Auditory Flashcards

(41 cards)

1
Q

What is the Auditory System?

A

Determines the frequency, intensity and other properties of sounds
Interprets meaning of sound
Identifies source of sounds - sound localization

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2
Q

What is sound?

A

Audible variations in air pressure

- mechanical energy measured as the calculated pressure that a wave makes against an object (ear drum).

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3
Q

Sound Waves

A

Produced by vibrations of air molecules

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4
Q

Tonotopy

A

Mapping of sound frequencies on basilar membrane - Principle of adequate stimulus

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5
Q

Frequency Coding at Basilar membrane

A

Hair cells along basilar membrane have receptive fields differing in frequency preference

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6
Q

Frequency Coding or Tonotopy

A

Neural encoding of pitch (place codes)

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7
Q

Base of Basilar Membrane

A

Short and Stiff Fibers

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8
Q

Apex of Basilar Membrane

A

Long Floppy Fibers

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9
Q

Resonance

A

The tendency of a system to oscillate at a greater amplitude at some frequencies than at others.

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10
Q

Resonant Frequency

A

Small periodic driving forces can produce large amplitude oscillations because the system stores vibrational energy

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11
Q

High Frequency

A

Waves vibrate stiff fibers best (at base): travel short distance

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12
Q

Low Frequency

A

Waves vibrate floppy fibers best (at apex): travel entire distance

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13
Q

TRPA Channel

A

A family of transient receptor potential ion channels

  • TRP channel blocks K+ ions and others @ tip links
  • Stretch-activated channel opens when mechanically stimulated
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14
Q

Perilymph

A

In the Scala Vestibuli and Scala Tympani

Low K+, High Na+

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15
Q

Endolymph

A

In Scala Media

High K+, Low Na+

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16
Q

Endocochlear Potential

A

Endolymph is 80 mV more positive than perilymph

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17
Q

Rapid Responsiveness ( Temporal Fidelity)

A

TRPA1 channels respond to stretch with 10 us speed, faithfully traduced high frequency signals

18
Q

TRPA1 Channel Sensitivity and Range

A

High Sensitivity

Range: soft to loud sounds (displaces stereocilia from 0.3 nm to 20nm)

19
Q

Biphasic Receptor Potential

A

Mimics sound waves - contains bi-polarity that resembles the peak and trough of a sound wave

20
Q

Inner Hair Cells

A

Type of Spiral Ganglion cell
95% of SGC receive auditory information from inner HCs
High Fidelity
Myelinated Fibers

21
Q

Outer Hair Cells

A

Type of Spiral Ganglion Cell
5% of SGC receive auditory info from outer hair cells
Many HCs feed to one SGC - low fidelity
Unmyelinated Fibers

22
Q

Primary Auditory Area

A

Brodmann’s Area 41

23
Q

Secondary Auditory Area

A

Brodmann’s Area 42

24
Q

Isofrequency Bands

A

Cortical columns with different tonal receptive fields

25
Frequency Coding in CNS
Basilar Membrane (PNS)-> Spiral Ganglion -> Auditory Nerve -> Cochlear Nucleus (CNS)
26
Binaural Auditory Neurons
Found at Superior Olive and above. | Each cochlea is bilaterally represented in the brain.
27
Receptive Fields of Central Auditory pathway
Complexity of stimuli detected increases as you ascend the pathway : Cochlear nucleus and MGN
28
Further processing
Inferior Colliculus sends signals to superior Colliculus (integration of auditory and visual info) and cerebellum
29
Extensive Feedback from Central Auditory pathway
- Descending Efferents from Brainstem (to superior olive) contact and modulate OHCs in cochlea - Efferent storm auditory cortex send axons to MGN and inferior Colliculus
30
Ventral Cochlear Nucleus
Receives auditory signals ipsilaterally | - if severed, you will e deaf on the same side
31
What are the 3 mechanisms of Intensity Coding?
1. Stronger Displacement - increase firing rate to affected sensory n. (Temporal summation) 2. Wider area displaced - more auditory sensory n. activated (spatial summation) 3. Special Hair Cells that have a High Threshold - only intense sound will make the AP Fire.
32
Place Code
Displacement of Basilar Membrane = a function of pitch (frequency) and intensity - can interfere with Tonotopy because louder sounds can have a different frequency
33
Phase Locking
Consistent firing of a cell at the same phase of a sound wave - alt method for frequency coding - works well at low frequencies (20 - 200Hz)
34
Phase Locking with Volley
@500Hz - 4kHz frequencies are represented by pooled activity of several auditory n, each member firing in a phase locked manner - shared wave among population of neurons
35
Very Low Frequency sound coding mechanism
20 - 200 Hz | Phase Locking
36
Intermediate Frequency Sounds coding mechanism
Phase Locking (200Hz - 500Hz [limit for phase locking]) Phase Locking with Volley (500Hz - 4kHz) Tonotopy
37
High Frequency sound coding Mechanism
Tonotopy (>4kHz - 20 kHz)
38
Duplex Theory of Localization
Two Different Processes: Interaural Time Delay and Interaural Intensity Difference
39
Interaural Time Delay (ITD)
Sudden sounds of all frequencies and continuous sounds of 20 - 2000Hz
40
Interaural Intensity Difference
Continuous Sounds with high frequencies (2 - 20kHz)
41
Sound Shadow
Head casts a sounds shadow to the ear further from the sound, Lower intensity sound at one ear is a cue that the origin of sound is in the other direction