Bill Alexander Commentary (AO5) Flashcards

(10 cards)

1
Q

How did Worcester Cathedral inspire Alexander to create the design for this richly pictorial production? (2 things)

A

’- ‘Its massive tombs and carved stone screen’
-‘In whose Gothic shadows wandered Margaret, wrapped in a huge Lancastrian flag.’’

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2
Q

‘Reminiscent of the spectacular medievalism of nineteenth-century theatre,’ what is the most important part to this interpretation?

A

‘This interpretation kept its flamboyant Richard firmly at the centre of attention.’

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3
Q

How did Antony Sher devise Richard’s character?

A

‘He devised a nightmarish figure for the Crookback, taking his cue from Margaret’s description of him as a ‘bottled-spider’’

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4
Q

How did Richard support himself and move around the stage?

A

‘He supported his spindly frame on two black crutches, on which, with long sleeves trailing’
‘He propelled himself about the stage with terrifying power and agility’

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5
Q

How did Antony Sher use the ‘two black crutches’ as ingenious tools? (2 things) and how was his ‘poisonous black hump finally pierced’?

A

‘To catch Hasting’s head in a pincer movement or to prove beneath women’s skirts’
It was finally pierced ‘by the cruciform sword of a Richmond in shining golden armour.’

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6
Q

What are the two influences Bill suggested Shakespeare wrote the play from and how?

A
  • Greek tragedy, choric mourning scenes
    -Medieval morality plays, Richard is drawn from the figure of vice.
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7
Q

What did the death of the real Richard III in 1485 mark? (3 things)

A

Marked:
- The end of the medieval world
- The beginning of the Tudors
-Start of English Modern history

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8
Q

Before Richard’s death, what was there that was an unshakable belief in for society?

A

The control of God, Richard’s death established the beginning of humanism.

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9
Q

What are the two types of person we can see Richard as?
(Bill, and then Jung)

A

Either:
- An Anti-christ figure
-‘Modern man in search of a soul’

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10
Q

What did Bill say about the Queen Elizabeth Scene when Richard requests to marry her daughter?

A

‘This confrontation has no equivalent in contemporary England. Maybe in Amin’s Uganda. The meeting between a mother and a man who’s killed her children.
A special Intimacy, even beyond hatred. A dreadful Intimacy. Maternalism versus Power.

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