ASND - Themes Flashcards

1
Q

3 Fantasy vs reality points

A
  • Social realism
  • Boundary between exterior and interior
  • Fantasy is important
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2
Q

Social realism

A

Blanche DuBois is romantic protagonist and she and Stanley have an overarching tension.
Antagonistic relationship

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3
Q

Stanley Kowalski

A
  • Practical
  • Military man “Master Sergeant is the Engineer Corps”
  • Firmly in physical world
  • Wants to unravel Blanche’s fabrications
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4
Q

“Shot?”

A

“No I barely touch it.”

Deluded fantasy

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5
Q

Boundary between exterior and interior

A
  • Williams’s use of a flexible set:
    street can be seen at the same time
    interior of house to be seen —> no domestic sanctuary
  • Altercation outside foreshadows violation about to take place in the home
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6
Q

Fantasy is an important tool

A
  • At the end of play Blanche is able to retreat fully into her fantasies to escape to her own world
  • away from harsh blows of reality
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7
Q

“I don’t know you - _________. I want ______ - _______ - please!”

A

“I don’t know you - I don’t know you. I want to be - left alone - please!” then escapes to kindness of strangers quote

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8
Q

“Whoever you are ____________.”

A

“Whoever you are I have always depended on the kindness of strangers.”

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9
Q

“Please don’t get up.”

A

“Nobody’s going to get up, do don’t be worried.” In her fantasy men stand for her (old world view)

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10
Q

“I don’t _______. I want _____!”

A

“I don’t want realism. I want magic!”

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11
Q

2 Relationship between sex and death points

A
  • Her sexual history is the cause of her downfall

- Dependence on men

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12
Q

Sexual downfall

A
  • Streetcar journey
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13
Q

Streetcar –> ________
Cemeteries –> ___________________
Elysian Fields –> ____________________

A

Streetcar –> Desire = sex
Cemeteries –> Tragedy of death in family + her reputation
Elysian Fields –> Land of the dead in Greek Mythology

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14
Q

Dependence on men

A
  • Expose and critique the treatment of women during the transition from the old to the new south
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15
Q

Blanche is hypocritical =

A

telling Stella to leave Stanley even though she is contacting ‘Shep Huntleigh’ for financial support and only finding happiness through Mitch

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16
Q

Marrying Mitch =

A

escaping destitution - only survival

she is unattractive candidate due to her sexual history

17
Q

By relying on men ______________________

A

Blanche puts her fate in the hands of others.

18
Q

2 Motifs

A

LIGHT

BATHING

19
Q

Light

A

Blanche can’t be seen in bright lights – expose her age

20
Q

Chinese paper lantern

A

covers up the truth and shadows

21
Q

“I like the dark. _____________”

A

“I like the dark. The dark is comforting me.”

Almost personifies the darkness - fantasy

22
Q

Mitch: [He tears__________________]”

A

‘He tears the paper lantern off the light bulb.’

23
Q

Stanley:[He crosses to _________ and seizes__________, tearing it _____________, and extends it towards her.

A

‘He crosses to the dressing table and seizes the paper lantern, tearing it from the light bulb, and extends it towards her.’

24
Q

When he takes the latern [She cries____________.]

A

‘She cries out as if the lantern was herself.’

25
Bright light =
Bright light = sexual innocence.
26
When she met first husband: | "turned a ____________ on something ______________ half in ________."
"turned a bright light on something that had always been half in shadow."
27
Bathing - Blanche
- Her experiences have made her a hysterical women, baths calm her nerves - Cleansing herself of odious history
28
Bathing - Stanley
- Shower after beating Stella | - Soothes him and he calls out for his wife
29
Motifs
Reoccurring structures, contrasts or literary devices that can help to develop and inform the text's major themes
30
Symbols
Objects, figure, characters or colours that are used to represent abstract idea or concepts
31
The Varsouviana Polka
symbol of her past and husbands suicide
32
Scene 1 | "You were married once. weren't you?"
'The music of the polka rises up, faint in the distance' | Allows audience to be in Blanche's mind and hear her memories of the night
33
Scene 9 | "There now, _______! It _________ that."
"There now, the shot! It always stops after that." | shot and stop
34
"He kisses ... _____. The __________ out."
"He kisses ... her lips. The polka music fades out."
35
SETTING
New Orleans
36
DECADE
Late 1940s
37
Year
1947 play
38
MAJOR EVENTS
The Great Depression | World War 2