Area Of Study 2 (Instrumental Music) Flashcards

Includes "Concerto In D Minor", "Piano Trio In G Minor" & "Symphonie Fantastique" + WL

1
Q

What is the context of “Concerto In D Minor”?

A
Who: Antonio Vivaldi
What: Concerto grosso
Where: Amsterdam
How: Four violins, two violas, cello and continuo 
Why: For school of female orphans
When: 1711
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2
Q

Describe the melody of “Movement One”

Concerto In D Minor

A

Repeated tonics with arpeggios at 1

Decorative scales at 16, then cello solo at 20

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3
Q

Describe the harmony of “Movement One”

Concerto In D Minor

A

Repeated tonic notes at 1

Triadic ideas at 1

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4
Q

Describe the tonality of “Movement One”

Concerto In D Minor

A

D min throughout

Decorative scales at 16

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5
Q

Describe the rhythm of “Movement One”

Concerto In D Minor

A

Continuous quavers distance of a crotchet at 1

Bar distance in triple meter at 6, then semiquavers at 20

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6
Q

Describe the texture of “Movement One”

Concerto In D Minor

A

Two parts with tonic pedal at 1

Polyphonic bass in two parts at 20

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7
Q

Describe the sonority of “Movement One”

Concerto In D Minor

A

Violin imitation at 1

Virtuosic cello solo ascending and descending at 20

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8
Q

Describe the melody of “Movement Two”

Concerto In D Minor

A

Melodic chords at 1, then fugal bass continuo at 4

Viola answer at 8 before bass countersubject at 9

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9
Q

Describe the harmony of “Movement Two”

Concerto In D Minor

A

Seventh chords at 1 and 72

Circle of fifths at 5, then long dominant pedal at 58

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10
Q

Describe the tonality of “Movement Two”

Concerto In D Minor

A

Imperf cadence at 3

Touchs F/C/Bb at 51 with short tonic pedal at 70

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11
Q

Describe the rhythm of “Movement Two”

Concerto In D Minor

A

Common time throughout

Occassional syncopation at 7

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12
Q

Describe the texture of “Movement Two”

Concerto In D Minor

A

Homophonic and homorhythmic at 1

Polyphonic and contrapuntal at 4

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13
Q

Describe the sonority of “Movement Two”

Concerto In D Minor

A

Tutti spiccato/bow bouncing at 1

Ritornello type sonority at 4

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14
Q

Describe the melody of “Movement Three”

Concerto In D Minor

A

Solo violin conjunct with large leaps at 3

Different feel to opening at 17

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15
Q

Describe the harmony of “Movement Three”

Concerto In D Minor

A

Diminished chords at 1 then 7th leap at 4

Diminished 5th at 5 before chromatic at 6

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16
Q

Describe the tonality of “Movement Three”

Concerto In D Minor

A

D min mostly throughout

G min at 5 before F min change at 7

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17
Q

Describe the rhythm of “Movement Three”

Concerto In D Minor

A

Compound quadruple time

Slow silicano dotted rhythms

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18
Q

Describe the texture of “Movement Three”

Concerto In D Minor

A

Homophonic at 3

Homorhythmic accomp at 3

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19
Q

Describe the sonority of “Movement Three”

Concerto In D Minor

A

Spiccato/bow bouncing throughout

No continuo nor cello at 3

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20
Q

Describe the melody of “Movement Four”

Concerto In D Minor

A

Violin imitation at anacrusis then virtuoso cello at 4

Three soloists at 14

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21
Q

Describe the harmony of “Movement Four”

Concerto In D Minor

A

Chains of suspensions with chromatic bass at 68

Circle of fifths at 7 before secondary 7th at 72

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22
Q

Describe the tonality of “Movement Four”

Concerto In D Minor

A

A min at 44

Perf cadence at 72

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23
Q

Describe the rhythm of “Movement Four”

Concerto In D Minor

A

Common time with anacrusis beginning

Semiquaver ideas at 23

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24
Q

Describe the texture of “Movement Four”

Concerto In D Minor

A

Three parts at 14

Passing imitation at 43

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25
Q

Describe the sonority of “Movement Four”

Concerto In D Minor

A

Virtuosic playing in all parts

Close violin imitation at 30

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26
Q

WL: “Movement Two” by Johann Sebastian Bach

Violin Concerto In A Minor No.1

A

Passing modulations create secondary dominants

Anticipated stepwise and triadic melodic motion

27
Q

WL: “Movement One” by William Boyce

Concerto Grosso In E Minor

A

Brief E min scale passages with decorative trills

Ending C maj 7th excites before imper cadence

28
Q

WL: “Movement Two” by Arcangelo Corelli

Trio Sonata In D Major No.2

A

Compound gigue duple meter with imitation

Suspensions and diatonic chords with accidentals

29
Q

WL: “Movement One” by Giuseppe Torelli

Sonata A Cinque In D Major No.7

A

Scales similar to trills with dotted rhythms

Homorhythmic with dominating maj harmonies

30
Q

WL: “Movement One” by Carl Phillip Emanuel Bach

Flute Concerto In G Major

A

Repeated notes with chromatic false relations

Dotted triads during perf cadence

31
Q

WL: “Movement Two” by Nicola Fiorenza

Chamber Concerto In A Minor

A

Descending bass sequence with recorder scales

Bouncy recorder solo decorated with trills and turns

32
Q

WL: “Movement Three” by Antonio Vivaldi

Flute Concerto In E Minor

A

Trill alternations in semiquaver filled flute solo

Syncopated violins with viola countermelody

33
Q

WL: “Movement One” by Anna Bon

Sonata In C Major No.5

A

Dotted rhythms with subtle rubato colours

Close imitation between two flutes and bassoon

34
Q

What is the context of “Piano Trio In G Minor”?

A
Who: Clara Schumann
What: Chamber music
Where: Leipzig
How: Piano, violin and cello 
Why: For a piano book on songs
When: 1846
35
Q

Describe the melody of “Piano Trio In G Minor”

Piano Trio In G Minor

A

Animated rising sequence with octave leap at 5

Conjunct appogiatura at 45 with chatter quavers at 47

36
Q

Describe the harmony of “Piano Trio In G Minor”

Piano Trio In G Minor

A

Parallel triads at 17 before dominant min 9th at 83

Augmented 6ths at 113 before circle of fifths at 139

37
Q

Describe the tonality of “Piano Trio In G Minor”

Piano Trio In G Minor

A

Develop section includes Eb/F, G, C and F min

Perf cadence at 84 before dominant pedal at 155

38
Q

Describe the rhythm of “Piano Trio In G Minor”

Piano Trio In G Minor

A

Rapid at 5 before molto allegro ties over bar at 139

Dotted rhythms at 22 then syncopations at 23

39
Q

Describe the texture of “Piano Trio In G Minor”

Piano Trio In G Minor

A

Polyphonically animated homophony at 9

Blocked chords at 45 then dom pedal at 73 and 155

40
Q

Describe the sonority of “Piano Trio In G Minor”

Piano Trio In G Minor

A

Middle piano range favoured with piano octaves at 9

Cello pedal at 73 before double stopping at 284

41
Q

WL: “Presto Agitato” by Ludwig Van Beethoven

Moonlight Sonata

A

Rapid semiquavers on top of quaver ostinato

Dense chords transition to monophonic scales

42
Q

WL: “Capricco” by Johannes Brahms

Seven Fantasien

A

Eight note tonic chord with diminished scales

Syncopated compound triple meter

43
Q

WL: “Andante Espressivo” by Fanny Mendelssohn

Four Leider No.6

A

Added suspensions with steady note values

Chromatic inflections before calm modulations

44
Q

WL: “Andante Con Moto In F Minor” by Frederic Chopin

Ballades

A

Cadenza solo with extensive use of rubato

Trill ornamentation replace pauses

45
Q

WL: “Grave In A Major” by Louise Farrenc

Piano Quintet No.2

A

United staccatos marked by piano inflections

Between tonic and seventh harmonies

46
Q

WL: “Number One In G Minor” by Sergei Rachmaninoff

Trio Elegiaque

A

Semiquavers in piano grouped in six

Perf 4th drops in violin imitated by cello

47
Q

WL: “Agitato” by Clara Schumann

Three Romances

A

Virtuoso semiquavers switch between hands

Chromaticism offsets perf cadence creation

48
Q

WL: “Largo” by Dmitri Shostakovich

Violin Sonata In G Major

A

Double stopping octave violin on dominant

Non diatonic notes create diminished chords

49
Q

What is the context of “Symphonie Fantastique”?

A
Who: Hector Berlioz
What: Autobiographical symphony
Where: Paris
How: Standard symphony orchestra
Why: For portraying life of an artist
When: 1830
50
Q

Describe the melody of “Symphonie Fantastique”

Symphonie Fantastique

A

Countermelody arpeggios at 30 before idee fixe at 72

Chromatic decorations at 107 then perf 4ths/6ths at 150

51
Q

Describe the harmony of “Symphonie Fantastique”

Symphonie Fantastique

A

Diatonic chromatic chords such as diminished 7th at 22

4-3 sus dissonance at 123 before dom 7th at 146

52
Q

Describe the tonality of “Symphonie Fantastique”

Symphonie Fantastique

A

Begins in C min drawing to a close in C maj

Ab maj with tonic pedal at 42 then perf cadences at 110

53
Q

Describe the rhythm of “Symphonie Fantastique”

Symphonie Fantastique

A

Fragmenting rests and pauses with triplets at 1

Idee fixe has anacrusis at 71 then silence at 229

54
Q

Describe the texture of “Symphonie Fantastique”

Symphonie Fantastique

A

Exchanges at 36 before idee fixe unison at 72

Melody dominated homophony at 92

55
Q

Describe the sonority of “Symphonie Fantastique”

Symphonie Fantastique

A

Muted tip of bow at 17 before tremolo strings at 34

Leather/sponge timpani sticks at 64 then pizz/arco at 69

56
Q

WL: “Purgatorio” by Franz Liszt

Dante Symphony

A

Oboe scale with min 3rd leap over F# pedal

Sinister diminished violin idea after semitone shift

57
Q

WL: “Allegro Maestoso” by Alice Mary Smith

Symphony In C Minor

A

Repetitions of G maj with added 6th

Well balanced Q&A phrases with prominent brass

58
Q

WL: “Andante (Before Allegro)” by Edward Elgar

Symphony No.1

A

Falling perf 5th with homorhythmic walking bass

Prominent timpani with dotted rhythms/tied crotchets

59
Q

WL: “Saltarello Presto” by Felix Mendelssohn

Symphony No.4

A

Flutter tongued flutes during exposed texture

False relations create rapid modulations

60
Q

WL: “Bewegt” by Anton Bruckner

Symphony No.9

A

Repeated tonic brass notes with diminished string ideas

Progressive sequences are sometimes chromatic

61
Q

WL: “Moderato Maestoso” by Helena Munktell

Branningar

A

Chromatic descents creates Bb sus 2 flat 5 chord

Syncopated strings with meteronomic timpani

62
Q

WL: “Procession Of Pilgrims” by Hector Berlioz

Harold En Italie

A

Soft diminished brass chord followed by light pizz

Conjunct cello solo with lush string countermelody

63
Q

WL: “Largo Religioso” by Augusta Holmes

Pologne

A

Tierce di Picarde ideas with tremolo strings

Wooden blocks with piccolo create ticking clock sounds