Art Exam #1 Flashcards

(56 cards)

1
Q

Idealized

A

depicted unrealistically perfect

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2
Q

Expressive

A

conveying the artist’s inner emotions and experiences through subjective and personal imagery (intense color)
ex.) Van Gogh Starry Night

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3
Q

Abstract

A

non-realistic but still hold key characteristics

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4
Q

Non-Representational/Non-Objective

A

devoid of any recognizable objects

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5
Q

Content

A

meaning

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6
Q

Context

A

circumstances where the art is created

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7
Q

Formal Analysis

A

examining the formal elements of a work of art to understand its composition, expressive techniques, and aesthetic qualities

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8
Q

Surrealism

A

above and beyond reality

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9
Q

Mother and Child

A

-Artist: Cassatt
-Representational

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10
Q

Starry Night

A

-Artist: Van Gogh
-Expressionistic
-Imposto oil paint

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11
Q

Object

A

-Artist: Oppeheim
-Surreal

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12
Q

Abra III

A

-Artist: Stella
-Non-Representational

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13
Q

Grand Mosque (Africa) and Badshahi Mosque (Pakistan)

A

-Cultural

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14
Q

Portrait of Madame Ginoux

A

-Artist: Van Gogh and Gauguin
-Artistic

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15
Q

Implied Line

A

pointing gestures, implication; powerful

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16
Q

Expressive Line

A

A kind of line that seems to spring directly from the artist’s emotions or feelings — loose, gestural, and energetic

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17
Q

Hue

A

technical term for color

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18
Q

Value

A

lighter shades/values of hue

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19
Q

Primary/Secondary/Tertiary

A

Primary: Red, Yellow, Blue

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20
Q

Intermediate Colors

A

tertiary colors: primary + secondary

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21
Q

Complimentary Colors

A

colors across each other on the color wheel

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22
Q

Analogous Colors

A

side by side; harmonises colors, make each other cohesive

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23
Q

Implied Texture

A

artist has created textured through values

24
Q

Form

A

an element of design that appears three-dimensional and encloses volume

25
Linear Perspective
how our eyes interacts with space moving away from us, lines converge to one point -Renaissance figured it out
26
Atmospheric Perspective
how our eyes interacts with the atmosphere in front of us ex.) blue hue farther away
27
Oblique Perspective
drone view
28
Asymmetrical Balance
one side that darker denser (more visual weight and is smaller) compared to other side that is larger and lighter side (less visual weight and is larger) -Still Life with Lobster
29
Repetition/Pattern
repetition of color, line, shape
30
Scale
scale up or down to what it is in reality
31
Proportion
one part related to a whole
32
Emphasis/Focal Point
the principle of creating a centered interest in an art work
33
October in the Catskills
-Artist: Gifford -Warm color scheme
34
Madonna of the Rocks
-Artist: Da Vinci -Atmospheric Perspective
35
The Last Supper
-Artist: Da Vinci -One-Point Perspective
36
Festivities
-Oblique Perspective
37
The Melancholy of Departure
-Artist: De Chirico -Multi-point Perspective -Renaissance Artists figured out the logic of linear perspective
38
The Mystery and Melancholy of a Street
-Artist: De Chirico -Asymmetrical Balance
39
Woman Descending Staircase, The Passage From Virgin to Bride
-Artist: Duchamp -Implied Motion -Dadaist artist who was looking at books of stop motion photography (Muybridge, Stop Motion Photo)
40
Transient Rainbow
-Artist: Guo Qiang -Motion
41
Emotor and Uberorgan
-Artist: Hawkinson -Motion
42
Spear Bearer
-Artist: Polyklietos -Ancient Greek sculptor who figured out the Cannon of Proportion or rules of measurement of the proportions of the body
43
The Binocular Entrance
-Artist: Oldenberg -Scale
44
Narmer Pallet
-Ancient Egypt -Hieratic Scale (size = important)
45
Assumption of the Virgin
-Artist: Titian -Implied Lines
46
Birth of Venus
-Botticelli -Renaissance
47
Lion Capitol
Texture/Pattern/Repetition
48
Mr. and Mrs. Andrews
-Artist: Gainsboroug -Implied Texture
49
Great Mosque of Cordoba
-Spain -Pattern on ceiling
50
Still Life with Lobster
-Artist: Vallager-Coster -Focal Point
51
Untitled
-Artist: Keith Haring -Actual Line
52
Shoki the Demon Queller
-Edo Period -Actual Line
53
Lucifer
-Artist: Jackson Pollock -Content: can be found through the way it’s painted: anger and chaos, the colors used, the name of it -Subject Matter: -Context: -Non-representational Art -Action Painting (dripped paint on canvas)
54
The Company of Captain Banning
-Artist: Rembrandt -Content: men celebrating in front of ship after battle -Subject Matter: Men in Milita -Context: First time painting of everyday events, what is important for the merchant class: didn’t want to see royalty, instead wanted to see everyday things
55
Speechless
-Artist: Shirin Neshat -Content: -Subject Matter: herself -Context:
56
The Arnolifi Portrait
-Artist: Jan van Eyck -Symbolism: color of dress, oranges, dog