Baroque Era Flashcards

(45 cards)

1
Q

Basso Continuo

A

Two performers:

  1. Playing noted bass line
  2. Realizing the harmonies (as indicated by the figured bass)
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2
Q

Equal Temperament

A

Method of tuning keyboards. Done by dividing all semitones within an octave equally, therefore creating harmonic equivalents.

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3
Q

Homophonic

A

Accompanying parts in the same rhythm as the melody

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4
Q

Polyphonic

A

Two or more parts, each with its own melody

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5
Q

Terraced Dynamics

A

Change of dynamics abruptly resulting in a stark contrast

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6
Q

The “affections”

A

Emotional states of the soul, one affection generally projected throughout entire composition and movement

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7
Q

Ospedale della Pietà

A

Vivaldi Worked Here

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8
Q

Drone

A

A continuous low humming sound

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9
Q

Ostinato

A

Continually repeated musical phrase or rhythm

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10
Q

Ripieno

A

Refers to the bulk of instrumental parts of a musical ensemble who do not play as soloists, especially in Baroque Music.

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11
Q

Ritornello Form

A

A recurring passage in baroque music

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12
Q

Bach’s birthplace

A

Germany

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13
Q

Bach’s birth and death years

A

1685 - 1750

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14
Q

Bach’s education

A

Greek and Latin theology

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15
Q

Instruments Bach played

A

Violin and organ

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16
Q

Bach’s places of employment

A

Arnstadt

St Thomas school

Collegium Musicum

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17
Q

Bach’s patrons

A

Duke of Weimar

Prince Leopold of Cöthen

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18
Q

Genres Bach cultivated

A

None, he perfected the baroque style

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19
Q

Hallmarks of Bach’s style

A

Influences of international styles

Virtuoso composer

Dedicated all works to the Glory of God

20
Q

Anna Magdalena Wilcke

A

Bach’s second wife

21
Q

Da Capo Aria

A

Very common opera/oratorio

Ternary form

In performances, section A is ornamented

22
Q

French Overature

A

Two parts (1. Slow, homophonic, rhythmic flexibility 2. Fast, imitative style)

Orchestral

23
Q

Homorhythmic texture

A

All voices sing the same rhythm, resulting in blocked chordal textures)

24
Q

Libretto

A

Text of the opera (usually not written by the composer)

25
Melisma
A group of notes sung on a single syllable or vowel
26
Recitativo Accompagnato
"Accompanied recitative" Supported by an instrumental ensemble or orchestra
27
Recitativo Secco
"Dry recitative" Speech like in opera, oratorio, cantata
28
Handel birthplace
Germany
29
Handel birth and death years
1685 - 1759
30
Handel's education
Law at university of Halle
31
Instruments Handel played
Violin and harpsichord
32
Handel's employment
Co-founded The Royal Academy of Music
33
Handel's patrons
Prince Ferdinand de Medici Prince Francesco Maria Ruspoki George Ludwig Queen Anne Earl of Burlington Duke of Chandos
34
Genres Handel Cultivated
Cosmopolitan style
35
Hallmarks of Handel's style
Homorhythmic Basic elements Dramatically theatrical Word painting
36
Charles Jennens
Assembled scriptures for Handel's Messiah
37
Counterpoint
Two or more melodies combined to create a single harmonic texture
38
Subject
Initial statement of main theme in fugue (in tonic key)
39
Real Answer
Exact transposition of answer
40
Tonal Answer
One or more intervals in the subject are adjusted to accommodate harmony
41
Counter Subject
Recurring counter melody
42
Episode
A passage in a fugue where neither subject or answer is present
43
Stretto
A section at the end of a fugue where successive introductions of theme follow at shorter intervals than before
44
Pedal point
A sustained tone, typically in bass, during which at least one foreign (e.g. Dissonant harmony) is sounded in other parts
45
Tierce de Picardie
Major chord at the end of the piece (written in a minor key)