Analysis

Question 1

Same key signature (relationship)

Answer 1

Relative maj/min (relationship)

Question 2

Same tonic (relationship)

Answer 2

Parallel maj/min (relationship)

Question 3

Same sound (relationship)

Answer 3

enharmonic maj/min (relationship)

Question 4

Sequence

Answer 4

Same melody, same voice

Question 5

Imitation

Answer 5

same melody, different voice/hand/instrument

Question 6

Inversion

Answer 6

Same melody, turned upside down

Question 7

Invertible counterpoint

Answer 7

RH -> LH, LH -> RH

Question 8

V-ped vs V-prep

Answer 8

V ped goes to any key (not tonic), V prep goes to tonic

Question 9

Pedal (definition)

Answer 9

Bass note that is held/repeated for 2+ bars

Question 10

V prep (Beethoven)

Answer 10

• Any V or viio7
• Dominant scale
• Trill

Question 11

Source of material (Fugue)

Answer 11

• m1 or 2 of subject
• m1 or 2 of CS

Question 12

Source of material (Sonata)

Answer 12

• m1 or 2 of Th1
• m1 or 2 of Th2 (Mozart)
• m1 or 2 of codetta (Mozart)

Question 13

Rondo Form

Answer 13

ABABA or ABACA

Question 14

Binary Form

Answer 14

AABB or ABAB

Question 15

Ternary Form

Answer 15

ABA

Question 16

Texture (Fugue)

Answer 16

• number of voices changes (check end of fugue)
• Chords for 1-2 bars

Question 17

Texture (Sonata)

Answer 17

• homophonic - 2 or more bars (Alberti bass)
• polyphonic - 2 or more melodies (imitation between RH and LH)
• Homorhythmic - 2 or more bars (solid chords both hands)
• Monophonic - Single melody

Question 18

Texture (Lied)

Answer 18

• homophonic - 2 or more bars (Alberti bass)
• polyphonic - 2 or more melodies (imitation between RH and LH)
• Homorhythmic - 2 or more bars (solid chords both hands)
• Monophonic - Single melody

Question 19

Texture (20th century)

Answer 19

Parallelism (all notes move in same direction)

Question 20

Chord notes in Sonata

Answer 20

• Leaps = chord notes
• Last note before rest

Question 21

“How if meas ___ to ___ (section 2) modified from meas ___ to ___ (section 1)

Answer 21

• Compare new section to old section
• Use bar/meas numbers

Question 22

“Entry” (fugue)

Answer 22

• S/A
• CS
• RE (label beside last S/A)

Question 23

“Passage” (fugue)

Answer 23

• Codetta (exp)
• Episode (Dev)
  NO S/A

Question 24

Cadences (fugue)

Answer 24

• End of S
• End of episode/codetta
• rest after I/i

Question 25

Same new #/♮/b -> appears _*_ times (Symbolizing)

Answer 25

2+; name new key

Question 26

Redundant Entry

Answer 26

Label beside last S/A IN EXPOSITION

Question 27

Function of codetta

Answer 27

To move from the dominant to tonic key

Question 28

Stretto (fugue)

Answer 28

entries overlap

Question 29

Diminution (fugue)

Answer 29

S/A/T appears twice as fast

Question 30

Augmentation (fugue)

Answer 30

S/A/T appears twice as slow

Question 31

Stretto

Answer 31

Label under 2nd voice of overlap

Question 32

Same interval (fugue)

Answer 32

Real answer

Question 33

Different interval (fugue)

Answer 33

Tonal answer

Question 34

Counterexposition (fugue)

Answer 34

S/A/T reappears in all voices as RE (If it has 8 entries, last 4 entries are RE, last 4 entries are counterexposition)

Question 35

How to find development (fugue)

Answer 35

- S/A with new notes (ALWAYS) - S/A in different key - S/A appears in: - stretto (entries overlap) - inversion (S/A/T upside down) - diminution (S/A/T twice as fast) - augmentation (S/A/T twice as slow) - Look for section of music before #1 that has no SAT = Episode