Art in Early Civilization Flashcards

(61 cards)

1
Q

Summary:
Stone Age: _
Paleolithic: _
Mesolithic: _
Neolithic: _

A

Stone Age: (14,000-2,000 BCE)
Paleolithic (later years of the Old Stone Age)
Mesolithic (Middle Stone)
Neolithic (New Stone Age)

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2
Q

_ refers to all networks produced by ancient men before any preconceived culture and known methods of writing and record keeping ever existed; art before history.

A

Prehistoric Art

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3
Q

In prehistoric art:
Any parietal art involves the application of colour pigments on the walls, floors, or ceilings of ancient rock dwellings inhabited by prehistoric man

A

Cave painting or petrograph

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4
Q

In prehistoric art:
_ are images with only one colour

A

Monochrome cave paintings

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5
Q

In prehistoric art:
_ as two or more colours. Example: Altamira cave in Spain

A

Polychrome cave paintings

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6
Q

In prehistoric art:
_ are engraved drawing, done by cutting lines on the rock surface with a sharp object probably a flint, or stone, rather than one made by drawing lines with charcoal or manganese

A

Cave drawings or petrographs

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7
Q

_ is when artists painted both predator and game animals and pictures of human were rarely shown. Human images were highly stylized and less naturalistic than the animal figures. Abstract images like signs, symbols and geometric makings were also common.

A

Stone Age

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8
Q

The _ has witnessed how humans were able to lead more stable lives and eventually come up with permanent shelters and tools or
survival.

A

Stone Age

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9
Q

_:
* use primitive stone tools
* product of climate change
* As the climate got colder, part of the early humans instinct is to look for shelters that would provide them with warmth.
* Caves became protective havens for the early humans and these caves paved the way for the birth of their first attempts to create art

A

Paleolithic Art

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10
Q

_:
* highly abstracted woman highlighted body parts associated with fertility
* oversized breasts, enlarged hips, and round abdomen
* the representation may show the importance of taking care of these body parts for procreation and consequently the survival of species.

A

Venus of Willendorf

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11
Q

_:
* man developed culture and change his lifestyle
*developed especially when life for the early humans has become more stable.
*learned to cultivate the land and domesticated animals
*Plants and animals used to design clay pots

A

Neolithic Art

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12
Q

_:
The purpose of this fascinating edifice remains a mystery up to this day and age. Some regard it as a temple while others see it as complex calendar that tracked the movements of both the Sun and Moon

A

Stonehenge

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13
Q

_:
* Art forms from Greece and Rome
* general term describing the long term period of time in cultural history
* started earliest-recorded Greek poetry of Homer and continued through the rise of Rome and Christianity up to the fall of the Roman Empire and the start of the Early Middle Ages

A

Classical Period

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14
Q

Pre-Historic Art Greek Art
1. Formative or Pre-Greek period: _
* 2. First Greek Period: _
* 3. Golden Age: _
* 4. Hellenistic Period: _

A
  1. Formative or Pre-Greek period ( motif was sea and
    nature)
  2. First Greek Period – (largely Egyptian influence)
  3. Golden Age (480-400 BC)
  4. Hellenistic Period (4th century -1st BC) heightened, individualism, tragic mood and contorted face (lacaustic painting)
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15
Q

The subjects matters of painting in Greece were on _, _, _, and _.

A

young wide males;
draped female;
wounded soldiers;
scenes from everyday life

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16
Q

Pre-historic Roman Art:
1. Etruscan Period: _
2. Roman Period: _

A

Pre-historic Roman Art:
1. Etruscan Period
* subject matters of painting were on ancestor worship; catacombs and sarcophagi
2. Roman Period
* the subject matters of painting were commemorative statues, sarcophagi, frescoes, designs with vine motifs.

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17
Q

_:

  • covered almost 10 centuries of Medieval Art
  • between the Sack of Rome and Early Italian Renaissance
  • Christian Church (centered in Rome and Constantinople) - main sponsor of architecture and other types of art
  • all works were commissioned by religious authorities
  • wealth middles class patrons commissioned number of artworks for personal enjoyment
A

Medieval Period

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18
Q

_:
* related to sacred buildings
* Church is the primary signifying Christian faith
* used large amounts of money for beautification
and the creation of buildings
* granted indulgences(pardon) for those who
desired to help build churches and cathedral
structures

A

Medieval Architecture

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19
Q

_ serves as the primary model of medieval religious architecture. _ were the most notable nonreligious examples of medieval
architecture throughout Europe

A

Roman Basilica;
Castles and walls

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20
Q

_:
* Architectural styles flourished across western part of Europe with France
* heart of both production and innovation
* developed from Carolingian (Charlemagne) and Ottoman models

A

Romanesque and Gothic Architecture

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21
Q

_:
* All western European architecture- Romanesque except
Byzantine structures (500-1150)

A

Romanesque Architecture

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22
Q

In Romanesque Architecture:
_: Carolingian architecture or Pre Romanesque (North European style of Carolingian Renaissance during the reign of Charlemagne, late 8th and 9th centuries)
_: Ottonian architecture developed under the reign of Emperor Otto the Great)

A

Earlier Period;
Later Period

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23
Q

_:
* German style lasted from mid-10th until 11th century
* the name was given to the style of architecture used in early Middle Ages (pioneered by the
North men or the Vikings who settled in Normandy France) and their prolific castle building
* association with the Roman empire
* massive quality, thick walls, round arches, study
pillars,

A

Romanesque Architecture

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24
Q

_ is the first major style of architecture to be developed after the collapse of the Roman empire

A

Middle Ages Romanesque Architecutre

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25
The _ was ecclesiastical in nature.
Romanesque architecture
26
The _ was defined by important churches and monastic buildings.
Romanesque period
27
Romanesque architecture succeeded by _.
Gothic Architecture
28
_: * 12th century in France * new style of architecture and design (French style) * called _ style during the Renaissance period * described as light, graceful, mostly spacious in nature
Gothic Architecture
29
Gothic art had several inspiration in architectural techniques: * from the _ * time of the _ * use of _, _, and _
* from the Arabs * time of the Crusades * use of pointed arch, ribbed vaults and buttress
30
_: * also called Eastern Roman * establishment of Constantinople * began in the reign of Emperor Justinian * continued long after the fall of Constantinople * Greek Orthodox was dominant * meant to create new Rome in the East * enrich the city * characterized by massive domes with square bases and rounded arches and spires ad much use of glass mosaics.
Byzantine Architecture
31
_: * subject matters of art were symbols: cross, fish, lamb, alpha and omega, triumphal wreaths, grapes, doves and peacocks and later-haloed Christ, saints and Virgin Mary, and martyrs.) * Spiritual expression took precedence over physical beauty and symbols were emphasized
Early Christian Art
32
Types of Medieval Art: _: * religious texts decorated with colors * featured the use of gold and silver * Latin word “illuminare” meaning adorn or illuminate * Illuminators: male of female as members of monasteries
Illuminated Manuscripts
33
Type of Medieval Art: _: * gold, silver, and bronze frequently used as mediums * creation of religious artifacts * for adornment for the church
Metalwork
34
Type of Medieval Art: _: * Fresco: done on walls or ceilings common display of Italian churches * Panel Painting: done on single or several pieces of wood board known as panel
Paintings
35
Type of Medieval Art: _: * made of colored wool used to embroider important scenes
Embroidery
36
Type of Medieval Art: _: * Done handmade producing cooking ware, such as pots, pitchers etc.
Ceramic Art
37
Type of Medieval Art: _: * artful creation of pictures with the use of broken pieces of colored glass, rock or any other material * used for wall and ceiling display for Christian churches and cathedrals
Mosaics
38
Type of Medieval Art: _: * Gothic sculpture: rigid, inflexible and elongated style of statues used on Romanesque art into a more naturalistic style in the late 12th and 13th century
Sculptures
39
Type of Medieval Art: _: * use of fragmented pieces of glass set to look like an image or a picture * displayed windows of Medieval churches, cathedrals and castles
Stained Glass
40
Type of Medieval Art: _: * art and custom of creating coats of arms and badges of the nobles
Heraldy
41
_: * 14th to 17th century * between the Middle Ages and modern history * cultural movement in Italy in the late Medieval period and later spread to rest of Europe * Rebellion of classical-based learning * the promotion and use of linear perspective in painting * the gradual but widespread education reform
Renaissance Art
42
_: *influence altered literature, philosophy, art, politics, science, religion and other aspects of intellectual investigation * Scholars employed the humanist method in study and searched for realism and human emotion in art * Humanism became a method of learning by a combination of reasoning and empirical evidence and not a philosophy
Renaissance Art
43
Renaissance Art: _: * started 14th century in Tuscany (city of Florence) * factors: social and civic customs * Political structure: Medic(the patronage of ruling family) * migration of Greek scholars and texts to Italy ff. the fall of Constantinople * revived ancient forms and content * spiritual content of painting changed * Roman history and mythology subjects were borrowed * devotional art classically humanized
Early Renaissance
44
_ painted languid and graceful maidens. Birth of Venus - most exquisite painting of the renaissance.
Sandro Botticelli
45
Renaissance Art: * 1490 to 1527 (destruction of Rome) * peak or summit of Renaissance art * classical ideas of humanism were fully implemented in both painting and sculpture * techniques of linear perspective, shading and other methods of realism were mastered * centered on Rome and paid for by the Pontiff * papal ambition to make Rome greater than its Florence rival * deepening of pictorial space, making the smile more dramatic with dark clouds and flashes of light
High Renaissance (16th century)
46
_: * Pope Julius II and Pope Leo X secured and retained the services of painters: like Rapahel, Leonardo da Vinci and Michelangelo * Church: the major patron * Christian Art remained the major genre * artists wanted beauty and harmony more than realism.
High Renaissance
47
_: * “maniera” Italian word meaning “style” or “manner” * product of Renaissance period * 1520-1580 * influenced by and reacting to the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael and Michelangelo * exaggerates proportion, balance and ideal beauty * style: intellectual superiority * favored compositional tension and instability rather balance and clarity of earlier Renaissance paintings * painting was more artificial than natural * unnatural display of emotions, unproportionate poses, uncommon effects of scale, use of lighting or perspectives and bright loud colors.
Mannerism
48
The end of Renaissance is largely caused by the beginning of the _.
Protestant Reformation
49
One of the Mannerist Painter is _ who painted 'The Last Judgement' and 'An Allegory with Venus and Cupid'
Michaelangelo
50
“Barococo” Portuguese term meaning “_”
irregular pearl or stone
51
_: * idealism of the Renaissance * slightly forced of nature of Mannerism * showed religious conflicts of the age * desire of the Roman Catholic to restate itself after the Protestant Reformation as annunciate at the Council of Trent * extravagant or intricate and highly detailed * associated closely with the Catholic church * Catholic inspired Baroque served a propagandist role * painting style is ornate and fantastic appealing to the emotion, sensual and highly decorative; with light and shadow for dramatic effect.
Baroque Art
52
Famous painters Paul Ruben's, Rembrandt, El Greco, Diego Velasquez and Murillo are from _.
Baroque Art
53
_: * Broadly featured shell-shaped curves and wavelike motifs * extravagant furniture design and interior decor * age of artificiality in artworks * showing unreal or artificial subjects * artists emphasized more the attention to detail, ornamentation, and use of bright colors. * the painting style emphasized voluptuousness, picturesque and intimate presentation of farm and country. * Rococo art technique made use of sot pastel colors rendering the landscape smoking, and hazy with the subject always in the center of the canvas
Rococo Art
54
Famous painters: Watteau, Fragonard, Hogarth, Reynolds, and Ingres are from _/
Rococo Period
55
_ work characterized by bright colors, joyful subjects and scenery and thinly veiled erotic imagery
Fragonard’s
56
_: * 18-19th century * new movement in Europe * drastic change in politics, science and art * The Industrial Revolution’s effect led to the rise of Age of Enlightenment * importance of technological innovation for the advancement of humanity * to revive and rekindle the influences of Greek and Roman into art and architecture * excavations of the Roman cities of Pompei and Herculaneum * Greco-Roman mythology were repeated * strong influence of philosophical ideas of enlightenment
Neoclassicism
57
*Use of cool colors in paintings and removal or perspectives * simplicity and aesthetic purity in contrast to the adornment and intricacies of Barouque and Rococo art * emphasis on human reason and keeping the society in order * reaction to the artworks produced during the Baroque Period (veer away from extravagance in terms of style and form of the Baroque period
Neoclassicism
58
_: * The Romantics opposed the idea that reason was the only truth * Judging it insufficient in understanding the mysteries of life * They argued that the mysteries could be revealed with emotion, imagination and intuition * Emphasized a life filled with deep feeling, spirituality and free expression * defense against dehumanizing effects of industrialization * Enlightenment was clearly resisted by the romantics * The emphasis of painting is on the painter’s reactions to past events, landscapes, and people. * Painting is richer than the Rococo art.
Romantic Art
59
_: *focuses on the accuracy of details that depict *little room for imagination * emphasis is placed in observable traits * heavily influenced by Hellenistic Greek culture * emphasis on human body
Realism
60
_: * first modern movement in painting * began in Paris and influenced the entire Europe and US * Impressionists artist moved from the studio to the streets and countryside * Painting in open air * relaxed their brushwork and included pure and intense colours * abandoned traditional linear perspectives and avoid the clarity of form * allows the artist to emphasize the immediate impression he has of a particular event or scene * communicated by the artist through his work and can be seen through the brushstrokes, distinction of colors, and the lights and shadows used by the artist.
Impressionism
61
_: * French art movement * 1886-1905 * rejected the idea that the main focus of the artworks should be on the opticality of the creation * artists fought to bring back the emphasis on the subject matter and the structure of paintings that they felt was lost. * focused on emotional, structural, symbolic and spiritual elements that they felt lacking in Impressionism.
Post Impressionism