AP Literary Elements (Vocab) (A-F) Flashcards

A through F

1
Q

ALLEGORY:

A

story or poem in which characters, settings, and events stand for other people or events or for abstract
ideas or qualities. EXAMPLE: Animal Farm; Dante’s Inferno; Lord of the Flies

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

ALLITERATION:

A

repetition of the same or similar consonant sounds in words that are close together. EXAMPLE:
“When the two youths turned with the flag they saw that much of the regiment had crumbled away, and the dejected
remnant was coming slowly back.” –Stephen Crane (Note how regiment and remnant are being used; the regiment is
gone, a remnant remains…)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

ALLUSION:

A

reference to someone or something that is known from history, literature, religion, politics, sports, science,
or another branch of culture. An indirect reference to something (usually from literature, etc.)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

AMBIGUITY:

A

deliberately suggesting two or more different, and sometimes conflicting, meanings in a work. An event
or situation that may be interpreted in more than one way– this is done on purpose by the author, when it is not done on
purpose, it is vagueness, and detracts from the work.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

ANALOGY:

A

Comparison made between two things to show how they are alike

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

ANAPHORA:

A

Repetition of a word, phrase, or clause at the beginning of two or more sentences in a row. This is a
deliberate form of repetition and helps make the writer’s point more coherent.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

ANECDOTE:

A

Brief story, told to illustrate a point or serve as an example of something, often shows character of an
individual

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

ANTAGONIST:

A

Opponent who struggles against or blocks the hero, or protagonist, in a story. (Ex. Gabby to me).

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

ANTITHESIS:

A

Balancing words, phrases, or ideas that are strongly contrasted, often by means of grammatical structure.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

ANTIHERO:

A

Central character who lacks all the qualities traditionally associated with heroes; may lack courage, grace,
intelligence, or moral scruples.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

APHORISM:

A

brief, cleverly worded statement that makes a wise observation about life, or of a principle or accepted
general truth. Also called maxim, epigram.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

APOSTROPHE:

A

calling out to an imaginary, dead, or absent person, or to a place or thing, or a personified abstract idea.
If the character is asking a god or goddess for inspiration it is called an invocation. Josiah Holland —“Loacöon! Thou
great embodiment/ Of human life and human history!”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

ASSONANCE:

A

the repetition of similar vowel sounds followed by different consonant sounds, especially in words that
are together.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

BALANCE:

A

Constructing a sentence so that both halves are about the same length and importance. Sentences can be
unbalanced to serve a special effect as well.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

CHARACTERIZATION:

A

the Process by which the writer reveals the personality of a character.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

INDIRECT CHARACTERIZATION:

A

​the author reveals to the reader what the character is like by describing how the character looks and dresses, by letting the reader hear what the character says, by revealing the character’s private thoughts and feelings, by revealing the characters effect on other people (showing how other characters feel or behave toward the character), or by showing the character in action. Common in modern literature.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

DIRECT CHARACTERIZATION:

A

​the author tells us directly what the character is like: sneaky, generous, mean to pets and so on. Romantic style literature relied more heavily on this form.

18
Q

STATIC CHARACTER:

A

​is one who does not change much in the course of a story.

19
Q

DYNAMIC CHARACTER:

A

​is one who changes in some important way as a result of the story’s action.

20
Q

FLAT CHARACTER:

A

​has only one or two personality traits. They are one dimensional, like a piece of cardboard. They can be summed up in one phrase.

21
Q

ROUND CHARACTER:

A

has more dimensions to their personalities—they are complex, just a real people are.

22
Q

CHIASMUS:

A

In poetry, a type of rhetorical balance in which the second part is syntactically balanced against the first, but with the parts reversed. Coleridge: “Flowers are lovely, love is flowerlike.” In prose this is called ​antimetabole​.

23
Q

CLICHÉ:

A

is a word or phrase, often a figure of speech, that has become lifeless because of overuse. Avoid clichés like the plague. (That cliché is intended.)

24
Q

COLLOQUIALISM:

A

​a word or phrase in everyday use in conversation and informal writing but is inappropriate for formal situations. Example: “He’s ​out of his head ​if he thinks I’m ​gonna go for ​such a stupid idea.

25
Q

COMEDY:

A

n general, a story that ends with a happy resolution of the conflicts faced by the main character or characters.

26
Q

CONCEIT:

A

​an elaborate metaphor that compares two things that are startlingly different, often an extended metaphor.

27
Q

CONFLICT:

A

the struggle between opposing forces or characters in a story.

28
Q

EXTERNAL CONFLICT:

A

​conflicts can exist between two people, between a person and nature or a machine or between a person a whole society.

29
Q

INTERNAL CONFLICT:

A

a conflict can be internal, involving opposing forces within a person’s mind.

30
Q

CONNOTATION:

A

​the associations and emotional overtones that have become attached to a word or phrase, in addition to its strict dictionary definition.

31
Q

DIALECT:

A

​a way of speaking that is characteristic of a certain social group or of the inhabitants of a certain geographical area.

32
Q

DICTION:

A

​a speaker or writer’s choice of words.

33
Q

EPIC:

A

​a long narrative poem, written in heightened language, which recounts the deeds of a heroic character who embodies the values of a particular society.

34
Q

EPIGRAPH:

A

a quotation or aphorism at the beginning of a literary work suggestive of the theme.

35
Q

EPITHET:

A

​an adjective or adjective phrase applied to a person or thing that is frequently used to emphasize a characteristic quality. “Father of our country” and “the great Emancipator” are examples. A ​Homeric epithet ​is a compound adjective used with a person or thing: “swift-footed Achilles”; “rosy-fingered dawn.”

36
Q

EXPLICATION:

A

​act of interpreting or discovering the meaning of a text, usually involves close reading and special attention to figurative language.

37
Q

FABLE:

A

​a very short story told in prose or poetry that teaches a practical lesson about how to succeed in life.

38
Q

FARCE:

A

​a type of comedy in which ridiculous and often stereotyped characters are involved in silly, far-fetched situations.

39
Q

FIGURATIVE LANGUAGE:

A

Words which are inaccurate if interpreted literally, but are used to describe. Similes and metaphors are common forms.

40
Q

FLASHBACK:

A

​a scene that interrupts the normal chronological sequence of events in a story to depict something that happened at an earlier time.

41
Q

FOIL:

A

A character who acts as contrast to another character. Often a funny side kick to the dashing hero, or a villain contrasting the hero.

42
Q

FORESHADOWING:

A

​the use of hints and clues to suggest what will happen later in a plot.