame rate of your session

A

session setup

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7
Q

w&m: to quickly navigate and select clips

A

universe

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8
Q

A pro tools hd session may contain up to __ video tracks

A

64

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9
Q

A maximum of __ video tracks may be online at the same time in a pro tools session

A

1

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10
Q

A ___ video track is denoted by a small “Q” next to the tack name

A

quicktime

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11
Q

A video track may be displayed on the timeline in either __ or __ display view

A

frames, blocks

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12
Q

when using 9-pin machine control __ can be used as a positional reference between the video deck and protools

A

serial timecode

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13
Q

The on-screen visible version of timecode that is superimposed over a video image is called __

A

Bitc

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14
Q

this synchronization signal is embedded as black and white bars in the non-visible lines of a video signal and can be read while transport is paused

A

Vertical Interval Timecode

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15
Q

Clock references that are based off of session’s sample rate?

A

Loop sync and word clock

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16
Q

what connections on the Avid MOJO DX and Aja Kona 3G video card is not supported by protools

A

Audio inputs and outputs

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17
Q

NTSC (North American) frame rate

A

29.97 fps

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18
Q

PAL frame rate

A

25 fps

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19
Q

Film (universal)

A

24 fps

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20
Q

NTSC Monochrome (b/w)

21
Q

proprietary clock source used by protools is

22
Q

This sync signal is used to control transport via a 9-pin cable

A

Machine Control

23
Q

what is typically used as a clock reference for house sync

A

blackburst/video ref

24
Q

LTC or SMPTE timecode is encoded as an __ bit word

25
refers to the last 16 bits of a SMPTE address that denotes the end of an address and contains directional information for the SMPTE reader
sync word
26
Drop frame timecode skips counting __ frames at the top of every minute except for the tenth minute to account for __ frames lost in every hour of 29.97 timecode
2, 108
27
Supervisor of all post production sound and the director's main contact in the sound department
supervising sound editor
28
The assistant to the production sound mixer and the boom op
sound assistant
29
responsible for creating all original music for the soundtrack
composer
30
the head of all production sound and responsible for mixing dialogue and ambience during filming as well as maintaining quality control and take notes
production sound mixer
31
responsible for the final mix of all elements for the soundtrack
re-record mixer
32
responsible of positioning all lab plant, and boom microphones during filming without impeding the camera crew, lighting crew or actors
boom operator
33
responsible for all synchronized post production sound effects.
foley editor
34
responsible for the editing and possible re-record of all dialogue
adr editor
35
responsible for all music features on a film's soundtrack (performed music, sourced music, and original music)
music editor
36
A meeting between the director and the heads of the sound departments at the start of post production outlining the sound requirements of the film
spotting session
37
shortcuts: session setup window
command + 2
38
shortcut: pro tools online
command + j
39
shortcuts: enable spot mode
F3
40
shortcuts: Import session data
shift + option + I
41
shortcuts: create or clear sync point
command + ,
42
shortcuts: import video file
shift + option + command + I
43
shortcuts: align clip start to cursor
ctrl + click
44
shortcuts: align clip end to cursor
ctrl + command + click
45
shortcuts: video track online
shift + command + j
46
shortcuts: lock video track
right click
47
shortcuts: display/hide video window
command + 9
48
shortcuts: display/hide universe window
command + 7