Auditory system Flashcards

(45 cards)

1
Q

What happens when energy moves through a medium?

A

The molecules in that medium collide.

The denser the molecules are packed, the greater the probability of collisions (solids>liquids>gases)

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2
Q

What is a pressure wave?

A

the chain of molecular collisions resulting from the introduction of mechanical energy to a medium

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3
Q

The two components of a pressure wave

A

compression and rarefaction

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4
Q

compression

A

the temporary density increase at the start of a wave as a result of molecules colliding

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5
Q

rarefaction

A

temporary decrese in density in the wake of the pressure wave

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6
Q

4 components of a sound wave

A

wavelength
amplitude
complexity
phase

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7
Q

What is frequency?

A

Refers to how often each compression rarefaction cycle occurs per unit of time

measured in Hz
corresponds to the psychological dimension of pitch (pitch increase with frequency)

Humans perceive tones between 20-20k Hz, and as we ag,e high frequencies are the first to go

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8
Q

Amplitude

A

refers to the peak height of the sound wave (how much compression occurs)

Corresponds to the psychological dimension of loudness (loudness increases with amplitude)
Typically measured in Decibels

Multiplying the pressure of a sound by 10 adds 20 decibels
, ex. 20Db= 200 sound pressure

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9
Q

Phase

A

refers to where a wave is at in its compression rarefaction cycle at a given moment in time,

The degree of phase is measured by its phase angle

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10
Q

Are sound waves additive?

A

yes, if 2 sound waves are in phase, there amplitudes will add and the sound will be twice as loud (like a dap)

If 2 waves are out of phase, the sounds will cancel each other and you will not percieve anything
Like noise cancelling head phones)

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11
Q

complexity

A

refers to the source-specific variation in waveform

Pure sine waves are rare in nature

even different musical instruments generating the same note will have very different waveforms

the psychological correlate is timbre

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12
Q

Harmonic complexity

A

Natural sound sources consist of vibration at multiple frequencies (harmonics) an the combo of all these frequencies is the sounds harmonic structure.

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13
Q

Fourier’s Theorem

A

Any periodic sound can be decomposed into the sum of its harmonics (sine waves)

Any periodic sound can be synthesized by adding together the appropriate harmonic components

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14
Q

What 3 parts is the ear composed of?

A

Outer, Middle, and Inner

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15
Q

2 main parts of the outer ear

A

The pinna and the Auditory canal

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16
Q

The pinna

A

external ear

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17
Q

Auditory canal

A

Protects the delicate middle ear

dimensions - 1.3’ long and .25’ wide
acts as a resonant frequency amplifier

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18
Q

Resonant frequency amplification

A

Resonance: an interaction between sound waves entering a medium and exiting that medium

resonant frequency- the frequency for which these entering and exiting waves add together, amplifying that frequency of the sound wave
(blowing in soda bottle)

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19
Q

Resonance chamber

A

The range of frequencies that get amplified depends on the size and shape of the resonance chamber

The RF decreases as you increase the chamber’s length

20
Q

What 2 main parts in the Middle ear composed of

A

The eardrum and the ossicles

21
Q

The eardrum

A

a thin layer of skin that vibrates in response to a pressure wave entering the auditory canal

22
Q

Ossicles

A

Three tiny interconnected bones
malleus (hammer)
incus (anvil)
stapes (stirrup)

23
Q

Middle ear amplification- the air to water impedance problem

A

The fluid-filled middle ear requires 1000x more energy to vibrate than air

to compensate- the energy is focused on a smaller area, amplifying the signal.
The ossicles are used as a lever to apply greater force on the oval window (inner ear)

This amplification offsets 80% of the signal loss that would otherwise occure

24
Q

The inner ear

A

Cochlea- the structure containing the sensory transducers for audition

consists of 3 canals
the vestibular, the tympanic, the cochlear duct

25
The vestibular and tympanic are
filled with a liquid called perilymph, but are separated until the very apex of the cochlea called the heliocotrema where they come together.
26
Auditory process of the inner ear
The stapes moves against the oval window, creating a pressure wave that travels down the vestibular canal to the helicotrema, then back along the tympanic canal to the round window, this is where the pressure wave ends
26
The Cochlear duct
Isolated from the vestibular canal by reissner's membrane and from the tympanic canal by the basilar membrane filled with endolymph (rich in K ions)
27
The organ of corti
Consists mainly of the tectoral membrane and hair cells
28
2 types of hair cells
Outer hair cells Relatively abundant; about 12,000/ear Embedded in the tectorial membrane Inner hair cells Relatively few (about 3,500/ear) Not embedded in tectorial membrane; just protruding into the gap
29
The Auditory transduction event
The basilar membrane starts to vibrate in response to a pressure wave. This vibration moves the organ of Corti, causing a shearing force on the hair cells When the hair cells move, the receptor channels open, allowing K ions to flow in, the cell polarizes and fires
30
The auditory pathways
The auditory nerve first goes to the ventral cochlear nucleus in the brain stem Superior olive sends info from both ears is combined and sends feedback to the contralateral (opposite) cochlea Inferior colliculus in the midbrain coordinates eye movements to sound sources
30
Spiral ganglion cells
Located in the organ of corti, their dendrites synapse on the hair cells, their axons leave the inner ear as the auditory nerve
30
2 types of spiral ganglion cells
Type 1 Fibers most abundant (95%) synapse on the inner hair cells very redundant; about 15 fibers per each inner hair cell carries the primary auditory signal Type 2 Fibers synapse on the outer hair cells each fiber synapses on about 10 outer hair cells thought to tune the Type 1 responses
31
The medial geniculate nucleus Center-surround coding of sound frequency
Preferred Frequency (The "Center") Each MGN neuron has a favorite pitch (e.g., 1,000 Hz). When that pitch plays, the neuron fires extra hard (↑ above baseline). Neighboring Frequencies (The "Surround") Frequencies slightly higher or lower (e.g., 900 Hz or 1,100 Hz) make the neuron fire less (↓ below baseline). This creates a contrast boost for the preferred pitch, like a spotlight in fog. "Edge Detection" for Pitch Some MGN neurons specialize in detecting sudden changes in frequency (e.g., a sliding whistle or vocal inflection). Helps you notice transitions in speech/music (like "wa" → "ba")
32
The primary auditory cortex A1
Close neuroanatomical proximity to speech areas Many types of cells coding the presence (on) or absence (off) of auditory information Cells also code the transient (fast sounds) and sustained (ongoing) properties of auditory events Similar cells are found in the primary visual cortex (V1)
33
The Representation of Pitch and Loudness (Ohm's Acoustical Law)
High frequency waves reach their maximum amplitude near the wave source; lower frequency waves reach their peak amplitude farther from the wave source (Ohm’s Acoustical Law)
34
how does the auditory system code frequency?
The auditory system codes frequency by the location of maximum hair cell activation on the Organ of Corti
34
The Place Theory of Pitch Perception
The frequency of a sound is coded by the location of peak amplitude on the basilar membrane (Bekesy, 1960) High frequency sounds reach their peak amplitude near the oval window (entrance); low frequency sounds reach their peak amplitude nearer the apex of the cochlea
35
How is the frequency organized
Frequency is tonotopically represented; neighboring frequencies give rise to activity in neighboring neurons
36
The frequency theory of pitch perception
The frequency of a sound is coded by the firing rate of all hair cells on the basilar membrane, not just those at particular locations (phase locking) ex.If a 100 Hz pressure wave stimulates the basilar membrane, hair cells will fire at 100 Hz. Similarly, a 500 Hz tone will cause 500 Hz neuronal firing Accounts for gaps in Place Theory (e.g., why we discriminate very close low frequencies better than Place Theory predicts). Place Theory vs. Frequency Theory Place Theory: High pitches = hair cells near the cochlea’s base vibrate. Frequency Theory: Low pitches = hair cells fire in time with the sound wave. Combined: Your brain uses both for full pitch range!
37
Problems with frequency theory
Neurons can’t fire faster than about 1000 Hz; how then are high-frequency sounds coded? If firing rate is coding pitch, how then does the auditory system code loudness?
38
The place-frequency theory
The auditory system uses both place (location on the basilar membrane) and frequency (firing rate) to code a sound’s pitch „ Tones < 500 Hz are coded by frequency, not place; tones > 500 Hz are coded by place, not frequency. „ For tones < 500 Hz, loudness is coded by the number of cells firing; for tones > 500 Hz, loudness is coded by the firing rate
39
hearing loss
Conduction Loss „ Damage to the outer or middle ear results in sound energy being poorly conducted or transferred to the inner ear „ Neuronal Loss „ Damage to the inner ear (the hair cells or spiral ganglion cells) or the auditory cortex
40
causes of conduction loss
Ear wax build-up „ Middle ear infection „ Otosclerosis „ Stapes becomes immobile; can be treated surgically
41
causes of neuronal loss
Damage to the Cochlea or Hair Cells „ Acute or chronic noise exposure „ Exposure to certain drugs (excessive aspirin or nicotine) „ Damage to Auditory Nerve „ Infection or trauma „ Presbycusis „ Age related loss of sensitivity to high frequencies sounds