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ART_APP > Art in the local and global context > Flashcards

Art in the local and global context Flashcards

1
Q

This also means attribution or the previous owner of a work of art.

A

Provenance

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2
Q

A picture in three panels next to each other.

A

Triptych

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3
Q

This means art recovery.

A

Restitution Art

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4
Q

Factors that influence the creation of a work of art

A

– sensitivity to nature, one’s life, socio-political situations in one’s country, culture, religion, etc.

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5
Q

Art issues arising/discovered from the documentary

A

Access – exclusivity over inclusivity, commodification, loss of real value – a collection, for decor, as status symbol.

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6
Q

ART IN LOCAL CONTEXT “There is no work for art in my language. (_________________)”

ART is a way of __________ (weaving, pottery, rituals)

A

Traditional arts; life

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7
Q

Practice: GITOK, music, dance, chants (Alim through a mumbaki)

A

DINUPDUP

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8
Q

Tungo at ____________

A

Hungduan

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9
Q

War/ rice cycle ritual/protection of the territory; food security, well-being, good health.

A

BAGNAS/ PANAGBENGA

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10
Q

(Peace Pact; gathering/ HIDIT)

A

AMON DE VO CHONG

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11
Q

An established or prescribed procedure for a religious or other rite.

A

Ritual

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12
Q

A day or time of religious or other celebration, marked by feasting, ceremonies, or other observances.

A

Festival

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13
Q

Over commodification of festivals exploited by tourism and place marketers.

A

Festivization.

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14
Q

“But the instant the criterion of authenticity ceases to be applicable to artistic production, the total function of art is reversed. Instead of being based on _________, it begins to be based on another practice– politics” – Walter Benjamin

A

ritual

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15
Q

Art recovery is not the same as art restoration.

A

True

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16
Q

There are features of the rituals that are different from the features of the festival.

A

True.

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17
Q

Nature = art

A

False.

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18
Q

Nature will not have to be considered as art, and only as inspiration.

A

True.

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19
Q

These are the different surrounding situations that help us interpret a work of art.

A

Context.

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20
Q

Rituals

A

Dinupdup
Bagnas
Tungo
Amon de vo chong

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21
Q

This is done/ performed to resolve issues. Therefore, it is considered a peace pact.

A

AMON DE VO CHONG

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22
Q

The Ifugao epic incorporated the chanting of a certain ritual. The recitation of the alin which somehow traces the story of an individual.

A

Dinupdup.

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23
Q

Two instances in which the Dinupdup is held.

A
  • Someone from the higher caste dies
  • In a span of 10 years, no one gets sick (Thanksgiving).
24
Q

This ritual includes: music, trekking, and fire.

25
This ritual includes: music, trekking, and fire.
Bagnas.
26
This ritual tells you that women have a social responsibility. When they go back to their homes, women were supposed to entertain the visitors.
Bagnas.
27
Aside from planting the spear on the ground, there is also the presence of the dancing, gong playing, and even a trade fair.
Amon de vo chong.
28
Origin of what we refer to as the Panagbenga. It used to be a war or a rice cycle ritual.
Bagnas.
29
The use of animals in the ritual that’s not a feature of any of the rituals.
FALSE.
30
How do we classify basket weaving as a work of art?
Utilitarian art. (Practical Art)
31
In what aspect of life is ritual associated with?
Spiritual aspect of their life.
32
Festivals have the same purpose with that of the rituals.
False.
33
A periodic commemoration, anniversary, or celebration
Festival
34
A period or program of festive activities, cultural events, or entertainment.
Festival
35
A system or collection of religious or other rites. Observance of set forms in public worship.
Ritual
36
A book of rites or ceremonies. A book containing the offices to be used by priests in administering the sacraments and for visitation of the sick, burial of the dead, etc.
Ritual
37
A prescribed or established rite, ceremony, proceeding, or service: The ritual of the dead.
Ritual
38
Prescribed, established, or ceremonial acts or features collectively, as in religious services.
Ritual
39
Involves music, trekking, and fire.
BAGNAS/ PANAGBENGA
40
Done thrice a year (rainy season, planting, before harvest)
BAGNAS/ PANAGBENGA
41
Leaves the DAP-AYS (council of elders) as the others proceed to PATPATAYAN (sacred ground)
BAGNAS/ PANAGBENGA
42
With a bonfire in “bahag”/ “wanis” tell stories (oral translation, tradition, explanation) followed by prayer in the morning.
BAGNAS/ PANAGBENGA
43
Followed by TULING – men get spear with BUDBUD (band on head) in their WANIS for TUDEY and MABASIG (prayer) for abundant flow of water.
BAGNAS/ PANAGBENGA
44
Ends up in DAP-AY with the playing of the gongs in 3-5 days.
BAGNAS/ PANAGBENGA
45
Women perform social responsibility.
BAGNAS/ PANAGBENGA
46
With dancing, gong playing (for vochong only), merrymaking, symposia, trade fairs.
AMON DE VO CHONG
47
With three spears speared into the ground; cases to be solved
AMON DE VO CHONG
48
Changes: Venue (done in front of the Municipal Hall) Purpose (aimed at promoting the place as well as the products of the municipality)
AMON DE VO CHONG
49
Changes: Materials (rope for wood – tug of war) Performed not for the exclusive members of the community (open for public)
AMON DE VO CHONG
49
Changes: Materials (rope for wood – tug of war) Performed not for the exclusive members of the community (open for public)
AMON DE VO CHONG
50
Done April 16-18 (must have been last week of July or first week of August)
TUNGO (rest day)
51
From HWA ritual (after the harvest) To give thanks to MAKNONGAN by saying the BAKI
TUNGO (rest day)
52
Does the PUNNUK (tug of war and BULTUNG); use of PAKIG (wood)
TUNGO (rest day)
53
Chanting, oral prayers (day before) IMBAYA (dancing and music if with good harvest)
TUNGO (rest day)
54
Highest form of ritual for the KADANGYAN or IMUYAUY on the ff situations: - Dying man - Healthy (Thanksgiving; festive)
DINUPDUP

ART_APP (10 decks)

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