AO5 Flashcards

1
Q

Heather Sh___tte said what in 2014?

A

Shanette
the external world belonged to the husband and the internal to the wife

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2
Q

_____ Shanette said what in 2014?

A

Heather
her primary duty was to look after her husband and children, putting their needs ad welfare before her own

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3
Q

Christopher Hill said what?

A

Milton specifically compared the marriage contract to the political contract between king and people

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3
Q

What does Wrighton say in English Society 1580-1680 (1982)

A

women of the upper classes as ‘more ornamental and idle’

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4
Q

what does White say about the Duchess’ ability to remain stoic?

A

“She is “the Duchess of Malfi still”, revealing patience stoicism and accepting complete responsibility for her actions.”

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5
Q

What does Theodora Janokski (1990) say about the play?

A
  • the play ‘is clearly concerned with questions of gender ideology’
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6
Q

what does Thoedora Janokski say about the irregularity of the play?

A

Irregularity:
- ‘the Duchess becomes an uneasy and threatening figure’ in the ‘double position of wife and ruler’
- ‘She challenges Jacobean society’s views regarding the representation of the female body and woman’s sexuality.’
- ‘The Duchess is further represented as manifesting her political authority by engaging in an ‘irregular’ marriage’
- ‘the Duchess can be viewed as a subversive character’

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7
Q

what does Janowski say about punishment?

A

Punishment:
- ‘Ultimately, the Duchess’ marriage and sexual politics are represented as so revolutionary that she must be punished for her actions.’

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8
Q

what does Theo- Jan say about family?

A

On Renaissance wives:
- ‘We read the family as a Renaissance dynastic unit.’
- ‘The nature of the Renaissance dynastic marriage served almost totally to objectify the woman.’
- ‘The Duchess is represented as being radically different from the traditional picture of the Renaissance wife.’

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9
Q

John Martin created what painting at what time

A

John Martin’s painting addressing his legions in 1825 shows Satan to be postioned on top of a cliff, all his subjects beneath him, grasping a staff with others protecting him behind. This shows the great influence he had over his subjects.

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11
Q

Agarval, a 21st critic

A

Satan’s outstanding verbal communication

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12
Q

Zimmerman: Eve ‘wants to…

A

‘redress’ or restructure their union because it impinges on her growing independence.

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13
Q

Fisher: The reader has ‘participated…

A

in something more than a literary experience, since this poem is concerned with his very salvation’.

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14
Q

Cecil: Webster depicts ‘evil in the…

A

most extreme form as far more powerful than good’.

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15
Q

Pullman: ‘Suppose the fall should be…

A

celebrated and not deplored?

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16
Q

Marr: TDOM is a ‘story of jealousy,…

A

deceit and murder’.

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17
Q

Linda Woodbridge (2002): ‘a cautionary tale about…

A

widows, gluttony and lust’.

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18
Q

McEvoy: 17th century viewed ‘contented sexual…

A

relationship as a gift from God’.

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19
Q

Worrall: Eden is ‘no pious garden of self-abnegation…

A

and honest toil but a xanadu of luxuriance and exotic pleasure’.

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20
Q

Worrall: The Tree of Knowledge has…

A

‘hedonistic properties’.

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21
Q

Fyre: After the Fall, the heirachy implanted by God…

A

in the soul is not merely upset, but reversed’

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22
Q

Dollimore: Malcontents are ‘at once agent…

A

and victim of social corruption’.

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23
Q

Mead: ‘Adam and Eve’s stoic bravery comes…

A

only after they have been promised salvation’.

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24
Q

Russell: ‘stoics point that cruelty and injustice afford the…

A

sufferers the best opportunities for the exercise of virtue’.

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25
Park: Describes God as a ...
'spiteful magician'
26
T S Eliot: Webster was 'much...
possessed by death'.
27
Fyre: The Fall brings about 'the drive...
towards death'.
28
Billington: 'the play consistently argues that life is unstable,...
accidental perhaps ultimately meaningless'.
29
Gunby: 'Bosola is divided...
against himself'.
30
Dollimore: Malcontents are 'at once both...
agent and victim of social corruption'.
31
Gilbert: Satan 'speaks with...
Machiavellian eloquence'.
32
Hart: Bosola is 'a twisted...
misanthrope and cut-throat'.
33
Sezler: 'Bosola's discontentment...
issues from lack of reward'.
34
Gilbert: Milton makes it clear that 'Eve is Adam's...
intellectual inferior'.
35
Hopkins: Female rebellion is 'as much a response to...
male policing methods as a cause of them'.
36
Gilbert: Milton tells a story of 'how [women's] otherness...
leads directly to her demonic anger, her sin, her fall'.
37
Hardy: 'Antonio is modelled on the...
idea of Christian gentility'
38
Callaghan: 'Unlike the Virgin Queen, the Duchess seeks...
marital intimacy rather than renouncing it'.
39
Ramussen: In the 17th century, marriage became about...
'mutual inclination and love'.
40
C.S Lewis: Adam fell...
by uxoriousness'
41
Haber: Ferdinand 'forcibly reappropiates the Duchess's...
body/room/stage and defines it as his container'.
42
O'Neil: TDOM is ...
'obsessed with secrets'.
43
Bliiss: 'The Duchess seeks private...
happiness at the expense of public stability'.
44
Gilbert: 'Eve's sin is a...
rebellion against secondariness'.
45
Wheale: At the heart of 17th century plays is 'a battle...
for status, power and reputation'.
46
Gilbert: Eve 'implicitly refuses to accept...
the hierarchy of Eden'.
47
Wollstonecraft in 1872' A vindication of the Rights of Women': Milton's Eve suggest...
that 'women are formed for softness and sweet attractive grace'.
48
C.S Lewis: 'Eve fell...
by pride'.
49
Zimmerman: After eating the fruit, 'Eve assumes...
the potential to feel the empty isolation characteristics of Satan'.
50
Shelley: 'Nothing can exceed the energy...
and magnificence of the character of Satan'.
51
Blake: Milton was 'of the Devil's party...
without knowing it'.
52
C.S Lewis: Satan undergoes a 'progressive...
degradation' throughout the poem.
53
Gilbert: Describes Satan's tempting Eve as a...
'fatal seduction'.
54
Kuntz: 'Satan is a...
courageous leader'.
55
Neville: 'Satan becomes a hero for having...
the courage to stand up to an authority he questions the strength and legitmacy of'.
56
Worrall: Upon return to Pandemonium Satan...
'longing to luxuriate in the praise of his followers'.
57
Percey Shelley in the preface to Prometheus: Satan is marked...
by 'the taints of ambition, envy, revenge, and a desire for personal aggrandisment'.
58
C.S Lewis: Satan's 'revolt is entangled...
in contradictions' as 'he wants hierarchy and does not want hierarchy'
59
59
59
Callaghan: 'The Duchess' brothers are the primary...
mouthpiece for the misogynistic discourse of the era'.
59
60
Dusinberre: Ferdinand spins a ...
'dark web of lust' around his sister.
61
Billington: Ferdinand is...
'himself imprisoned by incest'. Ironic because he tries to imprison the Duchess.
62
Billington: Bosola is...
'a wry philosopher'.
63
Gunsby: 'In Webster's plays,...
salvation and damnation are ever present realities'.
64
Pearson: 'The heroine dies well before...
the end of the play so that the significance of her death can be explored'
65
Morrison: A society which 'judges...
based on rank, rather than intrinsic moral value'.
66
Janowski: In her marriage and its...
ramifications the Duchess can be considered a subversive character'.
67
Crampton: 'The Duchess and Antonio's marriage...
is revolutionary'
68
Smith: 'The Duchess is both...
culpable and innocent victim and agent'.
69
Helen Smith: Webster portrays the 'acting...
out that goes with Catholic ritual'.- it is very ceremonial and dramatic 2014 Wanamaker excommunication dumb show
70
William Archerd: [describing Bosola] 'human...
of villians'
71
How did the 2018 RSC version of TDOM open?
The Duchess dragging a heavy bull carcass onstage by herself- strength, bull-patriachy--- its full of blood, Ferdinand slits it and blood on stage and throughout
75
Fish: When we read PL and view God as a villain or identify with Satan,
It is an indication of a fallen state.
76
What painting did John Martin make?
Pandemonium 1841
77
Albert Crook: 'Eve is a thoroughly
romantic character' it is 'her nature to wander'
78
Albert Crook: 'Satan appeals to her...
sense of romance
79
Albert Crook: 'He woos Eve with the...
ardour of a knight in the Garden of Love'
80
Zimmerman: Eve is