Baroque, Classical, Romantic, 20th Century Flashcards

(78 cards)

1
Q

Baroque era

A

1600 - 1750

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2
Q

Baroque composers (3)

A

-Vivaldi
-Bach
-Purcell

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3
Q

Features of Baroque music

A

-String dominant
-Ground bass (repeating melody in the bass)
-Homophonic (one melody with accompaniment)
-Terraced dynamics (Dynamics change suddenly and not gradually)
-Harpsichord
-Ornamentation (acciaccatura, mordent, trill, appogiatura)
-Oratorio
-Opera
-Recitative

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4
Q

Classical era

A

1750-1820

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5
Q

Classical composers

A

-Beethoven
-Haydn
-Mozart

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6
Q

Features of classical music

A

-Piano replaces harpsichord
-Symphony
-String quartet
-Balanced structure
-Opera seria and buffa
-Diatonic harmony (belonging to key)
-Percussion developed (timpani, triangle, cymbals)
-Question and answer phrasing
-Minuet and trio (ABA ternary structure)

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7
Q

Romantic era

A

1820-1900

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8
Q

Romantic composers

A

-Chopin
-Schumann
-Schubert
-Mendelssohn

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9
Q

Features of romantic music

A

-Programme music (music that attempts to paint a picture or a mood)
-Expressive
-Rubato (freely played rhythm)
-Long, slow melodies
-Larger orchestra
-Wide range of dynamics

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10
Q

20th century music

A

1900-2000

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11
Q

20th century composers

A

-Reich
-Glass
-Schoenberg
-Debussy

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12
Q

Features of 20th century music

A

-Minimalism
-Polytonality
-Atonality (no specific key or tonality)
-Chromatic scale use
-Dissonant (harsh, discordant sounds)
-Syncopation
-Metamorphosis

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13
Q

Ground bass

A

Repeating melody in the bass - Baroque

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14
Q

Basso continuo

A

The instruments that play the ground bass - Baroque

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15
Q

Word painting

A

Making music directly reflect meaning of the words in a song

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16
Q

Opera

A

Dramatic work in one or more acts set to music - Baroque

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17
Q

Recitative

A

Vocals that mimic speech

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18
Q

Aria

A

Lyrical song for a solo voice with an orchestral accompaniment
A-B-A form
Baroque

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19
Q

Oratorio

A

Large-scale dramatic genre based off of religious text

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20
Q

Ornamentation examples

A

-Mordent
-Acciaccatura
-Appogiatura
-Trill

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21
Q

Melismatic

A

Many notes per syllable

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22
Q

Syllabic

A

One note per syllable

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23
Q

Acciaccatura/Grace note

A

Crushed note

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24
Q

Appogiatura

A

Play first note as half the value of the second note

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25
Trill
Note that rapidly alternates with the note a semitone above it
26
Mordent
Ornament which sounds the main note, the note above, and the main note again
27
Theme and variations
A musical idea that is repeated over and over and changes over time
28
String quartet
Form in classical chamber music. Two violins, a viola, a cello
29
Arpeggio
Broken chord
30
Minuet and trio
Ternary form structure Minuet-trio-minuet Stately dance in triple time Contrasting middle section
31
Staccato
Short and detached
32
Legato
Smooth and connected
33
Counter melody
Accompanying melody playing against main melody
34
Articulation
Shows how a note should be sung or played
35
Opera seria
Tragic Italian opera
36
Opera buffa
Comic Italian opera
37
Diatonic harmony
Using notes which belong t to the key rather that outside of the key
38
Singspiel
"Singing play" - musical comedy from Germany
39
Imitation in music
When a melody in one part is repeated a few notes later in a different part
40
Question and Answer phrasing
A phrase is played or sung and a response by an instrument or vocalist follows
41
Perfect cadence
Chordal progression of dominant to tonic (V - I)
42
Imperfect cadence
Phrase ending on chord V Sounds incomplete
43
Programme music
Music that attempts to paint a picture or a mood
44
Tone poem
One-movement work for an orchestra of the Romantic Era
45
Overture
Orchestral piece played at the start of an opera (single-movement in 19th century)
46
Programme symphony
Symphony 3-5 movements which together tell a story
47
Sforzando
Forced accent
48
Dissonant
Not in harmony
49
Scherzo
Playful movement of a sonata or symphony in rapid tempo
50
Sonata
Musical composition of 3 or 4 contrasting forms usually for solo instruments with orchestral accompaniment
51
Symphony
Musical composition for full orchestra Usually 4 movements
52
Sonata Form
Exposition, development, recapitulation
52
Sonata Form: Exposition
1st Subject - Transition - 2nd Subject - Codetta
52
Sonata Form: Development
Lots of modulation, fragmentation of themes, dramatic changes of dynamics and instrumentation, eventually leads back to tonic key
53
Sonata Form: Recapitulation
Similar to exposition but remains in original key Coda
54
Lied/Lieder
German for "Song/Songs" Associated with solo art song of 19th century Usually accompanied by piano
55
Impressionism
A French movement Exotic scales Unresolved dissonances Parallel chords Rich orchestral tone colour Free rhythm
56
Minimalism
Contemporary musical style Repetition of short, melodic, and rhythmic patterns with little variation
57
Polytonality
Use of several different keys at the same time
58
Atonality
No specific key or tonality
59
Timbre
Quality of sound/sound colour
60
Prepared piano
Piano with sound altered by placing objects such as bolts, screws, rubber bands, or pieces of felt between the strings of some of the keys
61
Syncopation
Offbeat
62
Motif
Recurring theme or musical idea
63
Ostinato
Musical phrase repeated over and over during a composition
64
Diminution
The shortening of the time values of notes in a melodic part
65
Largo
Slowly and broadly
66
Andante
Walking pace
67
Moderato
Moderate speed
68
Allegro
Fast
69
Vivace
Lively
70
Presto
Very fast
71
Accelerando
Gradually speeding up
72
Rallentando
Gradually slowing down
73
Ritenuto
Immediately slower
74
Allargando
Getting slower and broadening
75
Rubato
Rhythm is freely played
76
Rondo
Main theme (A) keeps returning, with contrasting sections (episodes) in between) A-B-A-C-A-D-A