Aunt Julia Flashcards

1
Q

“Aunt Julia” - start of Stanza 1

A

Each verse begins with a reference to her

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2
Q

“Aunt Julia spoke Gaelic”

A

Traditional

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3
Q

“Very loud and very fast”

A

Her characteristics: dynamic, energetic, lively
Repetition emphasises her emphatic determined nature.
Warmly drawn affectionate childhood memories.

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4
Q

“I could not answer her-”

“I could not understand her”

A

Dash/pause places focus on his inability to communicate- emphasises it.
Repetition of “I could not” establishes and emphasises theme of frustration at barriers in communication.

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5
Q

“She” - start of Stanza 2

A

Reference to Aunt Julia again

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6
Q

“She wore men’s boots.”

A

She does traditionally male tasks. Wears practical clothes. Poet clearly admires her ability to complete these tasks easily.

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7
Q

“When she wore any”

A

Usually barefoot - hardy/at one with nature

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8
Q

“I can see her strong foot”

A

Strong masculine qualities

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9
Q

“Stained with peat”

A

Reflects her life on the croft. She’s traditional and has a close connection with the land.

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10
Q

“Paddling”

A

Skilful movement. Like a sea animal gliding through water. Reflects rhythmic movement. Shows admiration for Aunt’s skill..

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11
Q

“I can see her strong foot stained with peat paddling with the treadle of the spinning wheel.”

A

Very precise and skilful movement.
Long sentence accentuates the lengthiness of the spinning process.
“I can see her” shows that the poet associates his Aunt with the movement and activity.

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12
Q

“While her right hand drew yarn marvellously out of the air.”

A

Word choice of “marvellously” conveys the magic/illusion about the task. It’s almost entrancing for the young boy - poet.
As if she is some kind of magician. Sense of childhood wonder at the process and her expertise.

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13
Q

Technique used in last three lines of stanza 2

A

Enjambment

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14
Q

“Hers” - start of stanza 3

A

Reference to Aunt Julia again

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15
Q

“Only house”

A

Emphasis by word placement. provides and idea of the special and exciting qualities of the poets visits to her house

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16
Q

“In the absolute darkness.”

A

Although this should be frightening for a child the poet still felt safe as he was in his Aunt’s house.

17
Q

“Of a box bed”

A

Warmth/closed in/ fun and unusual for him.

Alliteration is used of the “b” sound.

18
Q

“Crickets being friendly.”

A

Sense of closeness to nature. He hears them and feels safe. This is a metaphor for crickets speaking to each other.

19
Q

“She was” - used in stanza 4, 3 times

A

Reference to Aunt Julia at the start. “She was” is also repeated throughout stanza 4 to emphasise the way she epitomised the specific way of island life. She is so connected to the landscapes and the elements that she has become part of it.

20
Q

“She was buckets and water flouncing into them”

A

This is a transferred epithet- it is the aunt who is flouncing. Gives a description of the deliberate, fast and vigorous way she moved.

21
Q

“She was winds pouring wetly.”

A

Alliteration of the soft “w” sound emphasises the fluid quality of the elements he associates with her. She is at one with nature; strong and free spirited.

22
Q

“Round house-ends.”

A

Enjambment is used here to give as sense of her fluid energy.

23
Q

“She was brown eggs, black skirts and a keeper of threepennybits in a teapot.”

A

Poet remembers her through a series of mundane, cosmetics objects. Description shows her traditional and old fashioned nature. Poet uses listing here to place emphasis on all of his memories of her and the odd details about her that only a child would remember.

24
Q

Keeper of threepennybits in a teapot.”

A

She’s thrifty and careful with money.

25
Q

“Aunt Julia spoke Gaelic very loud and very fast” - start of Stanza 5

A

Reference to Aunt again. Opening lines of the poem are repeated however a darker tone enters the poem.

26
Q

“Spoke Gaelic very loud and very fast” - Stanza 5

A

Emphasises importance of her language and re-emphasises her dynamic, energetic and lively qualities. Contrasts with “silenced” later on

27
Q

“By the time i had learned a little she lay”

A

Alliteration of “l” sound. Structure creates balance with “I” and “She”. There is a sense of sadness and regret, too little to late. By the time the poet learned how to speak with her, she was dead.

28
Q

“Silenced.”

A

Enjambment used here to place emphasis on “silenced”.

29
Q

Contrast between “spoke Gaelic very loud and very fast” and “silenced”.

A

Contrast between loud, talkative, vibrant Aunt Julia in life and the absolute quiet of death/ her complete silence in death emphasises the impact of the loss of Aunt Julia to the poet. The once energetic talkative Aunt Julia has been silenced by death. Contrast is emphasised by use of enjambment of “silenced” at the opening of line 5.

30
Q

“Absolute black of a sandy grave”

A

Sinister and unsettling tone. Echoes idea of “box bed” in stanza 3 but unlike the comforting security of the absolute darkness of the box bed in Stanza 3, the subtle shift from “darkness” to “ absolute black” conveys the frighteningly bleak void of death and gives the idea of there being nothing after death.”

31
Q

“But I hear her still, welcoming me with a seagull’s voice.”

A

She has left such a strong impression on him that he can vividly imagine her calling him.
“But” emphasises the idea of the continuing importance of her memory. Poet challenges the finality of death shown in “absolute black”.

32
Q

“With a seagulls voice.”

A

Metaphor- identifies her with her wild nature. Suggests she had a shrill high pitched voice like a seagulls piercing cry. Shows her enduring memory in the poet’s mind.

33
Q

“Across a hundred yards.”

A

She had a loud carrying voice.

34
Q

“Peat scrapes and lazybeds.”

A

Traditional crafting methods. Places her firmly in the traditional and natural environment.

35
Q

“Getting angry, getting angry with so many questions.”

A

Repetition shows building frustration. Is the Aunt angry with the poet as he cannot answer her of is the poet angry as she can never answer his questions?

36
Q

“Unanswered.”

A

Enjambment places emphasises on this word by leaving it on a line of it’s own. Sums up their inability to communicate, but also his regret. Reinforces the poets enduring sense of frustration.