arts Flashcards
(90 cards)
1
Q
It is a painting or drawing technique which involves placing small dots of color in close proximity to each other on a canvas to create a larger image
A
Pointillism
2
Q
This visual artwork is initially known as Divisionism and Chromoluminarism.
A
Pointillism
3
Q
Its technique relies on a tableau of pixelated colors that are used to render landscapes, still lifes, or portraits that take on new
dimensions depending on how close you are to the image.
A
Pointillism
4
Q
It is a unique and versatile form of art that has been gaining popularity in recent years where
it uses coffee as the main medium.
A
Coffee
Painting
5
Q
This art is not just creative and fun but also, it’s eco-friendly since it involves the use of natural and available materials.
A
Coffee
Painting
6
Q
A term that is used to describe an artwork which only uses one color making an artwork’s potential
limitless.
A
Monochromatic
7
Q
It is a decorative design that is used in carving, basketry, pottery, and weaving with patterns similar to the western style of
Arabesque and Art Nouveau.
A
Ukir/Ukkir
8
Q
This art began from the early 6th Century C.E. before the Islamization of Lanao areas.
A
Ukir/Ukkir
9
Q
It is an exclusive artistic cultural heritage of the Maranaos of Lanao and a technique used in Mindanao, specifically in the Sulu
Peninsula
A
Ukir/Ukkir
10
Q
It is an action of writing or drawing something carelessly or hurriedly.
A
Scribbling Soul
11
Q
The study of signs and it consists with the “signifier” (its material/physical aspect) and its
“signified” (non-material aspect as
concept and value).
A
Semiotic Plane
12
Q
The only difference is that that material elements of the work have to do with the particular features, aspects, and qualities of
the image.
A
Iconic Plane
13
Q
Resituating the work in its context will bring out the full meaning of the work in terms of its human and social implications. This is where the viewer draws out the dialogic relationship of art and society.
A
Contextual Plane
14
Q
The plane of analysis that examines the value of work having a dialogic relationship with public.
A
Evaluative Plane
15
Q
It is concerned with everything that can be taken as a “sign”. The elements of the visual two arts derive their meaning-conveying potential from large sources:
human psychophysical experiences and the socio cultural conventions of a particular society and period.
A
Semiotic Plane
16
Q
It includes the choice of the subject which may bear social and political implications. Also, part of it is the positioning of the figure
(frontal, in profile, three-fourths, etc.) that implies its bearing to the meaning of the work.
A
Iconic Plane
17
Q
If one does not view the work in relation to its context, but chooses to confine analysis to the internal structure of the work then he
reduces its meaning. The work’s meaning is a complex that involves concepts, values, emotions, attitudes, atmospheres, sensory
experiences that arise from the three planes. The experience of a work cannot be reduced.
A
Contextual Plane
18
Q
The evaluation of a work necessarily includes the analysis and the examination of its axiological content since values are expressed in the work which holds a dialogic relationship with reality.
A
Evaluative Plane
19
Q
This plane is “Material/Aspect-Focused”.
A
Semiotic Plane
20
Q
This plane is “Feature-Focused”.
A
Iconic
Plane
21
Q
This plane is “Analysis-Focused”.
A
Contextual Plane
22
Q
This plane is “Value-Focused”.
A
Evaluative
Plane
23
Q
A step of Art Analysis that answers the question, “What do you see?”
A
Description
24
Q
A step of Art Analysis that answers the question, “How did the artist do it?”
A
Analyzation
25
A step of Art Analysis that answers the question, “What is the artist trying to say?” and “What is going on in the picture?”
Interpretation
26
It is a distinct artistic style, technique, or trend that maps a particular period of cultural development in the history of art.
Art Movements
27
An art movement (especially in Renaissance
art) which was inspired by the lifelike accuracy of Classical sculpture, a quality that had disappeared from artistic representation during the Dark and Middle Ages.
Naturalism
28
An art movement that essentially sees life and human nature as it actually was, where it stresses the study of nature and human beings and focused on human thought, reason, culture, and the human experience.
Humanism
29
An art movement that is technically associated with large scale murals and a skill that dates back to Classical Antiquity but reached its peak as an art form during the Italian Renaissance.
Fresco Painting
30
An art movement that is used as main medium for small scale paintings on wooden panels in Medieval and Early Renaissance art.
Tempera Painting
31
An art movement that is used as a replacement for both Fresco and Tempera Paintings as the principal painting medium of the Italian Renaissance. It produced the most intense color, the greatest tonal range and a workable drying time that allowed the artist to render the finest naturalistic detail possible.
Oil Painting
32
It is an art movement that emerged in the late 19th and early 20th Centuries. It was characterized by a shift away from traditional styles to a more abstract, experimental approach to creating works of art.
Modern
Art Movements
33
An art movement which came in France at the end of the 19th Century where the artists are known for their lively painting techniques and use of color. Their paintings became the most popular art form of the 20th century with the public and collectors alike.
Impressionism
34
A art movement which name is given to several styles of painting at the end of the 19th Century and influenced the direction of art in the early decades of the 20th Century.
Post-Impressionism
35
An art movement which is truly a revolutionnary style of modern art developed by Pablo Picasso and Georges Braques. It was the first style of abstract art which evolved at the beginning of the 20th Century in response to a world that was changing with unprecedented speed
Cubism
36
An art movement that refers to a colorful style
of painting developed by Henri Matisse and André Derain who used vibrant colors, simplified drawing
brushwork.
Fauvism
37
An art movement came in the early 20th Century style of art that is charged with an emotional or spiritual vision. It is an artistic movement centered in Germany.
Expressionism
38
An art movement that refers to a form of artistic anarchy born out of disgust for the social, political and cultural values of the time where it embraced elements of art, music, poetry, theatre, dance and politics.
Dadaism
39
An art movement that came in the 20th Century that explored the hidden depths of the 'unconscious mind' where its artists rejected the rational world as 'it only allows for the consideration of those facts relevant
to our experience'.
Surrealism
40
An art movement that refers to a style of
modern art in the 1960's where it uses the
imagery of mass-media, mass-production
and mass-culture.
Pop Art
41
An art history movement that refers to painted drawings on a cave walls or ceilings, mainly of pre-historic origin dated to some 40,000 years ago (or around 38,000 Before Common Era) in Eurasia. This is also known as “Cave Painting” or “Prehistoric Art”.
Parietal Art
42
An art history movement came from Ancient Egypt that reached a high level in painting and sculpture, and was both highly stylized and symbolic. This includes paintings, sculptures in wood (now rarely surviving), stone and ceramics, drawings on papyrus, faience, jewelry, ivories and other art media which are quite conservative and remarkable.
Ancient Egyptian Art
43
An art history movement came from Ancient Greece that began in the Cycladic and Minoan civilization and gave birth to Western classical art in the subsequent Geometric, Archaic and Classical periods (with further
development during the Hellenistic Period)
Greek Art
44
An art history movement that includes two periods: Etruscan Period (2000-1000 Before Christ) where the subject matter of paintings was ancestor worship, catacombs and sarcophages and the Roman Period (2000 Before Christ-400 After Death/Anno Domini) where art commemorative was characterized statue,
by sarcophage, frescoes and design with vine motifs.
Roman Art
45
An art history movement that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture,
heritage, and history.
Chinese Art
46
An art history movement that are unique
cultural treasures which have been bequeathed from master artisan to master artisan since antiquity. Inspired by the natural world, these beautiful traditional handicrafts are marked by their use of natural, organic forms and simple adornment.
Korean Art
47
An art history movement that includes a wide range of styles and means of expression, including ceramics, sculpture, painting and calligraphy on silk and paper, the ukiyo-e woodblock prints, origami and, more recently, manga along with a myriad of other types of
artwork.
Japanese Art
48
An art history movement that emerged as a
distinct style in Italy in about year 1400. The
word itself literally means “Rebirth”.
Renaissance Art
49
An art history movement which started in year
1520 and continued up to the 17th Century.
This art history is also known as “The late
renaissance Period”.
Mannerism Art
50
An art history movement that flourished on Europe in the early 17th Century up to the late 18th Century where its paintings are ornate, extravagant, fantastic and has emotional, sensual and highly-decorative appeals.
Baroque Art
51
An art history movement that started in the 18th Century during the reign of King Louis XV in France then it quickly spread to other parts of Europe particularly Bavaria, Austria, Germany and Russia.
Rococo Art
52
An art history movement that started in Rome in
the middle-18th Century and which coincided with the Age of Enlightenment where it is considered as “The highest rank” given to Western movements in the
decorative and visual arts, literature, theatre, music and architecture. This term is based on simplicity and symmetry in art.
Neo
Classicism Art
53
An art history movement that was coined by a French art critic Felix Feneon in year 1886 when he described the art movement founded by George Seurat. This term means “science-based interpretation of urban and rural scenes”.
Neo-Impressionism Art
54
An art history movement that originated from
a group of Paris-based artists where independent exhibitions brought them to prominence during the 1870s and 1880s. This term means “accurate depiction of light in the ordinary subject matter.”
Impressionism Art
55
An art history movement that roughly began between years 1888 and 1905 where it emphasized abstract qualities or symbolic content of art.
Post-Impressionism Art
56
An art history movement that was most popular in years 1890 and 1910 but after the year 1910, this was replaced by architectural and decorative style known as Art Deco and then by Modernism. This art gives emphasis on natural forms and structure.
Art Noveau
57
An art history movement that was developed
in Italy about the same time Cubism appeared in France. This art gives emphasis on modern society.
Futurism
58
An art history movement that is used when the artist becomes so interested in one phase of a scene or a situation that he does not show the subject at all as an objective reality, but only his idea or his feelings about it. This art give emphasis on texture and shapes
which are more important than real-life objects.
Abstractionism
59
An art history movement that was started as
early as the 20th Century in Russia where art
is applied in the construction of social evils
existing in the present society.
Constructionism
60
An art history movement which is translated in Dutch as “De Still” (“The Style”) and founded in year 1917 in Leiden in The Netherlands. This art gives emphasis on pure abstraction using only black, white and primary colors – red, yellow and blue).
Neo-Plasticism
61
An art history movement which was originated in New York, USA after the Second World War and gained an
international vogue. This art is characterized with large canvasses and strong color).
Abstract Expressionism
62
An art history movement that uses a style of
visual art to emphasize the use of Optical
Illusions created in black and white.
Optical Art
63
An art history movement that was emerged in
the late 1970s which employs a variety of arts
such as body art, process art, conceptual art and performance arts. This is where artists
use unprocessed materials.
Post-Minimalism
64
An art history movement that follows a set of
written instructions, concepts or ideas which
takes precedence over traditional aesthetic,
technical and material concerns.
Conceptual Art
65
An art history movement that realistically
reproduces an image as possible through
painting, drawing and graphic art.
Photorealism
66
An art history movement that refers to a form
of conceptual art wherein, the objects or
materials are configured or arranged in a
room or spaces to present a message to the
viewer.
Installation Art
67
An art history movement that gives emphasis
on human body through painting for cultural
motives. Its examples are face painting, body
painting and tattoo art which dated back form
pre-historic times.
Body Art
68
An art history movement that started in
America in the 1960’s by developing man’s
awareness of his relationship with his environment through “thought-provoking construction” of art works that uses stones, rocks and clay to create artistic imagery. This is also known as “Earthworks”, “Earth Art” and “Landscape Art”.
Land Art
69
An art history movement that emerged on
America in the 1970s where it uses bodies
and voices to convey artistic expression
through drama, dance, music, video, painting
and film.
Performance Art
70
An art history movement that refers to art
made and produced by artists living today
where they work in and respond to a global
environment that is culturally diverse,
technologically advancing, and multifaceted.
Contemporary Art
71
An art history movement where reaction
against modernism, artists created works that
reflected skepticism, irony, and philosophical
critiques in reaction against modernism.
Postmodernism
72
An art history movement that arose in an
attempt to transform stereotypes and break
the model of a male-dominated art history.
Feminist Art
73
An art history movement where artists sought
to revive original aspects of Expressionism
and create highly textural, expressive, large
works.
Neo-expressionism
74
An art history movement that refers to a
created graffiti-like art on surfaces in public
places like sidewalks, buildings, and
overpasses.
Street Art
75
An art history movement which was
influenced by both Conceptual and Pop Art
experimented with recognizable imagery to
explore images shaped our perceptions of
the world.
Pictures Generation
76
An art history movement that was focused on
the use of images in art with little
transformation from their original form.
Appropriation Art
77
An art history movement that refers to a
group of London artists were notorious for
their willingness to shock audiences through
their imagery, and a willingness to push
beyond limits of decency. They’re also known
for their zestful, entrepreneurial spirit
Young British Artists
78
An art history movement that refers to the
advent of the camera lent way to this artistic
practice that allowed artists to use the
infusion of art and technology to create with
mediums like computers, audio and visual
software, sound, and pixels.
Digital Art
79
An art history movement which literally
translates as “Poor Art” where artists used soil, rocks, paper, rope, and other earthen elements to evoke a pre-industrial sentiment. As a result, many of the notable works during this movement in the 1960s are sculptural.
Arte Povera
80
An art history movement which word was
used particularly since the 1960s for art made
with a specific location in mind, whether
inside or outside
Site Specific Art
81
This includes the ________ wheel, color
schemes, the primary (red, yellow, blue),
secondary (green, orange, purple/violet) and
tertiary _______, hues, tones, tints, shades,
saturation, intensity, value, temperature,
complementary and analogous ________. –
Color/s
82
This refers to the light and dark aspects of
color and is understood by differences in low
key, high-key, and middle-key variations.
Value
83
This element helps on creating different
effects and covey movement, rhythm and
emphasis. These are classified into:
horizontal, vertical, diagonal, short, long,
curved and zigzag.
Line
84
This element ranges from square, circular,
triangular, rectangular and it can be two
dimensional, geometric or organic.
Shape
85
This element refers to any three-dimensional
structure that contains a width, height, depth
and ranges from cubic, spherical, pyramidal
or conical to geometric or organic
Form
86
This refers to the “surface quality” of
artworks, which can be classified either real
or implied.
Texture
87
This refers to the three-dimensionality or
depth created in a composition and can be
classified either positive or negative.
Space
88
This refers to the movement within a piece of art that helps the eye travel through the to a
point of focus.
Rhythm
89
Colors, Form, Line, Rhythm, Shape, Space,
Texture, and Value are classified under
Elements of Art
90
Balance, Emphasis, Harmony, Movement,
Pattern, Proportion, Repetition, Rhythm,
Unity and Variety are classified under_______
Principles of Art
