AO5 Flashcards
(36 cards)
Edmond Van Den Bossche on 1984
“1984 is a political statement. It contains no prophetic declaration, only a simple warning to mankind. “
Bernard Crick on 1984
“1984 is not a prophecy, it is plainly a satire and a satire of a particular, even a peculiar kind- a Swiftian satire”
Jean-Claude Michea on 1984
“The story told in 1984 is, above all, the story of the rebellion of the individual; thus 1984 is apparently the story of failure. “
Edmond Van Den Bossche on society in 1984
“ His fellow intellectuals have sold their inalienable right to think freely for security and a semblance of physical well-being.”
Grossman on society
“Technology exists as a tool for stagnation rather than progression”
Roger Luckhurst on Orwell’s exploration techniques in Part 1
“Orwell invokes the power of private memory to resist the state’s rewriting of history…He explores the resistant potential of desire and sexuality, described as ‘the force that would tear the Party to shreds’, and of purposeless art, represented by the useless beauty of the paperweight he cherishes that embodies ‘a little chunk of history they had forgotten to alter’. These are all systematically dismantled by the Party’s reprogramming in the closing chapters of the book.”
Michael Thorp on the Party
“The Party’s success is down to its ability “to destroy the individual and turn him into an automation”
EM Forster on Big Brother
“Big Brother also lurks behind Churchill and any leader whom propaganda utilises or invents.”
Amin Malak On 1984 THT comparison
‘like Orwell who in 1984 extrapolated specific ominous events and tendencies in twentieth-century politics, she tries to caution against right-wing fundamentalism, rigid dogmas, and misogynous theosophies that may be currently gaining a deceptive popularity. The novel’s mimetic impulse then aims at wresting an imperfect present from a horror-ridden future’
Dominick M. Grace on Offred’s narrative style
“Offred’s narrative strategies consistently stress the failure of any single reading of an event to be valid.”
Jem Berkes on language
“Language becomes a method of mind control with the ultimate goal being the destruction of will and imagination”
…The characters are “slaves of the media” as they follow it and its instructions and misinformation without question
Terry Eagleton on language in 1984
“In ‘1984,’ Orwell demonstrates how the corruption of language leads to the erosion of individual autonomy, highlighting the fragility of independent thought in totalitarian societies.”
Stuart Hall on writing restrictions in THT
“Atwood’s ‘The Handmaid’s Tale’ illuminates the ways in which the restriction of writing functions as a form of ideological control, threatening independent thought and reinforcing hierarchical power structures.”
Margaret Atwood on 1984 & narrative voice
“Orwell’s ‘1984’ demonstrates how a restricted narrative voice can serve as a tool of totalitarian control, stifling independent thought and perpetuating oppressive regimes.”
Martha Nussbaum on narration in THT
“In ‘The Handmaid’s Tale,’ Offred’s unreliable narration serves as a powerful reminder of the constant threat to independent thought in a society where truth is obscured and dissent is dangerous.”
Lionel Shriver on 1984
• “Orwell describes a world of total state surveillance, where love and independent thought are treasonous”
Jeffrey Meyers on Winston
- “Winston, locked in loneliness, becomes a lunatic, a minority of one, the only man still capable of individual thought”
- ‘Winston feels that he may indeed be the last man’
Patrica Hill on God in 1984
“There is room or only one God in Oceania, and his name is Big Brother”
THT Angela Gulick on technology
“Gilead is working in the opposite direction, moving towards a time when technology was of limited development”
1984 Anthony Burgess
‘Orwell’s modern hell was basically a reproduction o British misery in the postwar rationing years, with the addition of Stalin’s police-state style added on”
Susanna Becker on Atwood
“Atwood belongs to those writers of contemporary world literature who…. address pressing global issues”
Margaret Atwood on human and freedom
dystopias “challenge us to re-examine what we understand by the word human, and above all what we intend by the word freedom”
Atwood on speculative fiction
“…nothing happens that the human race has not already done at some time in the past, or that it is not doing now… We’ve done it, or we’re doing it, or we could start doing it tomorrow. Nothing inconceivable takes place”
“the projected trends on which my future society is based are already in motion”
Carol L. Beran: “Images of Women’s Power in Contemporary Canadian Fiction by Women” (1990)
Carol L. Beran is a Canadian writer and literary critic, who has written specifically about Atwood’s works.
- One of Beran’s most famous quotes about The Handmaid’s Tale is: “Offred’s power is in language”:
○ By this she means that although almost all of Offred’s freedoms, choices and power were stripped away from her, she was still able to record her story via the cassettes referred to in the Historical Notes
○ Her voice and her story continue long after Gilead has fallen
○ This is contrasted with Professor Piexioto, who lacks the ability to verbalise with any sense of emotion, because to him Offred is an object of scientific study - Beran believes that “in finding power in words, in speaking, Offred has moved from being a victim”