ART 1 Flashcards

(61 cards)

1
Q

is meant to
stimulate thought
because it allows
viewers to draw their
own emotions and pull
from their personal
experiences when
viewed.

A

ART

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2
Q

is derived from a Latin term ARS, which means skill, talent, or ability.

A

ART

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3
Q

is derived from the Latin word humanus and Humanitas,
which means refined or cultured human.

A

HUMANITIES

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4
Q

(PHRALLM)

A

philosophy, history, religion, art,
literature, language and music.

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5
Q

is the mother of all inventions

A

CREATIVITY

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6
Q

Assumption about arts:

A

Art has been created by all people at all times,
Art involves experience.
Art is not nature; nature is not art.
Art is cultural.
Art is a form of creation.
Art is subjective.

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7
Q

Nature of Art

A

Art is a diverse range of human activities
Art represents reality.
Art is an expression
Art serves as means of communication of emotions

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8
Q

Three Functions of Art

A

The Personal Fun/ction/
The Social Function/
The Physical Function

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9
Q

It can help someone express themselves, explore their emotions, manage addictions,
and improve their self-esteem.

A

The Personal Fun/ction/

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10
Q

It seeks or tends to influence
the collective behavior of a people.
Example: Bayanihan

A

Influences Social Behavior

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11
Q

It is created
to be seen or used primarily in public
situation like fiestas, parade, etc.

A

Display and Celebration.

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12
Q

Works of art that are
created to perform some service

A

The Physical Function

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13
Q

Visual Arts include the following:

A

Fine arts.
Contemporary Arts
Decorative Arts and Crafts
Other work of arts

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14
Q

refers to an art
from practiced mainly for its
aesthetic value and its beauty
rather than its functional value.

A

Fine arts.

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15
Q

a number of modern art
forms, such as: assemblage, collage,
mixed-media, conceptual art,
installation, happenings and

performance art, along with film-
based disciplines such as

photography, video art and
animation, or any combination
thereof.

A

Contemporary Arts

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16
Q

Two Types of Art Subject

A

Representational or Objective.
Non-representational or Non-objective.

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17
Q

Represents
objects or events in the real world, usually
looking easily recognizable.

A

Representational or Objective.

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18
Q

These are those arts without any
reference to anything outside itself
(without representation).

A

Non-representational or Non-objective.

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19
Q

Sources of art subjects

A

Nature
2. History
3. Greek and Roman mythology
4. The Judaeo Christian Tradition
5. Other works of art

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20
Q

Kinds of Subject

A
  1. Still Life
  2. Seascapes, Landscapes and Cityscapes.
  3. Animals
  4. Portraits
  5. Figures
  6. Everyday life
  7. History and legends
  8. Religion and Mythology
  9. Dreams and Fantasies
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21
Q

ancestors created
cave paintings to depict their daily lives and rituals.

A

Pre-Historic

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22
Q

are also known as “parietal art.”
They are painted drawings on the earliest form of art
can be traced back to prehistoric times when our

A

Cave Painting

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23
Q

is created to depict their daily
lives and rituals.

A

Cave Painting

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24
Q

The oldest known cave painting is

A

red hand stencil

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25
was characterized by its use of religious symbolism, flat and stylized figures, and bright colours.
Medieval Art
26
was characterized by a renewed interest in classical art and culture, as well as a focus on humanism, individualism, and secularism.
Renaissance
27
was the ultimate “Renaissance man” for the breadth of his intellect, interest and talent and his expression of humanist and classical values.
Leonardo da Vinci
28
(derived from the Italian word ‘maiera’ meaning style or stylishness)
“Mannerism”
29
is known for its “anti- classical”, or anti-Rennaisance style, which then developed into High Mannerism.
“Mannerism”
30
was characterized by its dramatic and emotional style, as well as its use of ornate decoration and illusionistic techniques.
Baroque Art
31
The term Baroque probably ultimately derived from the Italian word
“barocco”,
32
is characterize by soft colors and curvy lines, and depicts sense of love, nature, amorous encounters, light-hearted, entertainment, and youth.
Rococo
33
was characterized by a return to the classical traditions of Ancient Greece and Rome and was marked by its simplicity, clarity, and rationality.
Neoclassical Art
34
artists sought to revive the ideals of the classical world, emphasizing order, reason, and the pursuit of knowledge.
Neoclassical Art
35
was characterized by a focus on emotion, imagination, and individualism, as well as a rejection of classical traditions and the Enlightenment.
Romanticism
36
Romantic Art Emphasized
Natural the Supernatural the sublime.
37
was characterized by its focus on capturing the fleeting impressions of light and colour in the natural world and was marked by its loose brushwork and vivid, luminous colours.
Impressionism
38
can also be seen as being at the forefront of modernism, in that it developed new and often abstract means to express psychological truth and the idea that behind the physical world lay a spiritual reality.
Symbolism
39
Symbolist Theory and Albert Aurier
1. Idéiste (Ideative) 2. Symbolist 3. Synthetic 4. Subjective Decorative
40
is characterized by its use of a long, sinuous, organic line and was employed most often in architecture, interior design, jewelry and glass design, posters, and illustration.
Art Nouveau
41
The two greatest graphic artists of the Art Nouveau
lithographer Jules Cheret Alphonse Mucha
42
a radical use of unnatural colors that separated color from its usual representational and realistic role, giving new, emotional meaning to the colors; creating a strong unified work that appears flat on the canvas;
Fauvism
43
is an artistic style in which the artist seeks to depict not objective reality but rather the subjective emotions and responses that objects and events arouse within a person.
Expressionism
44
A German painter who was against the Expressionist movement.
Max Beckman
45
A Dutch painter who had great influence on the expressionist movement in Germany.
James Ensor
46
An Austrian artist whose artwork was displayed in the German magazine 'The Storm' when expressionism became a true art movement.
Oskar Kokoschka
47
A leading member of the expressionist group 'The Blue Rider' in Germany, he also painted some abstract art.
August Macke
48
A founding member of 'The Blue Rider' group,
Franz Marc
49
A Symbolist and Expressionist, _______ is best known for his famous painting 'The Scream.'
Edvard Munch
50
An early adopter of Expressionism,
Egon Schiele
51
emphasized the flat, two- dimensional surface of the picture plane, rejecting the traditional techniques of perspectives, foreshortening, modeling, and chiaroscuro, and refuting time-honored theories that art should imitate nature.
Cubism
52
an early 20th -century artistic movement centered in Italy, emphasized the dynamism, speed, energy, and power of the machine and the vitality, change, and restlessness of modern life.
Futurism
53
Influenced by other avant garde movements-Cubism, Futurism, Constructivism, and Expressionism-its output was wildly diverse, ranging from performance art to poetry, photography, sculpture, painting, and collage.
Dadaism
54
is defined as Psychic automatism in its pure state by which we propose to express – verbally, in writing, or any other manner – the real process of thought.
Surrealism
55
is known as the “Pope of Surrealism”.
Andre Breton,
56
It is a from manifesto that the name ‘______’ was derived; one of the directives that it contained was “ to construct” art.
Constructivism
57
common is repetition, or creating multiple images of the same shape, especially simple geometric shape forms like lines and squares.
Minimalism
58
is all about “ideas and meanings’ rather than “works of art” (paintings, sculptures, other precious objects).
Conceptual Art
59
painters created highly illusionistic images that referred no to nature but to the reproduced image.
Photo-Realism
60
is the term for works, room-sized or larger, in which the whole space is considered a single unified artwork.
Installation Art
61
painting spread to almost all genres, including history painting, portraits, genre painting, and landscapes.
Realism