B Medieval Literature / Shakespearean Comedy Flashcards

(15 cards)

1
Q

two key periods

A

Old English Literature: 650-1100 (example: Beowulf)
Middle English Literature: 1066 (Norman Conquest) - 1500 (example: The Canterbury Tales)

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2
Q

Beowulf

A
  • author: John Lesslie Hall
    • Old English heroic poem
      -> germanic epic poem
  • consists of more than 3000 alliterative long lines
  • set in scandinavia
  • dated between 8th and 11th century
  • context of Anglo-Saxon warrior culture
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3
Q

Beowulf
plot

A
  • **Hrothgar, König der Dänen (Scyldings), baut eine prächtige Mead-Hall (Heorot), **um dort mit seinen Gefolgsleuten zu feiern.
  • Die Freude wird durch Grendel, ein monsterhaftes Wesen, zerstört, das nachts die Halle angreift und viele Krieger tötet. Zwölf Jahre lang quält er Hrothgar und sein Volk.
  • Der junge Held Beowulf, ein Geate und Neffe von König Hygelac, hört von den Gräueltaten und reist mit 14 Gefährten nach Dänemark, um zu helfen.
  • In einer nächtlichen Schlacht besiegt Beowulf Grendel mit bloßen Händen, indem er ihm den Arm ausreißt. Grendel flieht und stirbt.
  • In der folgenden Nacht greift Grendels Mutter an und tötet einen der Ratgeber Hrothgars. Beowulf verfolgt sie, kämpft unter Wasser mit ihr und tötet sie nach einem harten Kampf.
  • Als Held geehrt kehrt Beowulf nach Hause zurück und wird später selbst König der Geaten.
  • Nach 50 Jahren wird sein Land von einem feuerspeienden Drachen bedroht. Beowulf kämpft gegen ihn, besiegt ihn, stirbt aber selbst tödlich verwundet.
  • Nach seinem Tod wird er mit einem großen Begräbnis geehrt, und das Gedicht endet mit einem Lob auf seine Tapferkeit, Güte und Großmut.
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4
Q

Beowulf
Beowulf character

A

Beowulf:
- embodiment of warrior culture (ideal warrior)
- more than a usual man (e.g. charming physically)
- super-human strength (moral/physical)
- divine support
- a human being that we should follow as a role model

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5
Q

Beowulf
Grendel character

A
  • he is born evil/God created him evil; cannot change
  • embodiment of absolute evil
  • link with darkness
  • so evil that he cannot be a human being but a monster
  • positioned outside of a community, he attacks them
  • places himself deliberately in isolation
  • self-exclusion from society -> monstrosity
  • far away from human society
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6
Q

Beowulf
Beowulf & Grendel

A
  • binary opposition
    -> ‘flat’ characters -> uncomlicated and do not chnage throughout the story
  • both are singulr in their qualities
    -> one of them is only evil, the other only good
  • to some extent they are parallel
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7
Q

Beowulf
instances of warrior culture

A

Pledge: Pledges his loyalty to the king
Boast: I will kill Grendel
Deed: Him actually killing Grendel
> line 282

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8
Q

Beowulf
narrator & what value does he hold?

A

Orator
the orator is telling the story to the audience in the mead hall

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9
Q

The Canterbuy Tales

A
  • author: Geoffrey Chaucer
  • written 1387-1400 (stopped writing when he died)
    -> wanted to write 120, actually wrote 24
  • storytelling contest of a group of pilgrims on the way to Canterbury
  • use of frame narrative/palpable first-person narrator
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10
Q

Canterbury Tales
setting

A
  • Spring, April
  • London
  • narrator: Chaucer himself is narrator and he writes himself in the story
  • tales mirror the tellers professions and social standing in language use and style
  • use of irony and satire
    -> (humorous) social criticism

-> formulaic setting: depicting characters realistic, using unrealistic descriptions

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11
Q

Shakespearean Comedy
typical features

A
  • focus on plot rather than character development
    -> characters are sometimes given silly names bc they’re not important as individuals
  • frequent use of charatcer types/flat characters
  • use of intensely complicated and interwoven plot strands
  • main topis: love (romantic comedy)
  • youthful lovers in conflict with the patriarchal system/social establishment
    -> usually the father disapproves of daughters marriage (aim: testing social limit)
  • use of disguise
  • often leads to play with gender categories
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12
Q

Shakeaspearean Comedy
Functions of the Last Act
(‘happy ending’)

A
  • removal of obstacles to love
  • ‘correct’ allocation of the lovers into couples
  • marriage(s)
    -> community festival
    -> promise of continuity (future generations) –> similar to tragedy
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13
Q

Shakespearean Comedy
Eigenschaften

A
  • often have some serious elements
  • most obvious at the end: restoration of order
  • important in the Elizabethan world picture
  • return to fixed (gender and class) hierarchies
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14
Q

As You Like It (shakespeare)
Ending

A
  • reconciliation of Orlando and Oliver, who repents (brothers)
  • Duke Frederick repents and retreats to the forest for ‘a religious life’
  • Duke Senior (Duke Frederick’s brother) restored to his former position
  • Rosalind’s role in the happy ending
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15
Q

As You Like It
couples at the end

A
  • Rosalind, Orlando
  • Celia, Oliver
  • Audrey, Touchstone
  • Phoebe, Silvius
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